Chopin uses spring time and nature as a symbols of the renewal and hopefulness Mrs. Mallard is feeling now that she believes her husband has died. Chopin writes that in her room Mrs. Mallard "could see in the open square before her house the tops of trees that were all aquiver with the new spring life," (307). Spring represents new life and Chopin uses that representation in order to suggest that Mrs. Mallard feels like she too will have a new life now that her husband is dead. This is not what the reader would expect a new widow to feel, but Chopin uses this symbolism to foreshadow future events in the short story.
Hope and renewal are also symbolized through Chopin’s descriptions of the sky in paragraph six. While looking through her window,
…show more content…
The narrator of the poem writes that in the end he takes “the one less traveled by” (line 19). This is in contradiction to what was written in the poem previously. Previously the narrator has said that in regards to the two roads “the passing there / had worn them really about the same,” (lines 9-10). This indicates that not one path or the other had been travelled on more or less as the roads are equally worn. The narrator also states that the roads “equally lay / in leaves” (lines 11-12). This again suggests that neither road is taken more than the other and that the title of the poem cannot refer to the road most people decide not to …show more content…
In the beginning of the poem the narrator hesitates at the fork in the road before continuing on with his journey as he does not know which road to take. We see that a decision has to be made as the narrator says he is “sorry [he] could not travel both,” (line 2). So he waits for a while to weigh his options.
To begin the decision making process the narrator “look[s] down one as far as [he] could” (line 4). The narrator does this to see all of the potential future outcomes of making this decision, but he can only see so much “to where [the road] bent in the undergrowth,” (line 5). The narrator then takes to the other road as it may have “the better claim,” (line 7). He is still uncertain of which choice is the better option and also states “the passing there / had worn them really about the same,” (lines 9-10). This indicates that there is not one clear correct choice in this
The sky she is able to see from her window as the light breaks through the clouds seems full of hope for her future. There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window. (Chopin 476) 2. Birds-The viewing of the sparrows is a sign of freedom. She could see in the open square before her house the tops of trees that were all aquiver with the new spring life.
“And sorry I could not travel both” (2), the speaker is coming to a decision. In everyone’s life, they must make a decision to follow God or not to follow God. In this poem, the speaker has to make this choice. He tries to look down both roads as far as he can to see the choices that might result from taking either path. “Yet knowing how way leads on to way” (14), he knows that this decision is not temporary. He knows that once he chooses a path, he “doubted if I should ever come back” (15[VR1] ).
The poem is set in the fall when the leaves are changing colors and beginning to cover the ground. The speaker of the poem is faced with an unfamiliar fork in the road and is forced to decide which direction he or she must go. As the speaker is deliberating, he is “sorry” he cannot just travel both and it appears to be because the speaker has a fear of picking the wrong one (Frost 2). Although he “looked down one as far as I could” there was no seeing the end (4). Just like in a life, it is possible to have an idea of what will happen and there is no telling which choices will turn out beneficial and which will not. The speaker knows that although the paths are similar the outcome of picking the wrong one could be life changing. Even though he is upset he must trust in himself to know which one would be best for him in the long run.
In Kate Chopin’s “Story of an Hour,” Louise Mallard, is going through a life changing event that is brought on by the news of the death of her husband’s death, grieves for a very short time and discovers that she will now be able to live for herself. The end of her last hour comes when she sees her husband walking through the door. Kate Chopin displays symbolism starting with Mrs. Mallard’s heart trouble representing her dissatisfaction with her marriage and unhappiness, the open window represents the new life and opportunities that await her, and the patches of blue sky represents freedom and a tunnel of hope to show the emotions and changes of Mrs. Mallard after hearing of the loss of her husband.
Chopin creates a cheerful tone through her use of bright and lively imagery. A major example of this lively imagery is shown when she states, “She could see in the open square before her house the tops of trees that were all aquiver with new spring life” (Chopin 550). By describing the story’s environment in this way, Chopin creates a
The Road by Cormac McCarthy takes place in a post-apocalyptic world and follows the journey of a son and father traveling east to find a better life. It follows them for several months as they walk with a cart of belongings across a landscape that has no civilization. It is never said what caused the world to turn like so in the book, but we could infer it was some type of natural disaster on a large scale. All is known about location is that it most likely takes place in the United States.
