This essay explores the life of a man in a small town of Mex My father, Artemio Gonzalez Reyes was born in a small town named China Nuevo Leon in the northern part of Mexico. People in his native town refers to him as Don Artemio, his family calls him Temo and his children like many other Mexican families refer to as Papi. With a smile in his face Papi remembers the story about his birthday. He was born the 28th day of February in 1950 according to his birth certificate but he says that that he was in fact born in 1949. When asked about this confusion he explains that his mother was very ill after his birth leaving his father in charge of his care along with his brothers and sisters. According to Papi during those times people did not see …show more content…
My father is the son on Crecencio “Chencho” Gonzalez and Manuela Reyes both natives of China Nueveo Leon. He was the youngest sibling of a family of six. When asked what do you remember about your childhood he explains that he remembers only good things. My father says that his parents were business people. He remembers his conversations with his father and the lessons that came along those conversations. His father CHencho used to tell Papi and his siblings stories and lessons that he had received form his mother. My dad’s paternal grandmother taught his kids the value of trading and commerce. My father describes how his grandmother used to say “When I am not longer here I want you to look after yourself and your families, buy a sack of sugar and make smaller bags of to resell, or buy a bag of oranges for 5 cents wash them, cut them and resell them for 15 cents”. In a time where most families in China relied on cattle raising or agriculture to survive and most of the commerce occurred by out of towners my Papi’s paternal grandmother was progressive and saw a business opportunity. My father shares that him and his siblings were raised under the following premises believe in God, work hard, and always move forward “adelante siempre adelante”. He remembers that at the age
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
The Carrillo Adobe is in a dire situation. It has not only fallen into disrepair from the many years of weather and use by so many individuals, but by visitors and citizens have been less that kind and considerate of its age and the prominence that it deserves. After Carrillo’s death her house was given to three of her daughters, Marta, Juana, and Felicidad. Then her belongings were distributed between all of her children. In the first decade after her death her different children each occupied the house at different times. One of her daughters, Juana and her husband ran the home as a tavern. They then converted the adobe into the first post office in the town of Santa Rosa. After her daughters no longer had a need for the adobe it was turned into a trading post where numerous individuals...
Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a provider, importance of traditions, respect for life, work and education/learning, death as part of life, honor, dignity, and finally discrimination and prejudice. I will be using this book as a reference and as a guide throughout this review to discuss the themes that are stated above.
Enrique’s Journey is a book that I would never read for fun. It is completely different from most of the books I have read, and intrigued me because the story was about a boy. Most of the books I have read in school are about a girl who goes through many hardships, and difficulties but I felt I could relate more to this one because it is about a boy who struggles. While I may not have been left thousands of miles away by mother so she could send money back, it was great to see what life was like on the other side. In this paper I will be talking about the micro and macro cultures of Enrique’s town Tegucigalpa. The situation and context of the characters decision making and how they adapted.
In “Enrique’s Journey”, by Sonia Nazario a young boy from Honduras, sets out to reunite with his mother, Lourdes, that abandoned him when he was just five years old. Lourdes leaves to the United States, in hopes to find a better job as an immigrant and to better provide for her family. After many years of suffering without his mom, he travels through Central America to the United States in order to finally reunite with her. He finds his mother beginning to move on as she has a little daughter, named Diana. They run into problems of resentment. Will they be able to finally be a family? Sonia develops this theme of family by using specific facts and characterization. Importance
The push-and-pull factors in Enrique’s yearn for the U.S not only allows him to rediscover himself as an individual in a world of uncertainty, it also eliminates his constant fear of failing as a promising human being; in addition exhibits the undying hope of a desperate man found in hopeful migrants. In Sonia Nazario’s “Enrique’s Journey,” his mother’s trip streamed “emptiness” into the heart of a once comfortable child and left him to “struggle” to hold memories they shared. Enrique’s life after Lourdes’ departure triggered the traumatizing demise of his identity. He threw this broken identity away while facing many obstacles, nevertheless each endea...
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
Nazario, Sonia. Enrique's Journey. New York: Random House Trade Paperbacks, 2002 . N. pag. Print.
Although having a Mexican mother and an American father was not always socially acceptable, growing up with a different food taste, having a close-knit family, as well as regularly getting disciplined shaped how I am as a person today. I was dipped into a very different childhood most children did not grow up into.
I was born in the Dominican Republic, November 2, 1982. I lived and grew up in a countryside where everybody knew each other. My childhood years were full of wonderful experiences where I felt loved by my parents and my family. I went to school around 6 years old. I had to walk around 30 minutes to get there from my house. My father was a farmer who had to work long hours in order to sustain our big family. My mother was a housewife; she was in charge of taking care of us. I have five siblings, three boys and two girls. I remember that at that time we did not have many things in our house. We did not have electricity and also we did not have a service of water. I remembered that my father had to go to the river to get water for the necessities of the house. At that time my family was very poor, but my
Martinez’s story is not so much one that pieces together the events of the crash, nor the lives of the three youths, but it is an immigrant’s tale, discovered through the crossings of the various Chavez family members and profiles of Cheranos in Mexico.
The 1959 novel, Pocho, by José Antonio Villarreal is an insightful cultural exposition told primarily from the vantage point of Richard Rubio, the coming-of-age son of immigrant Mexican parents who eventually settle in Santa Clara, California, after many seasons of migrant farm work. Although fiction, the story likely mirrors some of the experiences of the author who was born to migrant laborers in Los Angeles in 1924 and was himself a "pocho" - a child of the depression era Mexican-American transition. ("I am a Pocho," he said, "and we speak like this because here in California we make Castilian words out of English words." p 165)
In Pa Chin's Family, he portrays a traditional Confucian family battling to keep their traditions and their way of life in tact, amidst the deep upheaval and civil disorder gripping China. Pa Chin clearly portrays a family of which the Venerable Master Kao rules supreme at the expense of his family. The Kao family runs into several set backs such as suicide, death, depression, unhappy marriages, family conflict, and lack of respect for elders that undoubtedly lead to the unraveling of the Kao family. One significant reason the Kao family fails to maintain its integrity and way of life is because of the clash between Confusion traditionalism and Chinese cultural modernization. One of the main driving forces in disruption in Kao family tradition would have to be the rebellious youth, Chueh-min, Chueh-hui, and Chin in particular.
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
Life in Mexico was, before the Revolution, defined by the figure of the patron that held all of power in a certain area. Juan Preciado, who was born in an urban city outside of Comala, “came to Comala because [he] had been told that [his] father, a man named Pedro Paramo lived there” (1). He initially was unaware of the general dislike that his father was subjected to in that area of Mexico. Pedro was regarded as “[l]iving bile” (1) by the people that still inhabited Comala, a classification that Juan did not expect. This reveals that it was not known by those outside of the patron’s dominion of the cruel abuse that they levied upon their people. Pedro Paramo held...