Each new morn.New widows howl, new orphans cry, new sorrows strike heaven on the face (qtd in Lawson, Sandra. 2013) In the eighty-five pages play, Lafferty, Sherlock, and Wood exert their utmost effort to document, organize, and reconstruct a collage of verbatim testimonies, reports, and interviews eyewitnesses of the Syrian Revolution .The interviews were conducted by Laffery in collaboration with veteran war correspondents: Sherlock and Wood. Lafferty and colleagues conducted interviews incognito with ordinary people, activists, businesspersons, defectors, Free Syrian Army soldiers, and medical staff. Subsequently, Lafftery not only edited and adapted the play for theatre performance, but also directed it. The three compliers risked their personal safety and arranged to be covertly smuggled into the Syrian precarious land. Were they caught, they would have been, unquestionably, exposed to the horrendous Syrian torture, killing machine. The Assad regime banned Western media, and journalists no longer had any immunity. They could have been a legitimate target of any attack. At the onset of the play, the readers are warned that the characters are real and the stories they relate are true. The play is a creative fusion of modern journalism and drama. (Sinéad 2012).The play is a visceral historical documentation of the Syrian Revolution. The play starts with a recitation of a poem entitled: “Another Martyr Rises” by Omar Al Khani –a Syrian Revolution Coordinators’ Union Secretary General. This is followed by information about the Finborough Theatre cast and projects and the resume of actors and their roles in the play.The play is divided into two acts: Act I from page 25-53; Act II is from 54-85. There are 21scene... ... middle of paper ... ... "The Fear of Breathing: Stories from the Syrian Revolution (Oberon Modern Plays) [Paperback]." The Fear of Breathing: Stories from the Syrian Revolution (Oberon Modern Plays): Ruth Sherlock, Paul Wood, Zoe Lafferty: 9781849434195: Amazon.com: Books. © 1996-2013, Amazon.com, Inc. or Its Affiliates, n.d. Web. 14 May 2013. . Lawson, Sandra. "The Fear of Breathing Stories from the Syrian Revolution." Rev. of The Fear of Breathing. n.d.: n. pag. Playstosee. © 2011 ARV Tech. Web. 15 May 2013. . Sinéad. "The Fear of Breathing." Rev. of The Fear of Breathing. Web log post. Http://www.sineadkeegan.com. Copyright © 2011 - 2013 Sinead Keegan., 7 Aug. 2012. Web. .
... middle of paper ... ... This resonates with the dramatic irony of Richard’s depiction of “Christian prince” with “two props of virtue” in RIII, demonstrating the common connection of duplicity to the environment. Evidently, the play itself manipulates the audience’s perception of reality as it presents a historical recount designed to solidify the ruling monarch, and condemn Richard.
Eight Men Speak by Oscar Ryan et al presents a variety of epic devices employed throughout its composition. We see “the essential truth in every word of these six acts”(Foreword 5) come to life in this thought provoking presentation of didactic literature. Through the use of Epic Drama we see the effects of our corrupt government as it is brought into perspective using the epic devices of using the audience as active participants, using narration rather than action , and political engagement. These epic devices play a key role in portraying the didactic message of the play. The play causes the reader not only to be a present member of the audience, but to have presence of mind as well; to not only hear what the characters are saying, but to take initiative if they wish to see change.
Just as with “All The President’s Men”, one can investigate the ethical issues in accordance to the SPJ Code of Ethics. Set in 1992, during the besiegement of the capital of Bosnia, Sarajevo, American and European journalists risked their own lives to report on the tragic and horrific incidents that took place. Flynn, an American journalist, and Henderson an English journalist, are the two main journalists who are featured in the film. Since the journalists are in the middle of a war scene, their lives were inherently in constant jeopardy. In order to report on the incidents that are occurring, they often found themselves in the middle of a shooting or in the aftermath of dead bodies lining the streets. Flynn and Henderson are both passionate about their work; Flynn especially is determined to catch the best story at all costs. Whereas, Henderson begins to find himself emotionally attached to one of the victims in Sarajevo. In the midst of life threatening chaos and terror, both Flynn and Henderson sought the truth and reported it. They were both courageous and respected the lives of whom they were
Heffernan, Teresa. “Beloved and the Problem of Mourning.” http://www.questia.com/library/ 1G1-54196882/beloved-and-the-problem-of-mourning /. N. p. n. d. Web. Nov 24, 2012.
"Arab Uprisings: 10 Key Moments." BBC News. BBC, 12 Oct. 2012. Web. 10 Nov. 2013.
