How would you like to be mugged and have to attend a crappy job all in one day? In the essays, “Mugged,” written by Jim Crockett and “Selling Manure,” written by Bonnie Jo Campbell, they both want these things to happen to them. Jim Crockett tells how his coffee cup has “mugged” him, theoretically. His essay talks about his addiction to coffee and how it affects his everyday life. Bonnie Jo Campbell expresses her experience selling manure as her summer job. She thought it was going to be the worst job that didn’t have a meaning. She also writes about the impact it makes, not just on her, but to her customers. I worked at a gas station for a while where I had to deal with customers just like Campbell. The difference, between Campbell and me, is I made food rather than providing the fertilizer to make the crops grow. I’m also, like Crockett in a different way than Campbell. I have an addiction to pop, which is the same with Crockett and his coffee. These essays relate to everyday objects in our lives to show the value, meaning, and impact that they have on us. …show more content…
The cup, for example, can be used as a pencil holder, or just a normal cup full of water. Just like Crockett explains, in his essay, how his mug is always filled with coffee and how it’s taken over his life. Without coffee in his mug there isn’t a value to his cup. Campbell also brings value to herself as well as others every time she delivers manure. She’s learned how manure helps the crops grow. By helping the crops grow bigger and better she adds value to the product. Campbell provides the manure that brings value to the crops. Bringing value to the crops to make them better for our
Farm City The Education Of An Urban Farmer is a memoir by Novella Carpenter in which she learns how to become an urban farmer. With the help of her boyfriend Bill, neighbors from the 28th Street in Oakland, California, and a few urban farmers she meets along the way Carpenter inflates her small garden into a small farm. Novella describes in great detail the paths that lead her from one adventure to the next and the obstacles she faces along the way. Carpenter’s depiction of her squatter’s vegetable garden in the ghetto, to the feeling of respect for the time that was required to raise her pigs kept the pages turning. Her character is inspiring and makes you ready to start your own farm. If you enjoyed the book Blood, Bones & Butter or
Eric Schlosser enters the slaughterhouse in the High Plains to show behind the scenes of fast food and how it is made. He was not expecting what actually lies behind the cold doors of the factory. People remain to have the misconception of fast food being made in the restaurant. Nobody thinks about there being a dark side to it all. Schlosser pulls on his knee high boots and guides readers through a pool of blood to show where we manufacture our food.
Coming from an “unconventional” background, George Saunders is readily able to relate to the circumstances the everyday working laborer goes through (Wylie). However, Saunders has an advantage to spread out his ideas and concerns about life in the U.S. via his short stories and novellas. Because of neoliberalism and capitalism and its correlation to the huge wealth gap in the U.S. Saunders focuses his protagonists’ view from a proletariat standpoint, allowing the reader to see the life of consumerism has impacted our society. Saunders does not use conventional methods to portray this reality. Instead, Saunders emphasizes on the “absence” of certain moral human characteristics in order to take the reader away from viewing into a hero’s looking glass— to set a foundation of a world where our morals become lost to our materialistic and inherent need of money (Wylie).
In Nickel and Dimed: On (Not) Getting by in America, the author, Barbara Ehrenreich, takes on an experiment where she leaves her job as a highly acclaimed writer and decides to become part of the working class in order to better understand them and their continuous strains and worries. Throughout the novel, the author cleverly utilizes statistical data, her own personal experiences and the previously untold experiences of others to bring to light the harsh reality facing many Americans who, despite their daily hard work and effort, are shockingly close to poverty.
She shows the jobs young girls do in the factories, “They spin… they weave… They stamp” By showing a list of work the young girls do, Kelley appeals to her audience’s emotional sense in order to deliver message of dissolving child labor. She also uses rhetorical questions followed by solutions in order to question what must be done and how to do it. She states, “what can we do to free our consciousness?... we can enlist the workingmen… to free the children”. By doing this, Kelley forcefully suggests that her audience consciousness are enslaved with the idea of child labor. She states her and her audience must solve the problem with unity to enlist the workingmen on the jobs. This gets back to to Kelley’s purpose of destroying child labor. By offering
Nickel and Dimed, by Barbara Enrenreich, is a novel written about her experiences while living and working among the common poor folk of America. Her adventures bring her from a restaurant in Ohio to the coasts of Maine to a Wal-Mart in Minnesota. Although her living and working locations change, one thing stays constant about Barbara her humorous and witty remarks. These remarks keep the reader entertained. Although her wisecracks are clever, they seem to at many times go too far, and have a tendency to be offensive, but this does not take away from the fact that these remarks greatly increase the validity of her arguments.
