Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Impact and effect of music in society
Impact and effect of music in society
Impact and effect of music in society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Impact and effect of music in society
There are other precursors like the Novachord and the Ondes Martenot, which used a sliding metal piece in addition to a keyboard to create pitches, but it wasn’t until 1964 that Robert Moog released the first voltage controlled synthesizer. Moog said in his documentary: Synthesizer Documentary ~ Moog by Hans Fjellestad: ‘In retrospective it looks like it was meant to happen. I was building and selling Theremin kits, because of that I met Herbert Deutsch who was a musician, using them in his music classes; because we met he invited me to his concert; because I went to his concert I learned about electronic music; because Herbert and I talked about making electronic music I got ideas about the synthesizer; because I got some ideas for the synthesizer we built the equipment; we showed it to one person who then told an official of the audio engineering society about it and then was invited to display the equipment… My favorite way of …show more content…
The album ‘Switched-On Bach’ was one of the first successful albums to introduce a full electronic sound to the public and was a big success, Clockwork Orange’s theme in the other hand utilized synthesizers for its sounds, sounds that people were not used to yet, that would go in hand with the strange setting of the movie. John Foxx says in his ‘Man Machine: The Influence of the Synthesizer on Popular Music 1971-1983‘ essay: ‘While Wendy had garnered great success for her 1968 album Switched on Bach, an album that explored similarly electronic reimagining’s of classical music, The Clockwork Orange soundtrack was the first to truly realize the scope of the instrument. … This new brand of musical invention tied into the zeitgeist at the time, whetting the public’s appetite for new futuristic sounds unlike anything that had been witnessed
Johann Sebastian Bach and Ludwig van Beethoven both flourished in their compositions of classical music; however, their genre of music differed considerably. Bach was a German composer during the Baroque time era of western music which is estimated to have taken place during 1600 to 1750. It was during this time that he composed prolific church organ music which included such works as the Mass in B Minor, much scared choral music, and the St. Matthew Passion, as well as composing over a thousand works in nearly every musical genre except opera. On the other hand, Beethoven was a German composer whom began to emerge during the classical era of western music twenty years after Bach. This era took place throughout the years1750 and 1830. The large quantity of arrangements, over two hundred works in numerous musical genres composed by Beethoven was significantly influenced by his predecessors, onset of deafness, and his highly personal expression of intellectual depth. Such works include the first an...
Since the first person heard the wind whistle through the trees or the sea in a seashell humans have been drawn to sound. Being the oppressive and ingenious species that we are we felt the need to capture these sounds and any others that we could to keep for our own. Eventually people like Pythagoras and gods such as Apollo found that by stretching materials and picking/plucking them that they would produce sounds and that the tighter you stretched these strings the higher the sound would go. These were the early beginnings of the pianoforte.
FM synthesis using analogy oscillators may result in pitch instability. FM synthesis can also be implemented digitally, the latter proving to be more 'reliable' and is currently seen as standard practice. Digital FM synthesis (using the more frequency-stable phase modulation variant) was the basis of several musical instruments beginning as early as 1974. FM synthesis had also become the usual setting for games and software until the
It was a major hit and was made with vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, it was a long process to film the movie and aline the sound perfectly with the movements of an object or person.
Haas and Flower created an interesting point when I read “Rhetorical Reading Strategies and the Construction of Meaning “. In the reading, Haas and Flower, provided multiple propositions to apply, however a key one certainly caught my eye. Haas and Flower proposed various arguments, yet their main idea implied that there needs to be an increase in rhetorical reading. I came to the conclusion that increasing rhetorical reading was their main point due to a statement in the text. “We would like to help extend this constructive, rhetorical view of reading, which we share with others in the field…” [Haas and Flower, 167] the following statement blandly states their intention to spread an important strategy, reading rhetorically, among community.
Finally, when all the hullabaloo was over David Starkey, formally serving as Technical Director of the Theatre Department at Southern Ct. State Univ. was named the new title of Events Manager. When David was still working in the theatre department I had approached him when it was pointed out that there was no one person on staff who knew how to fully operate the sound system. The idea I had come up with was to design an independent study which would allow me to be in the sound booth and empirically discover how to operate the sound system and all of its support components. He agreed that it was a good idea because Greg had never explained anything but remedial board operation. Since I first started working at the JLC I had wanted to work on the sound system, now I was being given the chance.
...18th-century instruments, often incorporating the best of the 19th-century innovations. Electronic Organs Electronic and electric organs, developed in the 20th century, are not organs in the strict sense, for they do not produce sound by air vibrating in a pipe; rather, they are instruments in their own right. One kind, invented in 1935 by an American, Laurens Hammond, utilizes electrical circuits and amplifiers to produce and enlarge the sound. Another kind uses electronic devices such as vacuum tubes. Although such instruments are often designed to imitate the tone qualities of pipe organs, they are frequently criticized for a pinched or artificial-seeming sound. Electronic organs were widely used in the rock bands of the 1960s and after. In such bands, which use extensive electrical sound amplification and manipulation, the distinctive qualities of electronic-organ sound are exploited for their own sake. Reed Organs Keyboard instruments in which the wind supply is directed toward free metal reeds like those of a harmonica or accordion are called reed organs. They include the melodeon, developed in the United States about 1825, and the harmonium, developed in Germany about 1810.
