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Literary analysis on trifles
What are the gender roles in the story trifles
What are the gender roles in the story trifles
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The excerpt to be analysed belongs to Trifles, a play written by Susan Glaspell. In her plays, Glaspell used a diversity of dramatic techniques. In the case of Trifles, Glaspell used the stark realism. This play was first performed by the Provincetown Players, the company created by her husband, George C. Cook and herself.
This extract can be found at the end of the play. In it, we can see how Mrs. Hale explains that women are not different from each other and how she sympathises with Mrs. Wright’s suffering. In the meantime, Mrs. Peters feels relieved because their husbands have not heard them when they found the dead canary, killed by Mr. Wright. Both women think that the dead bird is not relevant for their husbands to prove that Mrs. Wright killed Mr. Wright, but it is actual evidence.
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But in this passage, there are two main themes: empathy and protection and female identity. Mrs. Hale and Mrs. Peters find out that Mrs. Wright has killed her husband. Because they see themselves identified with Mrs. Wright (“We all go through the same things – it’s just a different kind of the same thing.”), they decide to not tell the truth and protect her (“My, it’s a good thing the men couldn’t hear us.”)
As the whole play does, this extract takes place in the kitchen of John Wright’s farmhouse, a female space. The setting shows the psychological state of Mrs. Wright and her depression. It is a cold and empty place.
There are two characters in this passage: A is Mrs. Hale and B is Mrs. Peters. Mrs. Hale is a static character because since the beginning she challenges men but in a very subtle way. Mrs. Hale does not change throughout the story as Mrs. Peters does. Mrs. Peters is dynamic because as the sheriff’s wife, she follows the law. But then, she changes her mind and decides to protect Mrs. Wright and go against the
The character Mrs. Wright is portrayed as a kind and gentle woman. She is also described as her opinion not being of importance in the marriage. It is stated by Mr. Hale that “ I didn’t know as what his wife wanted made much difference to John” .(745) Her neighbor, Mrs. Hale, depicts her as “She─come to think of it, she was kind of like a bird herself─real sweet and pretty, but kind of timid and─fluttery. How─she─did─change”. (752) It appears that Mrs. Wright is a kind and gentle woman, not capable of committing a murder. But, with the evidence provided and the description of Mr. Wright’s personality it can also be said that the audience will play on the sympathy card for Mrs. Wright. She appears to be caught in a domestic violence crime in which she is guilty of, but the audience will overlook the crime due to the nature of the circumstances. By using pathos it will create a feeling that Mrs. Wright was the one who was suffering in the marriage, and that she only did what she felt necessary at the
It is no surprise the police have arrested Mrs. Wright, especially since Mr. Wright was killed right next to her. Her nonchalant attitude towards his death and how she cares more about her personal items, like her apron and canned fruits. The sheriff sees through her lies and that's why he arrested her as the primary suspect. Mr hale
The unfortunate death of John Wright was a mystery to all. A team of individuals consisting of the sheriff, county attorney, Mr. Hale, and Mrs. Peters were on a mission to find the purpose of the murderer. At this point, Mrs. Wright is the primary suspect. Mrs. Hale was asked to join the party in order to give Mrs. Peters, the sheriff s wife, some companionship. In the story, Mrs. Hale leaves cues of guilty feelings. As an example, the narrator states, Martha Hale had a moment of feeling that she could not cross that threshold. The reason being given that she had been too busy to come by but now she could come (Glaspell 2). Another instance to be noted is a conversation between her and the young attorney. During this conversation, he asked if they were friends since they were neighbors. Her answer was sympathetic, I’ve seen little enough of her late years. I ve not been it this house-it s been morethan a year. Then she goes on to explain, I liked her well enough. Farmers wives have their hands full, it never seemed a very cheerful place (Glaspell 6). At this point, Mrs. Hale s empathy toward Mrs. Wright is apparent.
