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Recommended: Symbolism
When an author writes a short story, they often use symbolism to convey what they mean in as little words as possible; or to spread a message that is easier for others to grasp. “Young Goodman Brown,” by Nathaniel Hawthorne, and “Hills Like White Elephants,” by Ernest Hemingway, are two such short stories that make great use of symbolism throughout the work. “Young Goodman Brown,” a story that is nearly all symbolism, has to be interpreted properly; so that the reader might understand and learn from what he is reading. “Hills Like White Elephants,” a story that uses less symbolism than the previous story, is a story that uses symbolism to talk about something that was forbidden at the time that this story takes place. Both stories use different styles of symbolism, and hidden meanings, to convey what the author is trying to get across to his readers.
The symbolism in “Hills Like White Elephants” is very exclusive, but effective. Throughout the story, the hills are said to appear like white elephants, though only in color. The white elephant was a very rare and precious gift, but it was also very costly and could not be used as a beast of burden or killed (Weeks 77). So then we know that something is either seen as precious or as a very costly annoyance. This story starts out with a man and a girl having a conversation while waiting at a train station. The couple is enjoying drinks at a bar and the girl is talking about how the hills look like white elephants, although only in their color. The man seems to ignore her, since he has other things on his mind. The man then tells her it is “An awfully simple operation… It’s just to let the air in (Mays 790).” We now know what the white elephant is a symbol for, a child. The man wants...
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... get an abortion. Although these two stories use symbolism differently, they are still masterfully created by their authors; and they use symbolism in a way that helps us to grasp what they are trying to convey.
Works Cited
Hawthorne, Nathaniel. Young Goodman Brown. Charlottesville, Va: University of Virginia Library, 1996. eBook Collection (EBSCOhost). Web. 2 Mar. 2014.
Mays, Kelly J. "Hills like White Elephants." The Norton Introduction to Literature. 500 Fifth Avenue, New York, N.Y.: W. W. Norton & Company, Inc., 2013. 788-792. Print.
Walsh Jr., Thomas F. "The Bedeviling Of Young Goodman Brown." Modern Language Quarterly 19.4 (1958): 331. Literary Reference Center Plus. Web. 2 Mar. 2014.
Weeks Jr., Lewis E. "Hemingway Hills: Symbolism In 'Hills Like White Elephants'." Studies In Short Fiction 17.1 (1980): 75. Literary Reference Center Plus. Web. 2 Mar. 2014.
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
Charters, Ann, ed. "Hills Like White Elephants." The Story and Its Writer: An Introduction to s Short Fiction, IV, 615-618. Boston: Bedford Books, 1995.
In Hemingway’s realistic story, “Hills like white elephants” an idea about the plot is given from the author. He states that the couple waits at a train station for the next express train to come by and take off to their next destination, Madrid. While they wait, they go to a nearby bar to have a few drinks and talk among themselves. In this setting the author shows how the woman seems to be focused at the lines of the hills. He describes the hills to appear white in the sun, and the view to be brown and dry. This proves how Jig imagines the hills to appears as white elephants. “They look like white elephants” (Jig line 20). Hemingway makes the reader believe that white elephants symbolize something big and noticeable. In this case, white elephants are used as the big meaning behind the pregnancy.
In conclusion, the short story ‘Hills like White Elephants’ contains symbolism to a high degree. The most important of all symbolism is perhaps the "white elephant". As we all know, a white elephant is a gift that nobody wants. To correlate this to the story, the white elephant is the baby who wants to abort template hesitant.
Hawthorne, Nathaniel. "Young Goodman Brown." Making Literature Matter: An Anthology for Readers and Writers. 5th ed. Ed. John Schlib and John Clifford. Boston: Bedford/St. Martins, 2012. 1131-1141. Print.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
Nathaniel Hawthorne’s tale, “Young Goodman Brown,” is rich in symbolism, as this essay will amply illustrate.
The 89-103. Literature Resource Center -. Gale. Renner, Stanley. A. Moving to the girl's side of 'Hills Like White Elephants.'.
“The Hills Like White Elephants” is a short story that is about an American man and a girl called Jig. They are sitting at a table outside a train station, waiting for a train to Madrid. While they wait they order drinks and have a heated ongoing conversation over whether or not Jig will have an operation that would be of great significance to their relationship. “The Hills Like White Elephants” by Ernest Hemingway has two important symbols in the story, the hills and the drinks both of which help to give us a better understanding of what is going on between the American and his girl.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
While reading short stories, two stood out: Ernest Hemingway’s Hills Like White Elephants and Raymond Carver’s Cathedral. The themes in both stories are powerful and convey strong messages that really pose existential thoughts. Not only is each story’s theme attention grabbing, but so is the common and reoccurring use of symbolism throughout the stories. They did not just use the Element of Fiction symbolism, but even used one common symbol. Ernest Hemingway’s story Hills Like White Elephants and Raymond Carver’s story Cathedral each contain existential and similar themes such as talking versus communicating and looking versus seeing, as well as demonstrating creative and comparable symbolism throughout.
“Hills Like White Elephants” is a classical short story first published in 1927 written by Ernest Hemingway, who has been generally recognized as one of the most influential writers in American history of literature. Starting with a lengthy description of the story’s setting in a train station surrounded by hills, fields and trees in the valley of Ebro in Spain, Hemingway told the story from a third person limited omniscient, nearly in an entire form of a dialogue between an unnamed American young man and a girl named Jig while they are sitting at a bar near the train station waiting for the train to Madrid. Throughout Hemingway’s direct and clean report...
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
Hawthorne, Nathaniel. “Young Goodman Brown.” The Norton Anthology of American Literature. Ed, Nina Baym. 6th ed. 2003 1263-1272.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.