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Kate Chopin’s, short story, ’The Story of an Hour' its still thematically rich and full of symbolism. ‘'The Story of an Hour’’ was written by Kate Chopin in 1894 and is a short story in which she presents an often unheard view of marriage and not socially acceptable at that time. During this time, America had only recently abolished slavery, and the 19th Amendment wouldn't grant women the right to vote until 1920. It makes sense, then, that freedom would be of great concern to Chopin, especially considering she is thought to be one of the earliest forerunners of modern feminism. Chopin also published another short story along the same theme as “The Story of an Hour."A Pair of Silk Stockings” was written in April of 1896. She celebrated exploring themes that …show more content…
Her point of view influences the to believe that Chopin may have felt similarly to the way she depicted the principle character to feel when her husband passed in 1883. Though Kate Chopin recounts to Mrs. Mallard's story, she does not do so in first person. Chopin reveals the short story through a narrator's voice. The narrator is not simply an observer, however. Louise Mallard, in ‘'The Story of an Hour’', is an average lady and protagonist of the 1890s who enjoys little in her quest for individual flexibility. When she learns of her significant other Brently's passing in a railroad disaster, in any case, she rapidly starts to understand the new potential for her own self assertions.With him gone, Louise senses feelings that change her, and with her quiet repetitive chant of the word 'free,' the reader soon learns just what that thing is. She finds herself feeling independent, but feeling guilty for having such reverence for herself, after her husbands passing. She then exposes the idea of feeling guilty. She is …show more content…
Sommers surprisingly finds herself with a sum of money unusually large for her circumstances. Feeling important and wealthy, she considers how to invest her money, feeling that she must carefully allocate her funds. During the night, she thinks of a sensible use for the money. She determines to use the money towards the needs of her children. This proves to the reader her maternal instincts and unselfish tendencies are present within her values of a women, especially during this period in time. Mrs. Sommers used to have more money long ago, before her marriage, but she does not worry about the past or the future, focusing mostly on the present. With the money she does buy a few items for herself she would not usually spend as much on. Mrs. Sommers faces a minor dilemma that eventually becomes a conscious expression of her desire to return to a past that she can no longer have, reflecting her subconscious craving for the independence that she does not have while under the pressures of poverty. Mrs. Sommers does not simply seek to riches in the way of the individuals who have never had cash; rather, as Mrs. Sommers' neighbors note, she has in truth experienced more promising times and instinctively compares her childhood with basic extravagances, for example, silk leggings and
By contrast, Louise Mallard, the protagonist in Chopin's "Story of an Hour", is a moral woman and loving wife, at least by Western standards. Her life is defined by the accepted social ideal of a husband's will as final. She is so inured to this concept that only upon hearing the news of his death does her true feeling of something "too subtle and elusive to name" (199) come forth. What she acknowledges to herself is that her marriage is not happy for her and she often resents her subservient role and "a kind intention or a cruel intention made the act seem no less a crime".
She tried to do many things to be “better” than she had been. Showering everyday to be the cleanest version herself made her feel that it enhanced her quality of life. She was doing this day in day out and even sometimes twice a day as part of her “cleanliness”. While she did not have much money, she spent her extra cash on what she felt was its place to be spent in. Herself. Her appearance. Edith had bought the nicest and most soothing scent of perfume along with a flashy wristwatch and admirable dresses in an attempt to boost her self-esteem and self-image. Amidst the scent of roses and nice clothes Edith tried to change her attitude. She refused to gossip anytime Mrs.Henderson would endeavour at gossip. Edith read beauty magazines and books about proper etiquette one of many customs she had adopted. She did this daily and accustomed to it believing that she needed to it to be the more proper version of herself as the way she wanted to execute her plan of a changed woman. Edith altered herself and the way she did many things. Although she still knew who she really was and where she came from, she refused to accept it. Along with many things were done Edith’s decisions were overthrown by her self-image on her role of a daughter
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
In Act I, it seems evident that Nora does not understand the actual value of money but she has an infatuation with luxuries such as expensive Christmas gifts and she justifies this by buying less expensive clothes, which she has confided in Mrs. Linde, her friend. Helmer, immediately labels his wife as a “little spendthrift” (Ibsen, 660). She seems to think that money can be easily borrowed and paid back.
In "the story of an hour" Chopin discuss how getting married can lead you to live a life of anguish. In the beginning of the short story Mrs. Mallard revives terrible news that her husband has been recently killed, she "Wept at once, with sudden, wild abandonment." This intense reaction is how society would expect her to act if your husband dies. Mrs. Mallard then goes into her bedroom to grieve alone: "She could see in the open square before her house the tops of the trees that were all aquiver with the new spring life." Seeing the open square makes her crave freedom, something she doesn't remembering having. The new spring life will eventually represent her new-found freedom and happiness. As she stares outside the window she thinks, but "It was not a glance of reflection, but rather indicated a suspension of intelligent thought." She is critically thinking of what will come and what has just happened, she has not ever has to think for herself, her husband always did that for her. This is the first time her feelings start to stir, she tries to process the information more to figure out what they mean.