At the start of the play, all of the characters enter the abandoned farmhouse of John Wright, who was recently hanged by an unknown killer. The Sheriff and County Attorney start scanning the house for clues as to who killed Mr. Wright, but make a major error when they search the kitchen poorly, claiming that there is nothing there ?but kitchen things.? This illustrates the men?s incorrect belief that a kitchen is a place of trivial matters, a place where nothing of any importance may be found. Mrs. Peters then notices that Mrs. Wright?s fruit froze in the cold weather, and the men mock her and reveal their stereotype of females by saying ?women are used to worrying over trifles.? The men then venture to the upstairs of the house to look for clues, while the women remain downstairs in the kitchen where they discuss the frozen fruit and the Wrights. Mrs. Hale explains that Mrs. Wright, whose maiden name was Minnie Foster, used to be a lively woman who sang in the choir. She suggests that the reason Mrs. Wright stopped being cheerful and active because of her irritable husband.
The play portrays women as inferior to men and stuck with household work while men have absolute control over them. The opening scene description “The kitchen is the now abandoned farmhouse of John Wright, a gloomy kitchen, and left without having been put in order […] other signs of in completed work.” (Trifles, 1) gives a first impression to the reader of how isolated the place is, thereby symbolizing the loneliness of Minnie Wright and her duty towards the household. Such a carefully crafted description in the very first sentence of the text tends to set off a really strong image and perception in the mind of the reader even before they are introduced to the plot. This is a really clever tactic by Susan Glaspell which she uses to emphasize her message from the
Speaking with the females, Henderson and the other men make a key mistake that the women get their identity from their relationship to men. For example, Henderson tells Mrs. Peters that just because she is married to the sheriff, she is also married to the law so she is a reliable to obey the law. Mrs. Peters suggests that over the course, she has discovered a different aspect of herself that ties more closely to her experience as a woman than to her marriage to Mr. Peters. Mrs. Hale concludes, all women go through...
The major idea I want to write about has to do with the way Mrs. Hale stands behind Mrs. Wright even though it seems like everyone else especially (the men) would rather lock her up and throw away the key. We see this right away when she gets on the County Attorney for putting down Mrs. Wright’s house keeping. I find this to be wonderfully symbolic in that most women of this time usually allowed the men to say whatever they wanted about their sex, never standing up for themselves or each other
The coldness felt in the house as the sheriff and court attorney entered the house symbolized the same coldness brought about by Mr. Wright. For the house to be cold and gloomy and everything else outside the total opposite, was much more than just coincidence. It was as if when you entered the house a cadaver, cold and clammy, had embraced you in its arms. “ I don’t think a place’d be any cheerfuller for John Wright’s being in it”, Mrs. Hale told the court attorney (11). Mrs. Hale knew perfectly well what kind of personality Mr. Wright had, which is why she specified that she wished that she had gone to visit Mrs. Wright when only she was there. “There’s a great deal of work to be done on a farm”, says Mrs. Hale, yet they are seen as mere trifles because it is the women who take on these tasks.
In fact, when Mrs. Hale comments that Mrs. Wright was not one for housekeeping, Mrs. Peters replies by saying “Well, I don’t know as Wright had either.” (748). The disheveled state that the house is in, as well as the fact that Mr. Wright is characterized as a hard man who is unwilling to share his part expresses the idea that their marriage was unhappy, and in turn, Mrs. Wright could have motive to harm him. Likewise, when the men leave the women to find clothes for Mrs. Wright, the two discover more possible evidence that the men will shrug off. For example, Mrs. Hale examines some quilt work that Mrs. Wright was working on, and notices that the most recent square is very sloppy compared to the rest of the work on the quilt. Moreover, the fact that they believe she crafted it by knotting is very significant (750). This correlation times closely with Mr. Wright’s time of death, and could indicate as a stressor, which the women can pick up on. Since the men laugh at their seemingly trivial observation, they are close to solving the crime on their
Mrs. Hale’s keen wit and patience contributes to her embodiment of The Fate sister Clotho the Spinner, which is even more evident in her correcting of Minnie Wright’s improper stitching (Russell). Mrs. Peters begins the process of investigation deeply devoted to keeping the law. She doesn’t want any disruption in the house, saying, “I don’t think we ought to touch things” (Glaspell p. 666) when Mrs. Hale began searching for clues. Upon finding the dead canary, Mrs. Peters view on the situation changes drastically, and she decides with Mrs. Hale to hide the tiny dead bird from the men. They both figure that if the dead canary was discovered, Mrs. Wright would be thought to be a mad woman, though it was likely Mr. Wright who killed it.
