Alison Bechdel uses symbols in her story “Fun Home” to clearly depict what “Fun Home” actually means.
Daedalus is an Athenian craftsman, famous for his ability to invent and build things and Icarus is the young son of Daedalus and Nafsi Crate, one of King Minos’ servants. Daedalus was too smart and inventive, thus, he started thinking how he and Icarus would escape the Labyrinth. Knowing that his architectural creation was too complicated, he figured out that they could not come out on foot. He also knew that the shores of Crete were perfectly guarded therefore they would not be able to escape by sea either. The only way left was the air. Daedalus managed to create gigantic wings, using branches of osier and connected them with wax. He taught Icarus how to fly, but
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Bechdel makes it very unclear which figure represents her and which her dad. The novel begins with Bechdel on her father’s legs and hands, playing airplane. She says that in the circus, this kind of acrobatics is called “Icarian games.” When she describes her connection with her father as a “reenactment of this mythic relationship” between Daedalus and Icarus, it would be logical to assume that Daedalus is to represent her dad as she is to represent Icarus, since she is the child. This assumption is strengthened by the image where Alison loses her balance on her father’s legs and falls to the ground. However, in the novel it states, “it was not me but my father who was to plummet from the sky,” making him as Icarus and her as Daedalus. Alison’s life is somewhat subject to her father’s determination through his commanding nature, but Bechdel has ultimate control over the narrative she expresses and the characterization of her father in “Fun Home.” Throughout the story we see Alison and her dad taking on characteristics of both Daedalus and Icarus which extends to the extent of Bechdel’s creative
The Pigman by Paul Zindel is a book that has many symbols, and means of those symbols can be explained to the farthest extent. This will talk about some of the many symbols that are used in this story.
Motorcycles and Sweet Grass is a very rare occurrence in aboriginal literature. Most works about oppression and sadness as the aboriginal population once was. However, Drew Haydn Taylor attempts to implement humorous aspects of native culture in this novel.
Alison Bechdel uses her graphic memoir, Fun home, to explore her relationship with her father. She uses the book as a tool to reflect on her life and the affect her father had on her. She discovers how her fathers closeted sexuality affected her childhood and her transition into adulthood. His death left a powerful mark and left her searching for answers. She clearly states this when she says, “it’s true that he didn’t kill himself until I was nearly twenty. But his absence resonated retroactively, echoing back through all the time I knew him.” (23). This feeling drove her to look back on their relationship and find what binds her so strongly to a man she never understood.
Alison Bechdel wrote Fun Home as a memoir so that people understood the impact her father had on her. She went into great detail in this memoir about her childhood and moments after her father’s death. Which she claims her dad was a suicidal. During the memoir, she describes her relationship with her father. All issues, lessons, and arguments she had with her father are really significant to her. She uses her relationship with her father as the main point in the memoir. Their relationship had its ups and downs but she had very strong feelings for her father. Even though her father did not treat her as a girl most of the time, she managed to get over the fact of her father’s behavior.
Bechdel addresses some points that we see in today’s world regarding fatherhood and homosexuality, and Fun Home: A Family Tragicomic, does a very good connecting those points with today’s society. Overall, she was able to understand and come to conclusions about things that she never understood while growing up. It was not until Bechdel was a little older and her father had passed away, that she realized that her father had a funny way of showing love. “But in the tricky reverse narration that impels our entwined stories, he was there to catch me when I leapt.” (Bechdel 232) The fact that that Alison’s father, Bruce, and herself were hiding their homosexuality and living a life that was far from normal, she was able to realize that the way her father was present in her life at that time, had to do a lot with gender role confusion, not knowing who he really was or accepting the truth leading him to his death. Besides the fact that her father never really showed much affection towards her, she still knew that her father cared in his own
In the memoir, Fun Home, Alison Bechdel effectively depicted her life as a child all the way up to age nineteen when she finally decided to come out to her family. Growing up Alison’s path crossed paths with struggles that try to hinder her while she attempts to grasp on to the identity of being homosexual. Even though Bechdel encounter struggles she is able to overcome those struggles in a supportive environment. Despite her father, Bruce Bechdel homosexuality, which was unknown to Alison for the majority of her life could possibly be the emotional core of Fun Home. In actuality, it is Alison 's personal coming out party that assists her mother, Helen Bechdel, to expose Bruce 's hidden relationships to Alison. Effectively, the process of writing the memoir has really permitted Bechdel to reminisce about her father through the spectacles of her experiences, later giving her the chance to reveal clues about her father 's undercover desires that she was incapable of interpreting at the moment. In a scene where Bruce takes his openly queer daughter to a gay bar embodies the dissimilarities amongst Bruce and Alison 's attitudes of dealing with their homosexuality. Bruce tussles with the shame of hiding his
