Symbolism In The Bluest Eye

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It’s a Slow Fade Having started long before, the Civil Rights Movement was at its peak in the 60’s, having had the success of the Civil Rights Act of 1964 and the Voting Rights Act of 1965. While they were making legal progression, it is no secret that there was still hatred felt towards colored people of the time, which was expressed through lynching and racial slurs. Rarely, if ever, would a colored person be seen as a movie star or someone considered beautiful. The expectation of beautiful was found in actresses like Marilyn Monroe and Shirley Temple, both blonde, blue eyed, and, most importantly, white. Writing her first novel as a colored female in this time period, Toni Morrison is engulfed in this reality. In her novel, The Bluest Eye,
As Cholly and Pauline’s second child, Pecola has a name that is a combination of the two. This combination in her name is symbolic of her mix of their racial self loathing, derived from both desire for beauty as well as the hatred of others. On a simple trip to the candy store, Pecola stops to look at the flowers. She looks at dandelions growing up from a telephone pole and “why, she wonders, do people call them weeds? She thought they were pretty” (Morrison 47). Pecola can not understand why people say that dandelions are ugly, just as she can not comprehend why people find her ugly. Morrison uses the beauty of the dandelions to represent Pecola’s beauty. After entering the candy store, the white merchant looked less than pleased, in fact “he does not see her, because for him there is nothing to see” (Morrison 48). He sees her as a nuisance and Pecola is aware that his distaste is for her. He despises her merely for her skin color, so she pays for her candy and leaves, but this time with a new outlook. She passes the same dandelions, a representation of herself, and mutters “‘ They are ugly. They are weeds” (Morrison 50). The acrimony of the store clerk changed her view of the world. She can not even attend school without racism being poured out onto her. Teasings such as the chant “black e mo black e mo ya daddy sleeps naked” is shouted at her, drawing correlations between the taboo of being black and the alleged taboo of her father sleeping naked (Morrison 65). Despite the fact that even Claudia had seen her own father naked and felt no shame, Pecola is drenched in shame. She completely denies the thought, arguing “I never saw my daddy naked. Never” (Morrison 72). She is completely shredded by what other say about and to her. She is even called a “nasty little black bitch” by a complete stranger (Morrison 92). Looking around her, she

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