Syntax And Chaotic Mood In The Bluest Eye By Toni Morrison

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Summer “I have only to break into the tightness of a strawberry…Public fact becomes private reality, and the seasons of a Midwestern town become the Moirai of our small lives” (Morrison 187-188). In this passage of The Bluest Eye, Toni Morrison uses shortened syntax and chaotic mood to demostrate the difference between public fact and private reality. Morrison writes shorter phrases in “Biting the strawberry, thinking of storms, I see her…The wind swoops her up, high above the houses, but she is still standing, hand on hip. Smiling” (Morrison 187). The passage shows the difference between how Claudia views the storm to be. Morrison writes shorter phrases here to demonstrate the idea that Claudia thinks of when her mother is telling …show more content…

In this passage of The Bluest Eye, Toni Morrison uses lucid imagery and a grieving mood to demonstrate the sympathy of Claudia and Frieda. Imagery is utilized in “It was in a dark, wet place, its head covered with great O’s of wool, the black face holding, like nickels, two clean black eyes, the flared nose, kissing-thick lips, and the living breathing silk of black skin” (Morrison 190). This is what Claudia imagines Pecola’s baby to look like. Morrison appeals to our senses to make us feel what Claudia is feeling. The readers feel connected because they know what the baby feels like and can better sympathize with it. Also, in this passes there is a grieving mood stated in “We thought only of this overwhelming hatred for the unborn baby” (Morrison 191). The readers know, from the foreword, that the baby will die eventually, but this shows how much Claudia and Frieda wanted it to live. The feeling of hopelessness lets us better care for the baby because there is no way to save it. The grieving tone helps set up of what will eventually …show more content…

In this passage of The Bluest Eye, Toni Morrison uses juxtaposition and anaphora to show of how the situation looks like and how it actually is. Juxtaposition is used in contrasting the differences between “And all of our beauty, which was hers first and which she gave to us. All of us-all who knew her-felt so wholesome after we cleanses ourselves on her. We were so beautiful when we stood astride her ugliness” (Morrison 205). This shows how lonely Pecola was from the rest of the word. Morrison tells of how life striped from Pecola what was originally hers and gave it to other people, instead giving her ugliness. Pecola did not develop to be normal and instead had to suffer about what she was born with. Morrison also employs anaphora in “Her simplicity decorated us, her guilt sanctified us, her pain made us glow with health, her awkwardness made us think we had a sense of humor” (Morrison 205). Morrison uses her to emphasize what Pecola gave to the world and to say that she got nothing good back in return. The revelation makes the readers feel bad for Pecola because she could do nothing more to help herself since she couldn’t control her

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