As The High Window enters a period of rising action, Raymond Chandler uses this stage as a time to display Marlowe’s obscure feelings. Despite coming off as a tough, quick-witted detective, Marlowe begins to unveil strange reactions and moods. Although showing no significant sign of unusual behavior while talking to Mrs. Murdock, his behavior changes over only after learning that the coin was occupying two spaces simultaneously. However, the reader can only assume that Marlowe is feeling odd until Chandler’s word choice ultimately describes an unnatural Marlowe; “I pushed out of the booth and lit a cigarette with thick awkward fingers” (Chandler 103). With Marlowe forcefully exiting from the booth you can only suspect peculiar behavior, which even the awkwardness of smoking his cigarette could cover. However, his awkwardness didn’t stop there. …show more content…
The exact sentence of this point of emotion is after Marlowe’s remark, “He looked up surprised. The girls at the pinball machine looked at me, surprised. I went over and looked at myself in the mirror behind the counter. I looked surprised.” (Chandler 103). With everyone in the shop, including Marlowe in a state of surprise, you can only assume that maybe Chandler purposely added the word repetition. However, if this wasn’t enough evidence by Chandler he also adds a distinctive metaphor as Marlowe leaves; “I got down off the stool and walked to the door in a silence that was as loud as a ton of coal going down a chute.” (Chandler 103). This, in fact, heightens Marlowe’s strange behavior. As a result, it's safe to say Mrs. Murdock’s phone call disorients
Grey recognizes Godfrey as a fellow Harvard grad. Some earlier signs such as his impressive diction, ease in dressing appropriately, and ability to quickly adapt to the high class lifestyle also show that he has previous experience in a moneyed household. However, these are quickly looked past as Godfrey charms the audience with his witty, and respectable character. At this tea party, the revelation of Godfrey’s true character is largely overshadowed by the performance of another character: Ms. Irene Bullock. Her hilarious performance of a suffering girl who is forever damaged by Godfrey’s rejection is used as a tool both to steer the audience away from drawing conclusions about Godfrey’s true character and to demonstrate how negligent one’s worries are at that level of
The House of the Seven Gables written by Nathaniel Hawthorne is a novel that engages the reader in an intricate love story that blends history and a fanciful ancestry. Hawthorne stays true to the Romantic era’s convections through his detailed development of the plot. Through his writing, the reader can capture the emotions, morality and motives of each character. Although Hawthorne writes in the romantic style, he does not fail to go against the social norms with the plot. He defines the normal roles of women and he emphasizes the role of wealth in society. Furthermore he asserts his opinions on issues that were prevent in that time, such as, racism, slave emancipation and Jim Crow. The story was not created to just provide a creative love
On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and a one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere fee of $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters.
It is known that the relationship between a father and daughter can make a great impact on the daughter's life for the rest of her life. Throughout The Glass Castle the reader sees this relation between Jeannette and her dad, Rex, starts off as a roller coaster, it’s dangerous yet so full of fun. Then at the end, the roller coaster stops as life starts kicks in and reality of the world pushes that force to a stop. You do see the love between Jeannette and her dad, Rex, from, The Glass Castle by Jeannette Walls, their relationship is considered to be rather unhealthy than healthy, which is because Rex relies too much on Jeannette to be the one to keep the relationship strong.
Carver progresses the narrator’s tone throughout the story, from disdainful to cautious to introspective by developing his relationship with Robert, and forcing them to interact with each other, to express that false presumptions about strangers, based on someone else’s experience or stories, can be misleading.
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
Carver develops the narrator’s tone chronologically from disdainful to cautious to introspective by deepening his relationship with Robert to express the false perception of strangers that assumptions can produce.
The story is taking place in a prairie. The first line of pg. 47 declares that. The same page is talking about a storm might be coming. I guess, there is a ocean near the prairie. On pg. 48, I found that the prairie landscape is discomforting due to the fact that it seems alive. It also talks about the farmsteads are there to intensify the situation. That same page talking about putting fire. It is taking place during winter, and may be somewhere during December. I think, the time is during the Great Depression of 1930's. In pg. 51 we found that John's farm is under mortgage. The same page tells, He works hard too much to earn some dollars. From pg. 52, I also found, he does not appoint any helper. In pg. 52, Ann remembers about their good time as well. Now, they are not having that of a easy life. They are tired by the labour. These all quotations proves that, the setting of the story is in a hill during the great depression of 1930's.
The Change of Perspective in the Author of Sky High The text Sky-High shows the change of perspective in the author, Hannah Robert, as she goes from an imaginative and curious child to an adult with less freedom and more responsibility. It explores the nature of change, which occurs in the transition from child to adult While the author is reminiscing about her childhood, we see her perspective of herself and her backyard and her world. Her backyard becomes a place where she can have many adventures with many different characters. As she describes her backyard, the mood changes as her “… thoughts return to my original plan, the ultimate conquest of the washing line.”. With the use of the word conquest a feeling that she is on a mission to climb the washing line is empathized.
Firstly, minor characters break stereotypes to breathe life into the sleepy town of Maycomb, establishing setting. For example, Mr. Dolphus Raymond assumes the character of a drinker as a pretense for associating with coloured people, though in reality he is drinking coca cola and not alcohol, hidden the contents in a paper bag. He confesses this to Scout, saying “Secretly, Miss Finch, I’m not much of a drinker, but you see they could never, never understand that I live like I do because that’s the way I want to live” (Lee 200-201). This proves that what is most outwardly transparent and unlikeable in a character may truly be interesting and good-natured. Mr. Raymond’s secret causes the reader to look past the paper bag and ask why a man might go to such extent to hide his best qualities. It proves that, in Mr. Raymond’s eyes, Maycomb isn’t yet able to handle the truth. He must hide it behin...
As a reader, one can overlook “the detective’s social abnormality only because these are attached to individuals we take to be normal” (Gregoriou 25) as well as Watson’s adoration for Holmes pores through the narration and binds the reader.
My conclusion, then, is that the lawyer strays from the zone of comfort to only lead him back to it. For instance, he does not try to understand Bartleby through Bartleby’s perspective, but he wants to understand who Bartleby is so that Bartleby will conform to the way he is. The lawyer’s empathy that he shows towards Bartleby is not a genuine display for Bartleby, but as a selfish way to restore the order in which he does not have to deal with this conflict.
Ernest Hemingway is one of the most significant American authors of the Twentieth century. In 1954, Hemingway was awarded the Nobel Prize in Literature for mastering the art of narrative and also for the impact that he has made on contemporary style. His involvement in the First World War as an ambulance driver greatly impacted his way of thinking. Severely wounded, he returned to the States and his involvement in the war lead him to write many novels concerning its treacheries. To his suicidal death in 1961, Hemingway composed a plethora of works that centered around was a major theme.
One repeating characteristic of comedy throughout the movie is that logical and standard solutions do not always work in comical plots. For example, Dr. Monosoff suggests that they use an accountant, Eugene Proctor, to help find Mr. Highsmith’s daughter. The reason they pick Eugene is because Dr. Monosoff believes that Eugene and Valerie Highsmith have one thing in common: coincident misfortune syndrome. This means that Eugene and Valerie are so misfortunate that they will coincidentally meet. This idea was told to the detective, Raymond Campanella, and he thought that this was the most absurd thing he’s ever hea...
The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be expected), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze…. (Miller 68)