The novel, Not So Quiet Stepdaughters of War, is a diary by Helen Zenna Smith, an ambulance driver during World War I. In the diary, Helen repeatedly labels herself a coward, particularly when comparing herself to the other women in her unit. Throughout the novel, Helen’s unfair cowardice judgement of herself leads to the prevalence in time of her self-discovery from one of cowardice to one of confidence.
Helen unfairly patronizes herself by labeling herself as a coward from the beginning of the novel. Helen, with a mind full of astonishment, questions the authorities based on the fact that they essentially pick refined women of decent education to become drivers. She writes, “We are such cowards. We dare not face being called “cowards” and “slackers,” which we certainly shall be if we complain.” (50) She pleads that if complaints were made, the women would be considered cowards, but in reality, they are being unfair to themselves. Helen proclaims that if they were to tell the horrors of war, they would be labeled as cowards because they cannot endure the brutalities that are faced
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It’s evident throughout the novel, that Helen’s mother was less than supportive on her service in the war, especially after returning home after the death of Trix. Helen for the first time in the story takes a stand as a pacifist and proclaims that she doesn’t believe in war, knowing this goes against her family’s strict morals. She attempts to confide in her mother, “I am a coward, Mother….You don’t know what it’s like out there driving those ambulances full of torn men…” (185) She agrees with her mother about being a cowardice, but her confidence shines through when she proclaims how her mother cannot relate to what horrors she went through at war. Helen continues to misjudge herself unfairly, but finally defends herself when
At the beginning of chapter seven, the Second Company is taken further back to a depot for reinforcements, and the men rest. Himmelstoss wants to get on good terms with the boys and shows them kindness. Paul starts to respect him after seeing how he carried Haie Westhus when he was hit in the back. Tjaden is won over too after he learns that Himmelstoss will provide extra rations from his job as sergeant cook.
Do you believe all women are smart enough to get an education or strong enough to go to war? In countries like Afghanistan and even America, there is a preconceived notion that women are simply best for bearing children, raising them, cleaning, and cooking for their husbands. From a young age, many women are given gendered roles, such as being taught by society to find husbands and care for children. For instance, girls are given baby dolls and kitchen sets for their birthdays instead of books. In Flashes of War, by Katey Schultz, the two stories “Deuce Out” and “Aaseya and Rahim” the protagonists Stephanie and Aaseya may live in different worlds, but they share much more than we think. Because of predetermined expectations that society has imposed upon women, Schultz’s book comes to a surprise since it defies pre-conceived notions of women.
In 1916 the United States was amidst the first of the World Wars. Keller hoped to rally people to “Strike against all ordinances and laws and institutions that continue the slaughter of peace and the butcheries of war. Strike against war” (). To promote pacifism, she insisted that it was the American citizen who is responsible for the destruction of war and that there is no purpose for the United States to join the war. Keller’s audience was the average American citizen, anyone who could cast a legal vote, but particularly parents and workers. Several times throughout her speech she referenced children, factory workers. The Women’s Peace Party and the Labor Forum were present.
Barton poses a series of rhetorical questions to the reader (‘did these women quail at the sight of a gun?...did they faint at the blood?’) which may lead a reader to infer that this poem was written to address the males in society. The continuous use of ‘he’ suggests that since it was the men who decided that women would be of no use on the battle field because of their innate weakness and inability to deal with the nature of war, it wsas now the men who needed to realise that women could do more than ‘wait patiently till victory comes’; women had shown that they were capable of much of the same things that men where including staying calm in the face of war and running the home with absolutely no male influence. This view is supported by radical feminist sociologists such as Kate Millett who believe that ‘patriarchy is not ascribed but rather socially created and therefore capable of being challenged and deconstructed’1. Therefore, ‘The Women Who Went to the Field’ can be interpreted as not only a statement about the changing roles of women in society, but, also as a statement for the need for the recognition of
Since the war began women were led to believe that they were the ones who had to be the patriotic sacrifice until the men came home from war. The film reveals how the government used the media to alternately urge women to give up such elements of their feminin...
Through the lenses of Mark Fossie and the men in the Alpha Company, Mary Anne becomes an animal and is completely unrecognizable by the end of the story. Mary Anne, however, states she is happy and self-aware. The men of the Alpha Company argue for virtue in that Mary Anne was “gone” (107) and that what she was becoming “was dangerous… ready for the kill” (112). They did not want to accept a woman becoming something different from what women always were. In “How Tell to a True War Story” we are told that a true war story “does not instruct, nor encourage virtue, nor suggest models of proper human behavior” (65).
