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Sexual abuse in the church research paper
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Comedy films are solely not based on just the entertainment for the audience. Comedy films have an interesting way of bringing in a hidden meaning within the story line. The film, Sister Act directed in the early 1990s is a philosophical tale of Mary Magdalene. Mary Magdalene was biblical women that became condemned by her neighbors for her sins but saved by Jesus. The main character, Deloris Wilson, is a modern symbolism of Mary Magdalene. She is a sinful black showgirl at the Nevada Club who goes into witness protection as ‘Sister Mary Clarence’ when her boyfriend, Vince, and his two minions; Joey and Willy, are trying to condemn her. Director Emile Ardolino breaks down the power structure of religion by using female empowerment and discovers the balance between religious life and ordinary life. In the early 1990s, the Canadian Conference of Catholic Bishops (CCCB) became the first episcopal conference worldwide to adopt guidelines against sexual abuse (Kokesch, 2006). Priests were believed to be the first connection towards God, but people began to feel a distrust toward priests after sexual abuses against children was discovered. Male dominance is the structure of all religion, yet, the film is a celebration of female empowerment using nuns as the symbol. The priest becomes …show more content…
The comedy itself is entertaining to watch, yet, it holds an important message that human beings need to understand. The main character battles between her desire to live her exotic life, while her reason to live a simple life in the convent exemplifies the power struggles that human beings face every day. Just as Mary Magdalene was condemned and saved by Jesus, Deloris has found her sanctuary and has reached salvation. Director Emile Ardolino utilizes the empowering female roles of nuns to shed a new light on the power structure of religion and discover a unity between religion and ordinary
The issue of religion in women's horror is much like the issue of class. In most major organized religions there is a definite patriarchal structure of male dominance. The Father, the Son, the Pope, bishops and priests are all part of this structure that mostly lack woman influences. The religious structure reflects the male dominated society as a whole. As one would expect, women are frightful and perhaps horrified at this exclusionary system and in women's horror the idea of a woman Christ figure has been brought forth. Perhaps women are in touch with the idea of the Christ-like figure, one that is nurturing and motherly and by using a woman with Christ-like attributes, the structure of religion is commented on and destructured. Men's horror, however, works in the opposite direction by struggling to maintain the structure as it stands. While women battle to overthrow the ideas of a patriarchal religion, men battle to keep this disturbance in check and find comfort in the reassurance from male horror in the reassertion of male dominance.
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
In the article “Christianity and child abuse – the survivors’ voice leading to change”, Kennedy (2000) argued how children’s Christianity background can cause additional concerns in the issue of child sexual abuse. Kennedy justified her argument by presenting the fact how spiritual concepts like “the evil/sin of being abused” (126,127,129), “God’s will” (127,129), “sources of God’s grace” (128) have been wrongly used to warrant perpetrators’ inhumane acts. Moreover, she pointed out that both the subliminal messages children perceived of these concepts (128) and “silencing factors”, such as “the doctrine of forgiveness” (131) and no pre-marital sex (130) in Christian context, lead to further shame and guilt in children (131,132,133,134). Apart from the spiritual side, Kennedy also criticized Christian churches’ intention of protecting its own reputation rather than solving the issue (133). Christian communities practiced an unjust demand of forgiveness from the victim and a patriarchal culture (135). Also, Christian communities failed in offering objective policy guidance (136) and ensuring active implementation of the policy document (137). Kennedy ends the passage by prompting the idea that state and church should tackle the problem hand in hand (139), and the engagement of more practitioners with sound religious and psychology understanding (139).
Sexual abuse is a growing concern in society today. So many people are hurt by the actions of other people when they abuse them, especially in a sexual manner. The Catholic Church is also now being targeted for sexual offenders. Priests have been charged with sexually abusing young boys that are involved with the church. The church has been looking the other way on this issue for many years. The children as well as their family are being hurt and its time something was done to prevent the further exploitation of young boys in the Catholic Church.
