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The movie Gremlins is a 1984 comedy with horror mixed together to create a funny and scary movie. Some of the characters include Hoyt Axton, Don Steele, and Dick Miller just to name a few. This movie was set around 1950 with in Chinatown and the United States. In this movie the boy’s dad find a mogul named Gizmo that came from china town, he thought of his son to give gizmo as a gift but, with the strict rules from the owner's son who sold the mogul to the man for $300 tells the man there are rules that must be followed; never get him wet, never feed after 12am, and don’t let him be exposed to light. Just when you think it’s easy to follow the rules, it's not that easy with the human mind curious as it is, you will find the curiosity leads to some very crazy things that are unimaginable. …show more content…
There are ways you use sound and video, it all has to be together to make the punch line perfect, when the movie played scary music it was obvious that something was about to go down. From using a dark space with low light should have contrast of black and white with a mix of color like during the movie theater scene it was dark only light and contrast from the projector. While using vibrant color with flashes of white, where in the candle lit scene, it is not realistic at the beginning with such low light for an inventor of his
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
Not only does Tim Burton interlace lighting into his movies, but he also merges in flashbacks. Flashbacks are frequently used in his movies. To take a case in point, Emily, in the Corpse Bride, has a flashback about her marriage and her death. Her husband only married her for her money, and murdered her that night. Her flashback is in the form of a song, giving the flashback an ingenious twist. Emily’s song discloses her death, past, and all the dreams she once had. In short, these flashbacks help explain to us why the characters act in a part...
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
One of the techniques that Tim Burton creatively put to use is lighting, which he used in order to set a mood or atmosphere. He uses lighting to create the eerie and mysterious atmosphere that have always kept his audience thrilled. Another
“Apocalypse Now” is a legendary war film directed by Francis Ford Coppola. The film’s main theme is devastation, violence, and horror. In this film Coppola thoroughly scrutinized the main characters ideas, behavior, and emotions to depict the darkness and the horror of war. His goal was to make the audience part of the horror. He wanted the audience to have a tremendous impact on this film and he succeeded with the perfect use of sound and editing in the ending sequence of his film. I will demonstrate how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types.
Cinema began as short, silent films, spinning away on cellulose. Audiences would follow the plot through mime and title cards in cramped theaters, projectors clanking loudly. It wasn't until the late 1920's that sound would be introduced to the motion picture experience. With the release of The Jazz Singer in 1927and the new Vitaphone system, “talkies” would replace the silent film. Actors and directors of the Silent Era had to adapt quickly to the new technology but would literally find a voice in their art and use it to speak directly to their audience.
I will just take it home and see what this fake thing can do.” The man went back to his house and sat down on the chair in the dining room staring at the monkey’s paw. He told his wife and daughter about how the old fakir gave him the monkey’s paw and how it granted wishes. The man said to the monkey’s paw “I wish for a million dollars.”
As an audience member, I completely fell in love with the story of the Woodsman. Every time his wife panged on his chest to remind him that he had a heart, mine fluttered in unison. The sound and lighting only made the most intense moments more so, and it joined the characters together, whether it was when the flashlights were lightning bugs or when the main characters “la-la-ed” together to understand the beat of chopping down a
In Frankenstein and The Bride of Frankenstein, sound is used as an effect to scare people and create a “spooky” feeling. They used the sounds of a storm with rain and thunder, the sound of footsteps coming up from behind people, and other noises like creaky stairs, floors, and doors. This created that “haunted” or “spooky” feeling that would be used over and over again in horror films for decades. When they used sound effects, it was to emphasize that something was either happening or about to happen.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
In the film, Charlie and the Chocolate Factory, every time there was a close up of Augustus Gloop in the candy room, sinister music would play. This foreshadowed that something bad was going to happen to him in that room. It puts the viewer on edge and creates a mood of suspense because they don’t know what is going to happen. He also uses music to foreshadow events in the movie Edward Scissorhands. Every time Edward saw Kim happy, angelic music would play which foreshadowed that something would happen between them and also gave you a hint about his feelings towards her. Burton used music to show foreshadowing in the movie Dark Shadows as well. When Josette was walking toward the edge of the cliff suspenseful music played create a mood of suspense and fear that Barnabas wouldn’t make it in time and she would fall to her death. One of the many other cinematic techniques Burton often uses in his films is using lighting and color to show
Most of the film the wooden doll is seen as the antagonist, but in the end there is actual human being living behind the walls that is the real antagonist (The Boy). The antagonist is an absolute must in any horror film because without it there is nothing to provide a horrifying experience for the protagonist. The antagonist is the reason any horror film is horrifying. Without an antagonist most horror films would lose a great portion of the plot, if not all of it, because the protagonist would have nothing to be scared of. The whole film would turn into a person or a group walking around possibly crying or screaming for no reason.
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
The use of sound has been greatly developed and is now considered as "one of the richest sources of meaning in film art." (Giannetti, 2002). When sound in film is being examined, two positions must be assumed; digetic sound and non-digetic sound. These positions relate to the basis of the sound in film and television. For example, digetic sound refers to the sound that materialises inside the creation of the film (if a character h...