All quiet On the Western Front, a book written by Erich Maria Remarque tells of the harrowing experiences of the First World War as seen through the eyes of a young German soldier. I think that this novel is a classic anti-war novel that provides an extremely realistic portrayal of war. The novel focuses on a group of German soldier and follows their experiences.
In his book, My Fellow Soldiers, Andrew Carroll tells the story of World War I through the eyes of the American participants. He uses quotes, personal letters and diaries, from an array of characters, to depict a day in the life of a WWI warrior. Though, he narrows his focus on the untold story of General John J. Pershing, a US army leader. He uniquely talks about the General's vulnerable and emotional side. "Pershing was notoriously strong-willed, to the point of seeming cold, rigid, and humorless, almost more machine than man" (p.XVIII). Pershing is commonly recognized for his accomplishments during the war and remembered for his sternness. He was "…especially unforgiving when it came to matters of discipline" (p. XVIII). Nicknamed "Black Jack" due to his mercilessness towards his soldiers, in this book, Pershing is portrayed as a General with much determination and devotion to his troops, family, and close friends.
...as Mary Ann in the novel show that women can do so much more than sew and cook. Without women, all wars would have been a lot harder. Although men tend to keep a macho facade in order to calm others (such as the women in their lives), inside they may be like glass, easy to break. A society set on the ideal stoic, fearless warrior who acts ruthlessly and saves the damsel in distress (also showing that women are weak) obviously is one where doomed to sexism. Without the comfort and inspiration, men would have deteriorated in the face of death. All and all, women provided the needed comfort, nursing, “manpower”, and love that the soldiers of Vietnam need, something that helped them endure the havoc of war. O’Brien’s expert use of the feminist lens allows the reader to know that women indeed were a powerhouse in the Vietnam war, without whom, men would have perished.
All Quiet on the Western Front - A Book Review Professor’s Comments: This is a good example of a book review typically required in history classes. It is unbiased and thoughtful. The student explains the book and the time in which it was written in great detail, without retelling the entire story. a pitfall that many first time reviewers may experience. All Quiet on the Western Front is the story of Paul Baumer’s service as a soldier in the German army during World War I. Paul and his classmates enlist together, share experiences together, grow together, share disillusionment over the loss of their youth, and the friends even experience the horrors of death together.
The two classic war novels ‘All Quiet on the Western Front’ by Erich Maria Remarque and ‘Catch 22’ by Joseph Heller both provide a graphic insight into the life of soldiers serving their country in the historic world wars. One distinct theme of interest found in both books, is the way in which war has physically and mentally re-shaped the characters. Remarque creates the character Paul Baümer, a young soldier who exposes anxiety and PTSD (commonly known as Shellshock) through his accounts of WW1’s German army. ‘Catch 22’ however, is written in the third person and omnisciently explores insanity and bureaucracy in an American Bombardier Squadron through its utter lack of logic. The two novels use their structure, characters, symbolism and setting to make a spectacle of the way war re-shapes the soldiers.
"From Home Front to Front Line." Women in War. Ed. Cecilia Lee and Paul Edward Strong. N.p.: n.p., n.d. N. pag. The Churchill Centre. Web. 23 Apr. 2014.
On January 5, 1916 Helen Keller gave the speech Strike Against War, calling for working class people to use the power of the strike to end to America’s involvement in World War I. Keller makes many valid points about the way war affects the working class of America; however, I disagree with how easily she suggests that the working class can rise to action, especially one as drastic as strike. The way that war is used to exploit has not improved since the World War I era.
On January 5th 1916, Helen Keller delivered a powerful and passionate speech to a crowd of hardworking American citizens. She was trying to persuade her audience that World War 1 would not be beneficial for them, but actually detrimental. Keller was not in support of the war because she claimed that it would only benefit the upper class. Comparisons to previous wars and imagery are two other techniques that Helen Keller used to convince her audience, the working class, that giving their support to World War 1 would be unadvisable.
Ruby, J. (2005, November 1). Women in Combat Roles: Is That the Question?. Off Our Backs,35, 36.