The most obvious symbol used in A Streetcar Named Desire is its title and the actual reference, in the play, to the streetcars named Desire and Cemeteries. They are the means by which Blanche was brought to the home of Stanley and Stella and, as the play unfolds, we realize the names of the streetcars have a greater significance. Blanche's instructions were to “take a streetcar named Desire, and then transfer to one called Cemeteries." When Blanche first arrives she is possessed by a desire for love and understanding, but always in the background lurks the fear of death and destruction. If the one cannot be obtained, a transfer to the other will be the inevitable alternative. Blanche indicates this in her speech to Mitch in scene nine: "Death-I used to sit here and she used to sit over there and death was as close as you are. . .. We didn't dare even admit we had ever heard of it. The opposite is desire." A subtle use of the symbol makes scene six very poignant: Mitch and Blanche have just returned from the amusement park and Blanche, concerned about transportation to take Mitch home, is surprised to hear that Desire runs all night long. The two basic drives, desire and death, are persistent throughout the play in determining Blanche's total behavior.
The destination for Blanche's streetcar travels is Elysian Fields, which also has a symbolic significance to the play. It is the section of New Orleans in which Stanley and Stella live as well as a reference to Greek mythology meaning paradise. In Streetcar, Stanley and Stella have created their own type of paradise in the sensual and blissful existence in which they live. Ironically, the location has an opposite effect on Blanche. Instead of finding happiness and conten...
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...han the flicker of a candle. She intends to keep it that way for she is prepared to protect herself from the harsh light of reality with the use of a paper lantern. The paper lantern becomes a symbol of Blanche. She covers every bare light bulb for fear that her life of illusion will be discovered. Mitch finds the real Blanche by tearing the lantern from the light, and Stanley hands her the remains of her torn illusion in the very last moment of the play, as she is being led away to an asylum.
Works Cited
Adler, Thomas P. A Streetcar Named Desire: the Moth and the Lantern. Boston: Twayne, 1990.
Sievers, W. David. Twentieth Century Interpretations of a Streetcar Named Desire: A collection of critical essays. Ed. Jordan Miller. New Jersey: Prentice-Hall, 1971.
Williams, Tennessee. A Streetcar Named Desire. New York: New American Library, 1942.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
In A Streetcar named Desire, Tennessee Williams presented to us the character of Blanche Dubois. She was the haggard and fragile southern beauty whose happiness was cruelly destroyed. She always avoided reality, and lived in her own imagination. As the play goes on, Blanches “instability grows along with her misfortune.” Her life ended in tragedy when she was put into a mental institution. Her brother in law’s cruelty combined with her fragile personality, left Blanche mentally detached from reality. Stanley Kowalski showed no remorse for his brutal actions, destroyed Blanches life and committed her to an insane asylum.
Warshaw, Robin. I Never Called it Rape: The Ms. Report on Recognizing, Fighting and Surviving Date and Acquaintance Rape. New York: HarperCollins Publishers, Inc., 1994.
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Character Conflict in Tennessee Williams’ A Streetcar Named Desire. Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town.
One of the most common misconceptions about rape is that is it committed by strangers most of the time. However, this is not the case. Date rape is an epidemic affecting tens of thousands of people across the world at staggering rates. The rape stereotype in our culture today is a jumping out of the shadows type of rape. Most people think that when someone is raped either their house is broken into and they are attacked, they are kidnapped, or something along those lines. Actually, 84% of women know their attacker (Hammond). This can become problematic for our society because victims are looking out for an attack that most likely will not take place, while ignoring assaults that are far more likely.
While it is popularly associated that rape involves a kidnapping of some type by a criminal that the victim has never come in contact with before, this belief has been disproved over the years by the number of cases of acquainted rape, also known as date rape. Date rape is forced or coerced sex between partners, dates, friends, friends of friends, or general acquaintances, often with the illegal use of drugs to alter the state of mind of the victim. Recent statistics show that the most common form of rape is date rape, which comprises 78 percent of all rapes. Rape itself is a very common occurrence, with one in four girls falling victim to an attempt before they are 25 and three out of five of these rapes occurring before the victim has reached eighteen. Not to be forgotten, men as well can be and have been sexually taken advantage of without their consent, either by other men or, in limited cases, women.