Mr. Hale found his neighbor, John Wright, strangled upstairs in the Wrights’ house with Minnie Wright, John’s wife, sitting calmly downstairs. With John Wright dead and his wife in jail, Mr. Hale, the sheriff, their wives, and the county attorney all crowded into the Wright’s house to try to find clues about the murder. While the men go upstairs, they leave the women downstairs “.worrying over trifles.” (“A Jury of Her Peers” 264) Unbeknownst to the men, Mrs. Hale and Mrs. Peters find clue after clue that would convict Minnie Wright of the murder. Instead of telling the men about the clues, the women hide the clues and the men have no idea what the women have found.
The play commences with Mr. Hale recounting the events from when he initially discovered the crime scene to the sheriff, county attorney, and the wives’. As the play continues to progress, the men eventually depart from the kitchen to find clues for a motive around the house leaving the women behind to ponder with their thoughts. Filled with concern for their friend, the wives’ begin to tidy of kitchen as they too try and understand the motive of this crime. Unlike like the men, the women notices small details around the kitchen while, also coming across items that gradually helps them to understand why Mrs. Wright committed this crime. To which they later hid from the men, to protect their
Peters and Mrs. Hale who have been brought to the crime scene. Mrs. Peters and Mrs. Hale arrived with the attorney of the town George Henderson the sheriff Henry Peters and Mr. Hale but only to gather things to take to the jail for a wife, Mrs. Wright that has been accused of killing her husband. Throughout the entire drama Mr. Hale and the sheriff are mocking and ignoring the woman. Mr. Hale makes a comment that “woman are used to worrying over trifles” (1032) but really these “trifles” are what lead the woman to uncover the evidence that the men were looking for that proved Mrs. Wright was in fact guilty. The men were not able to find this evidence using logic and standard crime solving procedures.
Wright was described as a beautiful women filled with such joy and life until she married John Wright. Mrs. Peter’s and Mrs. Hale feels sorry for her because her husband treated her so bad. Due to female bonding and sympathy, the two women, becoming detectives, finds the truth and hides it from the men. The play shows you that emotions can play a part in your judgement. Mrs. Peter’s and Mrs. Hale felt sorry that Mrs. Wright had one to keep her company no kids and she was always left alone at home. “yes good; he didn’t drink, and kept his word as well as most, I guess, and paid his debt. But he was a hard man, Mrs. Peters just to pass the time of day with him. Like a raw wind that goes to the bone. I should of think she would have wanted a bird. But what you suppose went with it?” Later on in the play the women find out what happens to the bird. The bird was killed the same way Mrs. Wright husband which leads to the motive of why he was killed. Mrs. Wright was just like the bird beautiful but caged no freedom not being able to live a life of her own. Always stuck in the shadows of her husband being told what to do and
Most of the actions take place in the kitchen setting which demonstrates the author’s deliberate move to show the important details about the wifely role. The women hold their conversation in the unkempt kitchen, a domestic sphere that reveals everything about the lives of women. While the men were busy searching for clues around the farmhouse, Mrs. Peters and Mrs. Hale see some evidence in the trifle that Mrs. Wright had left in the kitchen. The women can deduce that the messy kitchen with dirty pans gives a signal of incomplete work. Mrs. Hale and Mrs. Peter spend most of their time in the messy kitchen that significantly reveal Mrs. Wright’s state of confusion (Manuel 61). Mrs. Hale understands Mrs. Wright’s experiences of loneliness and desperation from the male-dominated circumstances. The female characters sympathize with her situation by acknowledging the forces in her life that made her take the roles including that of murdering her husband. The men overlook the evidence that the women can trace in the house, and their dialogue suggests lack of sympathy towards women as noted from their humiliation and sarcasm towards women. For example, the women can relate the death of the canary to the murder scene. The attorney shows how woman’s concerns are unimportant, instead of sympathizing with Mrs. Wright for what has befallen her, they portray their women