Although she is used to supporting her children on a small amount of money, Mrs. Sommers was once very wealthy. Despite her subconscious dissatisfaction with her present life, she tries not to dwell on the past. When Mrs. Sommers finds herself with fifteen dollars, she plans to spend the money on new clothes from her children, but due to some subconscious urge, she treats herself to new accessories, a meal at a restaurant, and a movie. It might seem to readers that Mrs. Sommers is a selfish person, but she spent the money the way she did not out of greed but out of longing for the happier times of her past.
Sommers’ marriage has had on her. When she first started on her trek to look for new clothes for her four children, she realised that she was so focused on feeding her kids, she forgot to eat (Chopin 1)! This shows how she was always focused on her kids and almost never on herself. But as we see later into the story, she completely forgets about her kids. “[...] with Mrs. Sommers next buying herself boots, gloves, high-priced magazines, an expensive lunch, and a ticket to a matinee-- is a masterful nod to the psychological accuracy of the woman in need” (Wagner-Martin 2). Mrs. Sommers at this point, has spent so much money on herself, it almost seems excessive. Sadly, it shows how long it has been since she has had a day to just spend the money in herself. “Desperate to bring some autonomy and beauty into her meager, overburdened existence, she rebels against the conditions under which she was laboring [...] that insists that one’s true worth is determined by the quantity and worth of one’s possessions and amusements” (Allen 5). If she were in her right mind and was in a pecuniary-rich marriage, she would have actually spent the money on her kids. But what Chopin is trying to emphasize is what a woman in need can do. Of course the action of self- indulgence lasts a little while, so eventually as the day comes to a close and she heads home from her outing “Mrs. Sommers would find her pleasure tinged with guilt when her children realised
The symbols and imagery used by Kate Chopin's in “The Story of an Hour” give the reader a sense of Mrs. Mallard’s new life appearing before her through her view of an “open window” (para. 4). Louise Mallard experiences what most individuals long for throughout their lives; freedom and happiness. By spending an hour in a “comfortable, roomy armchair” (para.4) in front of an open window, she undergoes a transformation that makes her understand the importance of her freedom. The author's use of Spring time imagery also creates a sense of renewal that captures the author's idea that Mrs. Mallard was set free after the news of her husband's death.
Like in many tragically true stories, it would seem Mrs. Mallard 's freedom came too late. Kate Chopin’s, “The Story of an Hour” begins by introducing Mrs. Mallard as a person afflicted with heart trouble. The story builds on this by having Mrs. Mallard’s sister Josephine and her husband Richard explain the situation in a very sensitive manner. Their efforts would prove to be in vain however as Mrs. Mallard then proceeds to emotionally break down. The news shocks Mrs. Mallard to her very core and has her at odds with how she should feel now that all was said and done. After coming to terms with her situation, fate delivers its final blow in a cruel and deceitful ploy towards Mrs. Mallards. And with that, Mrs. Mallard 's dies. In her hour of change Mrs. Mallard 's was delicate, thoughtful and excitable.
Indeed, Louise Mallard and Kate Chopin’s lives are very similar and ironic. Louise’s life began once she came to the realization that she could live for herself. During this “hour” she felt true joy and freedom, but her life ended abruptly as her husband walked through the door. Like Mrs. Mallard, Chopin’s writing career began once her husband died. She wrote a few collections of short stories, but when she began expressing her feminist views, the critics walked through the door and her life as a writer was over.
Cunningham, Mark. "The Autonomous Female Self And The Death Of Louise Mallard In Kate Chopin's "Story Of An Hour.." English Language Notes 42.1 (2004): 48-55. Academic Search Complete. Web. 11 Feb. 2014.
Mrs. Linde, on the other hand, knows what it is like to not have money to spare. She values money, but for an entire different purpose. The looks at it for what it is worth, and how it can help her survive. Her entire life she has had to work hard for anything that she wanted or needed. “Well, anyway,” she responded to Nora’s remark on having stacks of money, “it would be lovely enough to have enough for necessities” (703). To survive, she “had to scrape up living with a little shop and a little teaching and whatever else [she] could find” (704).
Kate Chopin's story, "The Story of an Hour", focuses on an 1890's young woman, Louise Mallard. She experienced a profound emotional change after she hears her husband's "death" and her life ends with her tragic discovery that he is actually alive. In this story, the author uses various techniques-settings, symbolism and irony- to demonstrate and develop the theme: Freedom is more important than love. Chopin uses settings to convey particular moods, character qualities and features of theme. Firstly, the author uses time setting to reveal Louise' inner desire and her restrictions.
Kate Chopin’s “The Story of An Hour” focuses on a woman named Louise Mallard and her reaction to finding out about her husband’s death. The descriptions that the author uses in the story have significance in the plot because they foreshadow the ending.
In actuality, she was defiant, and ate macaroons secretly when her husband had forbidden her to do so. She was quite wise and resourceful. While her husband was gravely ill she forged her father’s signature and borrowed money without her father or husband’s permission to do so and then boastfully related the story of doing so to her friend, Mrs. Linde. She was proud of the sacrifices she made for her husband, but her perceptions of what her husband truly thought of her would become clear. She had realized that the childlike and submissive role she was playing for her husband was no longer a role she wanted to play. She defied the normal roles of the nineteenth century and chose to find her true self, leaving her husband and children