When people think of rape, they might think of a stranger jumping out of a shadowy place and sexually attacking someone. But in fact there different forms of sexual assault. Acquaintance Rape also known as date rape, is one of the most common among female adolescents and college students. About 60% of all reported rapes are committed by someone the victim knew. Rape is a crime of violence, and you can be arrested, prosecuted and properly punished by the law.
When the victim reports the incident to the police there is a long process that follows to convict the rapist. For date rape, which may be a result of teenage drinking or drug use at parties, there is a low percentage rate of the rapist going to jail because society does not understand that no means no. Because of this it is very hard for victims to get justice. For example, there was a girl in West Ch...
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Traditional or common knowledge views of rape portray the act as something a crazy stranger commits on another stranger. However, this is simply not the case. The vast majority of rapes, sometimes up to 70%, involve a victim who was previously known to the offender (Woods and Porter 2008). The data does not totally support this view, however. This is because only an estimated 18% of acquaintance rape is reported to the police (Woods and Porter 2008). For comparative purposes, an estimated 79% of stranger rape is reported. Research suggests that each type of forcible rape has a more frequent setting (Woods and Porter 2008). When a rape happens indoors, the victim is more likely to have had a close personal relationship with the offender (Woods and Porter 2008). In fact, the rape usually occurs in either the offender’s or victim’s home (Woods and Porter 2008). The National Institute of Justice reports that women are raped dramatically more than men are; 18% of women report being raped at least once in their life, in contrast to just the 3% of men who report being raped in their lifetime (Tjaden and Thoennes 2006). Of minority groups, 34% of American-Indian women report being raped in their lifetime, the highest percentage of any group; the lowest percentage is Pacific Islander women, of whom only 7% report being raped in their lifetime (Tjaden and Thoennes 2006). The data suggests that rape occurs at an early age. Nearly a quarter of female rape victims and nearly one half of male rape victims were younger than 12 years old when first raped (Tjaden and Thoennes 2006). The percent of victims first raped when younger than 18 years of age is nearly three quarters for men and over half for women (Tjaden and Thoennes 2006). “Women who w...
Our lives are consumed by the past. The past of what we once did, what we once accomplished, and what we once could call our own. As we look back on these past memories we seldom realize the impact these events have on our present lives. The loss of a past love mars are future relationships, the loss of our family influences the choices we make today, and the loss of our dignity can confuse the life we live in the present. These losses or deaths require healing from which you need to recover. The effects of not healing can cause devastation as apparent in the play A Streetcar Named Desire. The theme of A Streetcar Named Desire is death. We encounter this idea first with the death of Blanche and Stella's relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave, Blanche never could forgive her. This apparent in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche's animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve, leaving Blanche to handle the division of the estate after their parents die. As result of Stella's lack of support, we see Blanche become dependent on alcohol and lose her mental state. Blanche comes to be a a terrible reck through out the play as we learn of the details of her life at Bel Reve. Her loss of the entire estate and her struggle to get through an affair with a seventeen year old student. This baggage that Blanche carries on her shoulders nips at Stella through out eventually causing the demise of her relationship. As Blanche's visit goes on with Stella, the nips become too great and with the help of Stanley, Stella has Blanche committed to a mental hospital, thus symbolizing the death of the realtionship they once had. The next death we encounter in the film is the death of Stella and Stanley's marriage. Our first view of Stanley is of an eccentric man, but decent husband who cares deeply for his wife. However, as as Blanche's visit wears on, we come to see the true Stanley, violent and abusive.
The characters in “A Streetcar Named Desire”, most notably Blanche, demonstrates the quality of “being misplaced” and “being torn away from out chosen image of what and who we are” throughout the entirety of the play.
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.