Raymond Scott was a musician who made music for movies in Hollywood in the 1930’s with his “Raymond Scott Quintette,” and then with a larger band. His most recognizable song, “Powerhouse,” was used often in Looney Toons and other Warner Bros. cartoons. He rose to fame and fortune, but became bored with popular music. His true passion was analog electronic music. In 1946, he founded Manhattan Research Inc., which was "More than a think factory–a dream center where the excitement of tomorrow is made available today." He filled all four stories of his house with equipment and synthesizers he had built. His magnum opus was “The Electronium,” an artificially intelligent electronic music composer. Scott released multiple experimental albums and T.V. and radio commercials. These albums were a new, strange, and eerie electronic sound.
The harpsichord was the most important keyboard instrument in European music history from the 16th through the first half of the 18th century. It originated and evolved from the monochord, which is a primitive instrument invented in the sixth century BC by Pythagoras. Their precise origins are a matter of debate, although it is known that they have existed since the 15th century; there are clear references of the harpsichord in the literature of that period.
Every invention ever known to man had pioneers or people who contributed to the creation of the product. Radio had many pioneers that allowed for its creation and their names are Heinrich Hertz, Nikola Tesla, Ernst Alexander, Edwin Armstrong, Guglielmo Marconi, Lee DeForest, Frank Conrad, Reginald Fessenden, and Edward Armstrong. It all started with a German physicist named Heinrich Hertz who in 1884 proved that you could transmit and receive electric waves wirelessly. Hertz thought that the work he had done had no use whatsoever but little did he know that what he done is considered the fundamental building block of radio, and that is the reason why every frequency measurement is named after him (Short). In that same year a Serbian-American inventor named Nikola Tesla came to the U.S and sold patents to his inventions to a man named George Westinghouse. After that Tesla established his own lab which is where he built the tesla coil , an induction coil that is still used in radio today (Short). The next progression of radio focused on more than just the transmission of waves, the new focus was transmission of speech. The first to begin to add speech into the radio mix was Ernst Alexander, a Sweden born inventor who developed the first alternator to make speech transmission possible (Short). This was so new to the s...
One of the most crucial elements of filmmaking is the soundtrack used, as special sound effects and/or songs set the mood for what the audience is supposed to feel. Although early film has been referred to as the era of “silent film,” this is far from the truth; there is simply film before and after the introduction of character dialogue. Music has always accompanied filmmaking, it is able to set a clear tone for the scene without the need for words or blatant manipulation of the audience. Early films, although they had music, were not set to a fixed score; this gave musicians a chance to play whatever they preferred to as the musical accompaniment. In later films this practice was changed as directors and writers wanted the music to fit what they envisioned instead of leaving it completely up to the musicians themselves; this even led to specific songs being written for a movie instead of just
It all began in ancient times with the creation of the psalterion, a dulcimer-like instrument. It consisted of a box shape with wire strings tuned to play a scale across it. Wooden hammers held in the hands were used to strike the strings to create music. Next came the clavichord. The clavichord had a keyboard added which was used to strike the strings by means of small copper plates. The clavietherium, coming next, used gut strings instead of wire, and they were played upon by leather hammers attached to keys. The virginal was also a keyed instrument, but in this case it used quills attached to the ends of the keys or levers to vibrate metallic strings. Composers such as Palestrina, and Byrd used the Virginal in the Renaissance. Even Queen Elizabeth herself played the Virginal. Next came the Spinet, which, similarly to the Virginal, used quills to vibrate the strings. The idea of a square pianoforte was likely to have been come from the Spinet, The Harpsichord, which was of a slightly similar shape to the modern grand piano, came after the Spinet. It used crow-quills connected to a key by means of a “jack” to play the strings. It had two keyboards; with one an octave higher than the other. A...
Michael Small was the musical mastermind behind the eerie soundtrack of “Klute”, his first Hollywood film. Small elected to make his impression by streaming away from the previous uses of symphony and jazz commonly used in thrilling movie soundtracks, to utilizing a chamber orchestra. In doing so, he combined the chilling sounds of the piano, percussion instruments, and a female voice to devise what some would say is the best soundtrack of the 1970s.1
The development of instrumental music can be traced back to dance, virtuosity, and vocal music. The new scientific attitudes developed new scales that were tuned and tempered. Though no one really knows the reason for the rise of instrumental music, the scientific attitudes at the same time are not thought to be a coincidence. This was the first time all twenty four major and minor keys were available to composers. This was the first time instrumental music was taken
The first type of music player that was made was called the Phonograph. It was created by Thomas Edison in 1877. With the Phonograph you could record music and it would play it back to you. The sound on the Phonograph wasn’t the greatest, but it was the first one around so they had to start from somewhere. The phonograph was pretty popular but people stopped buying them because they already had one.