The authoritarian regimes of the Middles cycled through a pattern of anti-western policy until the globalization effects of economics and information demanded reform. As conservative Arab states try to maintain the autocracy they relied on after gaining independence, their citizens, affected by information and education expansion, challenge their resistant governments as typified by Syria’s unwillingness to capitulate. The proliferation of information and education underscored the protest movements of the Arab Spring because citizens’ contempt for their obstinate governments grew to large under economic pressures, as the current situation in Syria demonstrates.
The Arab Spring was an event which became known throughout the world. According to Jason Brownlee, Tarek Masoud and Andrew Reynolds (2013), the Arab Spring started at the end of 2010 in a Middle Eastern country identified as Tunisia (p.29). This shows that a Middle Eastern country had ejaculated a force of civil motivations of activism in the Arab Spring, and this played an important role for the oppressed Arab citizens to demand equality and human rights. Yakub Halabi (2014) claims that a majority of Arab nations have ‘authoritarian’ systems of government with a lack of a unified community (p.100-101). This shows that democracy is lacking in many Arab nations in the Middle East while the citizens of those countries are vulnerable to conflict because of the social circumstances surrounding Arab nations. In addition, Brownlee, Masoud and Reynolds (2013) elaborates on the idea that subsequent to Tunisia’s Arab Spring, Egypt, Libya and Yemen had participated in the Arab Spring, and this caused the risk of civil, political and social unrest being extremely high in 2013 (p.29). This is relevant evidence that Tunisia, Egypt and Yemen are in a worse position than they were before the Arab Spring. The Arab Spring was portrayed as a stride for Middle Eastern states to become an equal democratic utopia. However, an unstable economy, foreign intervention and paid terrorists were some of the reasons of the Arab Spring being unsuccessful for inserting democracy into the channels of politics in several Middle Eastern countries.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
Zunes, Stephen. "Bahrain's Arrested Revolution." Arab Studies Quarterly 35.2 (2013): 149-64. JSTOR. Web. 04 Mar. 2014. .
In the words of Bertrand Russell, “Fear is the main source of superstition, and one of the main sources of cruelty. To conquer fear is the beginning of wisdom” (Russell). Fear causes many problems in our lives. Fear influences many of a person’s actions and decisions. However, people usually regret the decisions or actions they made out of fear. Also, these actions and decisions can cause problems for those people in their future. Fear is a harmful emotion, for it clouds people’s judgement, disables them from taking action, and causes them to make decisions that they will regret later.
Lawson, Fred H. "Syria." Politics & society in the contemporary Middle East. Boulder, Colo.: Lynne Rienner Publishers, 2010. 411 - 434. Print.
The play is so well written and the unknown author is given a unique name to its main lead Everyman to symbolize the simple human being. In this play the death is personified in a way which grabs the attention of the audiences and it attracts them to think it’s real instead of being fiction and the superb writing of the unknown author. The author talks about God’s (Jesus) death and g...
Being a forty-three year old author writing about war decades after his experiences, it is of little concern to O’Brien whether he tells tales solely in line with the facts. He does not want the reader to care whether the stories he weaves actually happened, for he is only writing to “try to save lives with [his] stories” (232). His stories may be made up and his stories just might be complete lies, but the truth is irrelevant. More importantly, his stories save lives. They save his own, they save yours, and they save society’s.
Over the years, the essence of theatre has not only been to entertain, but to also allow the build up of a culture in a quickly growing uncultured generation. Regardless of the existence of so many other forms of entertainment, theatre has always established a commanding niche in most people’s hearts, and is undoubtedly the most realistic form of entertainment (Bruce 12). The acting bit of theatre performances makes things real and in their immediate contexts, allowing the audience to draw conclusions based on what they see. In a majority of cases, also, the play’s setting is such that there is description of definite subjects without which the play cannot make meaning. The above research takes into account A Number by Caryl Churchill. A great deal of issues and aspects can be learnt from the above play with diverse moral lessons, as well. It has long been proved that expression via acting is more direct than when the audience accesses literature in other means. This direct approach gives a broader meaning to a variety of issues in the play, which were not understood, say in videos. Additionally, the play A Number is full of theatrical ideologies with clear depiction and expression of every event. Theatricality and empowerment set this play different from other plays because of clarity in events’ sequence. The author also strives to express the idea of cloning in society as one main means of families’ downfall. This further comes with what literature calls the ‘fate of tragic heroes’, an indication of what is at stake when a person does things out of the ordinary to please him or herself.
Fear is defined as an unpleasant emotion caused by the belief that someone or something is dangerous or is a threat and is likely to cause pain. It is believed that everyone has fears in life or at least things or places that make us uncomfortable. There are hundreds of different types of fears and phobias. Common fears include the fear of death, the rear of the unknown, the fear of survival or unpredictability. Other fears could be the fear of ghosts, cockroaches, spiders, snakes and public speaking.