The Mexican is a film about a pistol named “The Mexican”. The pistol, which is believed to have a curse, is highly sought out on the black market. Throughout the film, many locals recognize the pistol and each one recalls a different story behind it. Although they are different, they all possess similar themes. Ultimately, it is revealed that a poor gunsmith made the pistol. It was supposed to be a wedding gift for a nobleman who sought to marry the gunsmith’s daughter. The protagonist, Jerry Welbach who played by Brad Pitt, is assigned to acquire the pistol for his employer Margolese, Gene Hackman. Months before, Welbach crashed into Margolese while he had a person tied up in the trunk. Since Margolese went to jail and it was technically Welbach’s fault, Margolese forced Welbach into a life crime. The film follows Welbach’s journey as he attempts to acquire the pistol. For the purpose of this blog, it is important to recognize the portrayal of Americans in a Mexican setting as well as the roles of Mexicans and Mexico. When Jerry Welbach arrives in Mexico, he awaits to receive his rental car. He is given a Chrysler but Welbach insist on renting something a “little more Mexican”. The customer service agent …show more content…
These destitute settings not only make one impose characteristics on the characters living there, but it also reinforces the idea of widespread poverty in Mexico. Media has a compulsive tendency to portray Mexicans as violent criminals uneducated, drug dealers or extremely poor. Since the characters against Welbach possess some of these attributes, it is extremely easy to believe they are the bad guys and cannot be trusted. When one first views this film, it is inevitable to assume that the groups of Mexican locals trying to retrieve the gun are criminals. However, in the climax of the film, it is revealed that group of men were actually doing it for an honorable
Afterwards, in the 1990s films portraying Latinos would take a somehow new direction, one of the most famous filmmakers would be Gregory Navas, he directed the movie My Family/Mi Familia, a film that portrays the lives of a Mexican-American family and the difficulty that the couple faced in order to establish in the U.S. “by passing as immigrants and all the struggle to integrate their family in another country” (Peña Acuña, 2010). The film let the audience see a potential reality that most immigrants went through when they first moved to the United States and how the system worked differently and the way immigrants had to adapt not only to the system, but also to the language and culture.
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
What exactly does Aztlan mean? There are various definitions, such as the ancestral homeland of the Aztec people and their descendants or everyone’s individual Aztlan which is ones’ personal sanctuary. A place one creates in their own image consisting of features that show what kind of person they are, while at the same time still recognizing their ethnic culture. We all have this place though not everyone’s is the same. Your hobbies, interests, the way you dress all make up this special place. Without it, we would be metaphorically lost. For example, in the essay “Refiguring Aztlan”, it says, “Through Aztlan we come to better understand psychological time, regional make up, and evolution. Without any one of these ingredients, we would be contempo-rary displaced nomads, suffering the diaspora in our own land, and at the mercy of other social forces. Aztlan allows us to come full circle with our communal background as well as maintain ourselves as
Weber, David J. Foreigners in Their Native Land: The Historical Roots of Mexican Americans. Albuquerque: University of New Mexico Press, 1973.
Literary magazines were not remotely interested in publishing Gilb’s stories, which focus primarily on the professional and personal struggles of working-class Mexican Americans. But his unapologetic stories about working-class Mexican Americans have made him a voice of his people (Reid130). Gilb’s short stories are set vividly in cites of the desert Southwest and usually feature a Hispanic protagonist who is good-hearted but often irresponsible and is forever one pink slip or automotive breakdown away from disaster (Reid130).
