The drama in the story “The Hitchhiker” has a lot of different technical elements, such as sound effects and music. These elements affect the story because they bring the life to what he is saying. It’s giving us a way to imagine what he is doing and where he is going. When the music starts playing, it's foreshadowing. The music usually means that Ronald is about to see the hitchhiker on the side of the road and it is giving us a hint of how long it will be until he sees him. The music also gives us an idea of what he is thinking. The music starts getting faster when something good is about to happen. The music then gets slower when the story starts to calm down and isn’t very exciting. An example of when the music is slower is when Ronald
The musical score proficiently provides the viewers with a sense of what is happening in the scene which could not be communicated through text. Dramatic music is played for Creon’s entrance; this immediately communicates to us that he is a man of great importance and power. When Antigone enters after being arrested, the music is dynamic and tense. This conveys the seriousness and desperate atmosphere of the scene. The score is also a representation of the varying moods of the characters. An example of this is when Antigone is anxiously trying to appeal her sentence. The music makes the audience drawn is drawn to feel sympathy and pity her when she is preaching her views on death. For instance, a solemn melody is played when Haemon’s dead corpse is brought to King Creon. Creon grieves by himself as he is overcome with devastation caused by his foolish actions; his emotions are intensified by the sorrowful and sombre background music. The music is able to complement the play, while accentuating the more significant events.
“The Hitchhiker,” by Lucille Fletcher, narrates the unusual happenings Ronald Adams, the protagonist, experiences, while driving along the deserted and densely populated roads of the United States. Adams continually observes a hitchhiker, whom he first saw, having almost hit him, on the Brooklyn Bridge, and apprehends traveling on the highways, for fear this phantasmal man shall reappear. Struggling to grasp reality once receiving news of his mother’s breakdown after the death of her son, Ronald Adams, he reverts his attention to the hitchhiker, the realization of never having been who he thought he was, and being alone without protection from the traveler, both wrench his mind in two. Lucille Fletcher uses suspense to build the plot of, “The
In The Hitchhiker’s Guide to the Galaxy, space is a pretty messed up place. Visiting planets like Magrathea, the richest planet of all time; nearly being killed by the Vogons, and finding the answer to the universe are all some of the crazy adventures the group goes on. Adams really thinks outside of the box for this book, it is filled with chaos and lunacy, but also some romance. It is evident in this novel that the theme is love, which can be shown through the ridiculous adventures Arthur and Trillian journey on.
At the start of the film, Marker put in this familiar noises of the planes to tell us that it was situated at the airport. Without the use of the sound in this particular scene, it would be just a photo montage whereby the viewers wouldn't probably feel the present of planes. Music helps to establish a sense of the pace at each of the accompanying scene and sometimes overlap voice-over musical score. At the beginning of the film, the images of the war torn Paris was accompanied by some sort of choir music that sounded very depressing and melancholic which then adds to the atmosphere. With the film starting off with this eerie atmosphere could also foreshadow a depressing storyline later on, that the protagonist meets his own death. Furthermore with the deliberate use of music in various part of the film, it kind of foreshadow the tragic ending whereby the fixated image of him as a child watching someone die at the
One way music serves as a link is by tying the emotions of the reader to the situation and state of mind of the characters or community. The first instance of this is when the community is mourning the death of Robbins. The music starts with a crude call and response cry.
For this essay I will be looking at the work of Hans Zimmer to discuss how music in film engages the viewer and evokes emotion and pulls the viewer toward the film. Hans Zimmer is a German born music composer. Hans Zimmer’s love of music stems from his childhood when he learned how to play various instruments. Before Zimmer began composing music for films he was in a well-known band. The band was called The Buggles whom were famous for their song Video Killed the Radio Star. After the Buggles Zimmer played in other bands but never had another hit. As Zimmer has progressed as a film composer so has his list of nominations and awards. Zimmer has won 4 Grammy Awards and 2 Golden Globes and many more for his outstanding film scores. The reason I chose to write this essay on Zimmer was that his genres and music score are extremely versatile ranging from animations to comedy to dark thrillers. This is important to highlight as it shows Zimmer can create almost any atmosphere with his music whether it be sad or creating tension that all cause us to engage with the film. Zimmer's use of themes and introduction of different instruments allowed him to create these wonderful engaging film score. In this essay I will look at three films by Hans Zimmer these are The Holiday Rush and Rain Man.