The central characters, setting, and tone of the story help create the central idea of the psychological and internal desires of a woman. Through the view of the central characters it is established that the lawyer’s wife wants more than her average day and is searching for more to life than the daily routine of a house wife. Jean Varin is believed to be the desire she is looking for; however, she is not fulfilled or happy with the outcome of her choices. The setting and the tone reveal the psychological need for the wife to have an adventurous, lavish, and opulent lifestyle that she feels can only be achieved in Paris.
In the French film 8 Femmes, François Ozon, the director, guides a play from the 1950’s that focuses on a lively family that have deep secrets that all intertwine. In this musical mystery, comedy film, a murder has happened and each woman has their own motives for wanting to kill the man in the home. Yet, Ozon’s storyline is not the main focus of the film. The film follows each of the women which show the themes of betrayal, secrets, and most importantly sexuality. Sexuality is a main theme in many of François Ozon films that he directs. Sexuality in the cinema can be seen in many of his films because it affects Ozon personally.
Religion is powerful in that it controls followers’ behaviours and beliefs throughout their entire lives; it is a form of social control. Catholicism is one of the most widely known religions influencing more than 2 billion people around the world (Ross). Within Catholicism not everyone are seen as equals; men have greater privilege than women. The bible and church are from a male’s point of view (Christ 86) and passages within the bible are used to enforce a sexual hierarchy. In fact, the oppression of women begins with the first story in Genesis about creation, which portrays females as being inferior to men and even of an evil nature. This one passage is the main source of justification of oppression of woman in the church (Daly 13). The church and its teachings instil low self-esteem and low self-worth in women; it creates false identities that are supposed to be God’s plan (Daly 3). One has to wonder why women participate in the church and follow its teachings, and how women can overcome the oppression in the church.
In analyzing this story, there are several other interesting facts that merit further exploration. For instance, throughout the story all references to the little convent girl use black or dark references. But, when plunging to her death, the author describes the little convent girl as a "flutter of white petticoats, a show of white stockings". What is the significance of the sudden color change? Also, Since the reader must assume that the little convent girl is Catholic, what can be concluded about a proper catholic committing suicide?
2 Delores S. Williams, a Womanist Perspective on Sin, from a Troubling in My Soul, Womanist Perspective
The recent cases in our criminal justice system dealing with the abuse by Catholic priests of young boys have been successfully prosecuted because of our belief as a society that if it walks like a duck , talks like a duck, the chances are, it’s a duck. In the past, such abuse might never have come to light because of our predisposition to believe that a priest was not capable of such behavior.
The communal values evolve around religious events, having family honor and virginity. Even though the church’s betrayal is versatile, when the bishop arrives, it emphasizes the failure clearer. The people of the town, including the prie...
By dissecting the film, the director, Jennie Livingston's methodology and the audience's perceived response I believe we can easily ignore a different and more positive way of understanding the film despite the many flaws easy for feminist minds to criticize. This is in no way saying that these critiques are not valid, or that it is not beneficial to look at works of any form through the many and various feminist lenses.
Women’s rights in the Catholic Church, generally, are a controversial subject. Many people believe the Church is masculine and excludes women in any leadership rules. The Catholic Church has been around for over two thousand years. The modern world believes the Church is outdated. Jesus Christ lived during a time when women were secluded. It is time, in their thoughts, for the Catholics to change their beliefs to adequate with the contemporary society, some Catholics even deliberate with the idea of change. Pope Paul VI portrayed the Catholic Church in three words, tradition (the practices of the faith), magisterium (God’s Plan) and the Gospels (Jesus’ teachings). It is not the Church’s responsibility to change but to follow what they have been given, the Truth. As more go to the advanced society and the feminist movement continues on, the Church stays with their beliefs on who each of the sexes really are.
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
The attitude towards women has changed dramatically since 1990, the year that this film came out; you will however, find a few men who still have the attitude that women were put on this earth for their enjoyment. In the early nineties, women were hyper-sexualized and viewed as pawns in a game. MTV showed music videos with scantily clad women, which were seen as extremely scandalous at the time. The nineties was also an era of growth, liberalization and sexual discoveries that carried over from the eighties.... ...