In this short story Sandra uncover the tension between Mexican heritage and demands of the American culture. Cleofilas life consisted of never ending chorus, no good brothers, and a complaining father. She is so excited when the day come for her to become married so she can move away from her town where she grew up, were there isn’t much to do except accompany the aunts and godmothers to the house of one or the other to play cards. She was excited to be far away, all she could think about was to have a lovely house and to wear outfits like the women on the tele. Her picture of the ideal Mexican wife soon became a nightmare when she finally arrived to Texas, where she
Similar to Adnan and Zitkala-Sa, Rivera writes of discrimination towards a specific group of people, however, Rivera writes of direct discrimination for no apparent reason. The discrimination can not be justified because of a fight for land in the case of the Palestinian-Christian and Native American-American cause, instead, the hate is caused solely off of the difference in skin color. The main character is picked on and socially excluded at school due to his Hispanic heritage. There is a specific boy who often makes him feel mad and embarrassed. Rivera describes an encounter with this boy, ““Hey, Mex… I don't like Mexicans because they steal. You hear me?” “Yes” “I don't like Mexicans. You hear, Mex?”” (Rivera, 93-94). Besides the obvious racism, the boy is badgering the main character—trying to get under his skin. The boy stereotypes the main character based off of the main character’s skin color and accordingly acts in a hateful manor. Sadly, many Americans stereotype minorities without personally getting to know the individual. Based off of the main character’s Mexican heritage, the American boy assumes that he steals. However, this sort of racism towards other races on American land is rooted in an even deeper hate, the hate of the Native
Symbolism is an important aspect in stories, whether big or small. Symbolism makes the reader think. It is used to represent something but does not reveal itself right away. Symbolism adds creativity to an already creative piece. Throughout a novel a reader may spend his/her time trying to conclude what each object in a story represents. Though not all stories have symbolism, those that do possess more excitement than those that do not. In the novella Aura by Carlos Fuentes, there is an extensive use of symbolism. James Hall wrote the article “Why You Should Use Symbolism in Your Writing” on symbolism that helps to describe why Fuentes’ use of symbolism is important in Aura. Fuentes uses symbolism to hide the climax of the story and also to
The play takes into account the major personalities and characters of Mexican-Americans in history. The Mexican peon, farm worker, pachuco, vato, zoo-suiter, boxer, barrio family, militant student, Vietnam veteran, cowboy-type bandit, and the gringo or "white-washed" Mexican-American are major figures in American history. In the play these figures are "items to be sold." The selling of these f...
Monroy, Douglas. Thrown Among Strangers: The Making of Mexican Culture in Frontier California . 1990.
To help me understand and analyze a different culture, I watched the film Selena. The film tells the life story of the famous singer Selena Quintanilla-Pérez. Not only does it just tell personal stories from her life, it also gives insight to the Mexican-American culture. Her whole life she lived in the United States, specifically in Texas, but was Hispanic and because of that both her and her family faced more struggles than white singers on the climb to her success. Even though the film is a story about a specific person, it brought understanding into the culture in which she lived. Keeping in mind that these ideas that I drew about the Mexican-American culture is very broad and do not apply to every single person in the culture, there were very obvious differences in their culture and the one that I belong. Mexican-American culture identifies with their family rather than individualized or spiritual identities and the culture has gone through significant changes because of discrimination and the changing demographics of the United States.
The film tells two distinct stories. The first story is a light hearted ethnic comedy about the growing friendship between an Italian American (Bruno, a man with little positive to say about illegal immigrants finds himself working with one in this film) and a Mexican immigrant (Ignacio) both struggling with their co-dependency for each other and the stronger need for a paycheck. The second story tells us about just how uncertain the life of a migrant worker can be.
In “La Puerta,” what does the door symbolize? Support your response with evidence from the text.
In the poem Eldorado, he set major symbolism throughout his poem such as bright and dark places referred as “In sunshine and in shadows” (3). In every stanza he reminds the reader about a shadow however, not every shadow is the same shadow. It occurs in the first stanza the shadow seems to be a real shadow or literal. A “gallant knight, In sunshine and in shadow” (3) The kind made by a person or bush since he’s away in sunshine. In the second stanza the shadows seems to be a symbol of depression and being upset “And o’er his heart a shadow” (9) as a result of growing old and still not discovering the gold of El Dorado he’s now losing hope. In the third stanza it describes “He met a pilgrim shadow” (15) this shows he met a ghost shadow. A ghost