First of all, the audio is used brilliantly in the sequence. Sound is one of the most powerful tools in cinema. Sound cues us to form expectation and opens up the possibility for the editing. In the beginning of the sequence we see the indigenous people dancing and Willard resting on the boat. However, he is getting ready to complete his mission. When his voice-over comes into play, the audience starts to realize that Willard is becoming insane just like Kurtz, he is becoming part of the jungle and so is the audience. The scene cuts to Willard rising slowly from the water, accompanied by the song “The End” by The Doors. The tribal beat and the song mix together, intensifying the suspense. The odd thing is that the tribal beat is a diegetic sound and the song is a non-diegetic sound. The combination of these two sounds invades each other’s boundaries and creates a hypnotic feeling. “Filmmakers carefully choose which sounds to include on the soundtrack, knowing that emphasizing a particular ...
... it sounded very cool and moving through all that harsh, bright air, only just holding its own through all those other sounds” (50). This gives a story move of a melody the way he puts descriptions into the paragraph from the start you already can tell the story is going to be about music. Here are few examples that Baldwin gives “juke box was blasting away something black and bouncy and I half watched the barmaid as she danced her way from the juke box to her place behind the bar” (52). This gives a good explanation of music and how it makes people feel alive and joyful.
People relate to music. We sing it. We cry to it. We laugh to it. The reason: we can see ourselves in music. We can let go of our feelings and just relate to the words or the instruments. One way the songwriter connects the listener to the music is through plot: the problem or reaction to a problem a character/singer is expressing. Whether it is a fight with a lover, a fight with a friend, finding a lover/friend, or any other, the plot is helps the listener relate to the song.
In The Way To Rainy Mountain, the author N. Scott Momaday makes a clear use of figurative language throughout the story and descriptive language to describe the nature around them, explains their myths about how their tribe came to be a part of nature, as well as the importance in nature that are a part of the Sundance festival and the tai-me.
...ass levels, interactions between characters and stronger meaning behind the plot. His subtle use of references to the performing arts allows the reader to leave interpretation to those scenes and what each character could possibly represent in that situation.
"In the Fog" by Milton Geiger and "The Hitchhiker" by Lucille Fletcher are both suspenseful stories. The stories will send a chill up your spine. Both stories will leave the reader with a spooky feeling and will leave the reader on the edge of their seat. "In the Fog" and "The Hitchhiker" are similar in ways in regards to ghosts, humans and the setting.
In the film, Charlie and the Chocolate Factory, every time there was a close up of Augustus Gloop in the candy room, sinister music would play. This foreshadowed that something bad was going to happen to him in that room. It puts the viewer on edge and creates a mood of suspense because they don’t know what is going to happen. He also uses music to foreshadow events in the movie Edward Scissorhands. Every time Edward saw Kim happy, angelic music would play which foreshadowed that something would happen between them and also gave you a hint about his feelings towards her. Burton used music to show foreshadowing in the movie Dark Shadows as well. When Josette was walking toward the edge of the cliff suspenseful music played create a mood of suspense and fear that Barnabas wouldn’t make it in time and she would fall to her death. One of the many other cinematic techniques Burton often uses in his films is using lighting and color to show
Each person has their own way of seeing life and knowing what is best for them. The fact that some people know what they are doing is wrong, it is terrible. This happens in the story,” The Hitchhiking Game” by Milan Kundera. Two individuals lose all boundaries when they play new roles in the game. The game is more important than their own consciences and responsibilities. It brings forward a reality that when people fall in love, they forget about others and pay more attention to the one they are with; Nietzsche’s would urge this couple to reevaluate all values.
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this