Still Table by Julie Lemon I have decided to give the Art Gallery in the F building a chance. The title of the artwork is called, Still Table, by Julie Lemon. This is a very interesting gallery. Also, I thought it was very mysterious and unusual. Every image had a story behind it. They were all colorful and were made of different shapes and materials. Obviously, the artist had a vision of how her gallery was going to turn out. She wanted to spread her vision in more than one image and she succeeded. Some people were may be confused about her results, but others were very satisfied. When I look at her images, I see tables filled with colorful objects that are combined together to create a story of some sort. Although, the images had no visible
Carol Armstrong begins her essay by pointing out the two main points that come about when discussing A Bar at the Folies-Bergere. These two points are the social context of the painting and its representation of 19th century Paris, and the internal structure of the painting itself with the use of space. She then goes on and addresses what she will be analyzing throughout her essay. She focuses on three main points, the still life of the counter and its commodities, the mirror and its “paintedness”, and the barmaid and her “infra-thin hinge” between the countertop and the mirror.
A History of Marriage by Stephanie Coontz speaks of the recent idealization of marriage based solely on love. Coontz doesn’t defame love, but touches on the many profound aspects that have created and bonded marriages through time. While love is still a large aspect Coontz wants us to see that a marriage needs more solid and less fickle aspects than just love.
The room was set up by having paintings on the walls with a sculpture directly in the center. This was the focal point of the room, Soundsuit, by Nick Cave. This piece was rich in color and character and I was immediately drawn to it. When I rounded the corner of the gallery there were many extravagant pieces such as Untitled #8 (2014) by Mickalene Thomas and Woman Under Willow (2014). Both pieces are inspired by Matisse, rich in color, and represent woman. The American gallery does a good job transitioning from one piece to another because each work is similar in some aspects. This gallery was less organized and different mediums were presented all throughout. There was a traditional quilt, Tar Beach 2 (1990) displayed in the same area as mediums such as wooden panels, oil pastel, and the metal hood of a car. This gallery and collection inspired by Matisse displayed many breathtaking works that I enjoyed seeing.
The pictures say a lot, however, with petite information. The artwork she displays are somehow complex, and one gets to understand their meaning over time as she uses vivid imagination to bring out facts and fiction together.
Kathy Harrison starts her personal story happily married to her childhood sweet heart Bruce. Kathy was living a simple life in her rural Massachusetts community home as the loving mother of three smart, kind, well-adjusted boys Bruce Jr., Nathan, and Ben. With the natural transitions of family life and the changes that come with career and moving, she went back to work as a Head Start teacher. Her life up until the acceptance of that job had been sheltered an idyllic. Interacting in a world of potluck suppers, cocktail parties, and traditional families had nothing in common with the life she would choose after she became a Head Start teacher.
The second exhibit entitled Painting with Fire: Works by Betsy Eby. I didn’t spend much time looking at these pieces. Although uniquely done, with heated colored beeswax, and inspired by music, all the artworks looked almost the same. I understand she was inspired by music, however, it looks as if she was listening to the same song on every piece. I wasn’t very impressed with this exhibit.
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
The White Cube Gallery in London is known for its traditional approach to gallery space, as the name of the building implies, and is the approach most galleries around the world take for displaying work. The white walled, highly lit design is what many consider the optimum way to view art (insert quote) but since the rise of alternative exhibition spaces, the ‘white walled gallery’ has been greatly challenged by media and artists alike (insert quote). Most modern galleries offer a neutral, private, timeless place to display and experience art but also creates a natural barrier between the audience and the art. Alternative and makeshift galleries are becoming more popular.
The piece of work that I have chosen from the Currier Museum of Art is title The Rehearsal. This piece is oil on canvas by Peter Milton. The Rehearsal is completed in 1984, which is the third part of his Les Belles Et La Bete (Beauty and the Beast) project. The first and second part was completed in 1977 and 1978 respectively. The Rehearsal is a piece that sets to explore sexuality through fantasy and metaphor where some architectural space, shadows and reflection are very real where others are examples of fantasy world.
Martin’s and Magubane’s Art work together shows unity. The social problem in their work beings the whole exhibit together. The variety of the different emotions in the photo speaks volume. The monochromatic color scheme or value in most of the photo. Even though black and white was the only color of chose, it makes the viewers focus on the real issue in
This article is a good example of how life would be like for a foreigner in a different country. Because the author talks about the Chinese culture, living space and funeral. The author uses a humorous tone to talk about her living in China. This story has great balance between humor and emotions. “The Old Man Isn’t There Anymore”, by Kellie Schmitt tells a beautiful tale of her experience of life in China.
The Twelve Tables were the first laws ever written down and shown to the public in Ancient Rome. The Twelve Tables were displayed in the Roman Forum or marketplace. The Twelve Tables were also the earliest surviving writings of Ancient Rome.
Written c. 450, the first written code of Roman law. For Summary, see Prof. Adams' Handout.
As I enter the Gioconda and Joseph King Gallery at the Norton Museum of Art the first thing that Caught my attention was a painting measuring approximately at 4 ft. by 10 ft. on the side wall in a well- light area. As I further examine the painting the first thing I notice is that it has super realism. It also has color, texture, implied space, stopped time, and that it is a representational piece. The foreign man sitting on the chair next to a bed has a disturbed look on his face and is deep into his own thoughts. It’s as if someone he loved dearly just experienced a tragic and untimely death. He is in early depression. I could feel the pain depicted in his eyes. A book titled The Unquiet Grave lying open on the floor by the unmade bed suggesting something is left unresolved. The scattered photos and papers by the bedside cause redintegration. The picture of Medusa’s head screaming on the headboard is a silent scream filled with anger and pain, yet it cannot be heard. I feel as if I am in the one sitting in the chair and I can feel the anger, and regret.
We started off by going to the Francien Rutwich Gallery, in which I saw a couple of paintings that I was drawn to. The most beautiful object that I could find was called “The Intersection of a Table and a Piece of Lace (2009)” by Leyden Rodriguez Casanova, born in 1973,Cuba. The idea of the piece of art was very simple, but yet so elegant at the same time. The lighting was perfect and the shadows were sharp and this made a basic table on its side come to life. This brought me so much joy because it made me think about how anything can be beautiful. While it gave me joy, I also began to question what brought the artist the motivation to create something like this.