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
Hurst introduced the idea of a commodity in the text readings. By definition, a commodity is something that is of use, advantage, or value. More directly, Hurst showed how people by use of their skills, looks, or names, could be used as advantages in society. He uses the examples of celebrities, sports figures, and beautiful people to show that people can be commodities. All of these groups bring some sort of recognition or attraction that is beneficial to a company, firm, or individual. In return, they receive compensation for their name recognition to society. (Hurst 99-115)
The struggle between classes is highlighted when the mechanic takes the narrator to steal body fat. The narrator was at work when the mechanic picked him and other people driving them to a medical waste dump to steal fat, which w...
From this story, three main concepts stand out to me: ignorance and disrespect of others’ values, proving your identity, and the impact of discrimination.
Taking place in the jungle of meat packing factories during the early 1900s in Chicago, a journalist by the name of Upton Sinclair dissects the savage inner workings of America’s working class factory lifestyle. Sinclair portrayed the grim circumstance that workers faced and the exploited lives of factory workers in Chicago. He became what was then called a mudrucker; a journalist who goes undercover to see first hand the conditions they were investigating. Being in poor fortune, Sinclair was able to blend into the surrounds of the factory life with his poor grimy clothing. The undercover journalist would walk into the factory with the rest of the men, examine its conditions, and record them when he returned home. It is the worker’s conditions
Farming the Home Place: A Japanese American community in California 1919-1982 by Valerie J. Matsumoto presents a close and in-depth study of social and culture history of Cortez, a small agricultural settlement located in San Joaquin valley in California. Divided into six chapter, the book is based primarily on the oral interviews responses from eighty three members of Issei, Nisei, and Sansei generations. However, many information are also obtained from the local newspapers, community records, and World War II concentration camp publications.
In ?Everyday Use?, Alice Walker chooses to develop the idea of poverty by focusing exclusively on the environment in which her protagonists live. Setting attributes, such as the ones used to describe the house in which the protagonists reside, enables us to better understand the theme. In fact, the dwelling does not even have any real windows. Instead, it has holes cut in the sides, like the portholes of a ship, but not round and not square, with rawhide holding the shutters up on the outside. Then, Walker proceeds with inside description of the house as she points out that the protagonists use benches for their table instead of chairs because they cannot financially afford any. Further, the author supports the theme by providing us with some physical description of specific objects. The use of quilts that ?Grandma Dee? sewed from the scraps of her dress and the churn that Uncle Henry whittled from the wood is not derived from the protagonists? intention to preserve ?family values? but rather from a necessity to ?survive?.
“Car Crash While Hitchhiking” and “Work” both follow the stream of consciousness of the narrator, which shows the influence of drug on people’s mentality. Both stories are confusing with the narrator moving around the time and place; it seems as if the narrator is talking about whatever comes into his mind without specific plot or message. In “Car Crash While Hitchhiking,” the narrator talks about the family that picked him up, and suddenly switches to the story of him and salesman by saying “…But before any of this, that afternoon, the salesman and I …” (4) In “Work,” narrator says “And then came one of those moments,” (52) when he recalls a memory about his wife while talking about Wayne. Both stories shift abruptly without proper conjunction. In everyday lives, people think of numerous things. However, what they say are limited, as they talk consistently with a specific purpose, considering factors such as time, place, and appropriateness before they speak. On the other ha...
In the short story, "Everyday Use", author Alice Walker uses everyday objects, which are described in the story with some detail, and the reactions of the main characters to these objects, to contrast the simple and practical with the stylish and faddish. The main characters in this story, "Mama" and Maggie on one side, Dee on the other, each have opposing views on the value and worth of the various items in their lives, and the author uses this conflict to make the point that the substance of an object, and of people, is more important than style.