In an attempt to become more like her father she tries emulate him, as he tries to make her become anything but him. As she develops, she becomes more aware of masculinity and acutely aware that her father doesn’t fit the definition. Bechdel sees men at gas stations and on television and realizes that her father is missing something that those men seem to have. In her endeavor to counteract his femininity, she becomes more masculine. Although, even at a very young age, Bechdel doesn’t show interest for feminine things. Alison seems to be oblivious to all of her father’s attempts. In this image the reader sees Bechdel analyzing all of men at the gas station. Alison drew this frame to show her readers what it was she was noticing when she was young. The men in this image are more built than her father, they dress in more casual clothes with tattoos and chew tins. However, she doesn’t seem to pay attention to the ad of the Sunbeam Bread in the background with the image of Miss Sunbeam. It is as if Alison wants her readers to know that she was given chances to evaluate what girls her age should be like but she was more interested in knowing what men were like. She was often seen in gender neutral clothes, with a boyish haircut and as she got older, her father became more direct with his wants for her to dress like a girl; she resented having to wear skirts, dresses, or accessories and
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
Fun Home shows how as the reader we can become educated and heal from the stories like that of Alison Bechdel’s childhood. We also can see Alison’s journey of healing as well. This full circle journey is why literature is so versatile and important to our society and culture. We depend on the creation and growth of literary themes like the ones we see in Fun House to help us grow and deal with the real world.
In Alison Bechdel’s Fun Home, Bechdel uses the theme of appearance versus reality to highlight her relationship with her father. Bechdel utilizes her illustrations and short sentences to reveal these things about herself and her father. Bechdel opens her memoir with a chapter entitled “Old Father, Old Artificer”. Bechdel refers to her father, Bruce Bechdel, as an artificer because she sees him as a skilled craftsman. Bechdel describes, “His greatest achievement, arguably, was his monomaniacal restoration of our old house.” (Bechdel 4). Her father restored their old house to make it look like a huge mansion. Bechdel knows that this is just the appearance of their household because it is not an accurate representation of their family life inside the house. Bruce created an appearance that was the opposite of reality to cover up the actual wealth of their family. He hides the fact that his family may not be as wealthy and perfect as they appear to be. In this case, Bruce reveals he believes that appearance is more important than the reality of a situation. Appearance is also important on the inside of the home as well. Bechdel mentions, “Sometimes, when things were going well, I
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...
In “Everyday Use” Alice Walker used symbolism throughout the story. Symbolism is an object that has a special meaning for person. For example, Puerto Rican flag have one star and the star represent one colonies of United State. It also has three stripes. The stripes represent when you United State freedom us from Spain. The Egyptians use symbols to communicate by writing. Symbols are use in math equations, shape and sets of numbers. In the equation 1+2-4=-1, the symbols - is use for subtraction or to show a negative number, and the symbol + is use for addition.
Various symbols are used in "The Lesson," by Toni Cade Bambara, to represent the social and economic inequality faced by the children in this story. The children, not that they asked for it, are dealt the bad hand by fate. It is up to them to decide what to do about it or even to do anything at all.
This novel went into how she and her father both were similar in how they expressed and experienced their own identification in gender roles. Either it being shown in their own way or even it is being through one another, they did not realize how close they were until she understood herself at the end. This then became the opening to them discusses their life experiences that involved identifying with another gender, which made them gain a better understanding about each other. The reason why the readers gain this perspective was how she used this graphic novel technique to become concise and obtain a mutual understanding in what she was expressing and explaining throughout the novel. With this mutual understanding of how she made this graphic novel, then the readers can focus more on how in the beginning they thought they were very different people, but later on grew to understand that both choose different gender roles. This gave them many similar outcomes, which help them grow even closer than they were before. With that Bechdel stated at the end, “ He did hurtle into the sea, of course. But in the tricky reserved narrative that impels our entwined stories, he was there to catch me when I leapt.”, which suggest that even if he is gone in real life he is still a part of her life’s
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.