The symbols and imagery used by Kate Chopin's in “The Story of an Hour” give the reader a sense of Mrs. Mallard’s new life appearing before her through her view of an “open window” (para. 4). Louise Mallard experiences what most individuals long for throughout their lives; freedom and happiness. By spending an hour in a “comfortable, roomy armchair” (para.4) in front of an open window, she undergoes a transformation that makes her understand the importance of her freedom. The author's use of Spring time imagery also creates a sense of renewal that captures the author's idea that Mrs. Mallard was set free after the news of her husband's death.
In the poem, “The Road Not Taken” by Robert Frost, the author describes a time when he has to choose between two different trails. He is going for a walk in a forest in the fall. He comes to a fork in the road and must decide which path to take. Frost is using this metaphor to illustrate the consequences that may appear when one makes a decision. One of the trails is well traveled while the other is not used. The speaker decides to take the trail less traveled. Because of this decision, the speaker laments in line 16: “I shall be telling this with a sigh.”
The ambiguity which dominates the poem seems to be intentional. The only certainty in the poem is that it deals with a solitary traveler who has come to a fork in the road and must choose which way to go.
To start off, this short story is packed with an abundance of symbolism that further highlights the emotions that Mrs. Mallard was feeling after hearing the devastating news of her husband’s death. Although she is instantly overcome with grief upon hearing the news, there were ‘’patches of blue sky showing here and there through the clouds…” (Chopin 476). These patches of blue sky represent the plethora of opportunities that await Mrs. Mallard now that she has been given a fresh start, with total and unrestricted freedom. Shortly after, Louise begins to comprehend how her husband’s death has in turn completely changed her life for the better. In addition, Mrs. Mallard’s heart troubles also bear a symbolic significance. Her physical heart complications symbolize her discontent with her lack of freedom in her life and marriage. In contrast, when Mrs. Mallard initially realizes the liberty and independence that she now possesses, “her pulses beat fast, and the coursing blood w...
“The Road Not Taken” examines the struggles people run into when they come to a place in their life where a life altering decisions has to be made. The man who is described in this poem is traveling when he comes upon “two roads diverged” (1). He then has to choose which path he will take to continue on his journey. After standing at the diversion for a while, he knows he has to make a final decision. One path was worn down and “bent in the undergrowth” (5), so he took the other path, which was described as “perhaps the better claim/ Because it was grassy and wanted wear” (6-7). The man of the poem begins to ponder about a time when he will be telling his story of the path he took. Although we are not sure if the man regrets his decision or is relieved, he lets us know taking the road less traveled “has made all the difference” (20).
Above all, 'The Road Not Taken'; can truly be interpreted through much symbolism as a clear-sighted representation of two fair choices. The two roads in the poem, although, 'diverging,'; lead in different directions. At the beginning they appear to be somewhat similar, but is apparent that miles away they will grow farther and farther away from each other. Similar to many choices faced in life. It is impossible to foresee the consequences of most major decisions we make and it is often necessary to make these decisions based on a little more than examining which choice 'wanted wear.'; In
In the poem, a person is walking along a path in an autumn forest in the early hours of the morning, when he stumbles upon a fork in the road. The speaker wishes that he would be able to travel down both of them, but he has places to go, and he does not have enough time. One is worn out from people walking along it so much, and the other is grassy and barely worn from fewer people walking on it. Although neither of them had been traveled on that day, as the leaves were still fresh on the ground, the speaker was compelled to travel the second or grassier path. The speaker fin...
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...
The overarching theme throughout the entire poem is that of choices. The concept of “two roads diverged,” or a split in the road, is a metaphor representing a choice which the narrator must make. Being “sorry [he] could not travel both… [being] one traveler” illustrates that, although he wishes he could see the results of both choices, as seen in saying he “looked as far as [he] could to where it bent,” he is but one pers...