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Impacts of the Harlem Renaissance
The importance of the Harlem Renaissance
The importance of the Harlem Renaissance
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Identity and Duality in Nella Larsen’s Passing The Harlem Renaissance was a 1920’s cultural movement that allowed African Americans growth after years of discrimination hindered them culturally. There are many well renowned writers associated with the movement, however although unrecognized Nella Larsen was a very relevant and important contribution with her novels Passing and Quicksand. Her novel Passing in particular, focuses on the lives of Irene and Brian Redfield and John Bellow and how their lives are affected by Clare-Kendra Below. The title “Passing,” is significant itself because it is according to Ohio State Law Journal, “a deception that enables a person to adopt certain roles or identities from which he would be barred by prevailing …show more content…
Nella Larsen was born in 1891, the daughter of a Danish woman and a West Indian man; but after her father passed and her mom married a white man, she was looked down upon as the the only colored person in her white family. Consequently her characters were surrounded by convicted views of identity, race, and societal pressures, but their issues are not so direct. In this novel, her main characters are Irene Redfield and Clare Kendry, two beautiful, wealthy black women who are able to “pass.” Clare is unfulfilled by her loveless marriage and boring life as a housewife rather than her heritage and therefore reaches out to her friend for a good time and something to do. Meanwhile Irene is unhappy with her marriage and is basically co-parenting because she is inhibiting her husband from following her dreams of financial and social stability in …show more content…
Irene, confused by conflicting instincts to protect one of her race and to be “rid forever of Clare” (Larsen 69), holds on to her arm. The ending’s ambiguity begins here. Although Irene grips her arm, Clare suddenly falls to her death, and Irene refuses to remember the moment with any sort of clarity. “One moment Clare had been there, a vital glowing thing, like a flame of red and gold. The next she was gone” (Larsen 79). Irene’s paranoia resurfaces for a moment, as she wonders if people will think she pushed Clare, but she finally succumbs to body-wracking sobs, completely overtaken by her simultaneous love and hatred for Clare, who impressed and aroused her like no one else. Irene, in refusing to remember the facts clearly, commits psychological suicide. Although many would argue that she did commit verifiable homicide, and is responsible for the death of Clare Kendry, readers should in fact embrace the ambiguity in this ending. Obviously, Larsen intends for no right or wrong answer, for one should not find the answer to all their questions in this novella. Its ambiguity directly reflects the ambiguity of Larsen’s own life, and her thoughts that identifying identity is impossible. Clare, a creature so revered and yet so unreal, embodies something that cannot exist in the story frame: certainty. For by the end of the novel, Clare knows who she
Harlem soon became known as the “capital of black America” as the amount of blacks in this community was very substantial. Many of the inhabitants of this area were artists, entrepreneurs and black advocates with the urge to showcase their abilities and talents. The ...
The Harlem Renaissance was a cultural movement during the 1920s and 1930s, in which African-American art, music and literature flourished. It was significant in many ways, one, because of its success in destroying racist stereotypes and two, to help African-Americans convey their hard lives and the prejudice they experienced. In this era, two distinguished poets are Langston Hughes, who wrote the poem “A Dream Deferred” and Georgia Douglas Johnson who wrote “My Little Dreams”. These two poems address the delayment of justice, but explore it differently, through their dissimilar uses of imagery, tone and diction.
The Emancipation of the once enslaved African American was the first stepping stone to the America that we know of today. Emancipation did not, however automatically equate to equality, as many will read from the awe-inspiring novel Passing Strange written by the talented Martha Sandweiss. The book gives us, at first glance, a seemingly tall tale of love, deception, and social importance that color played into the lives of all Americans post-emancipation. The ambiguity that King, the protagonist, so elegantly played into his daily life is unraveled, allowing a backstage view of the very paradox that was Charles King’s life.
...was a desperate act of a lonely, insane woman who could not bear to loose him. The structure of this story, however, is such that the important details are delivered in almost random order, without a clear road map that connects events. The ending comes as a morbid shock, until a second reading of the story reveals the carefully hidden details that foreshadow the logical conclusion.
Nella Larsen’s “Quicksand” depicts a young woman who lives her life around her dyer need to find her place in society. In the setting of Quicksand, discrimination is a key factor in the text because Helga Crane, who is a biracial woman, is expected to settle in a race in which she does not necessarily call her own. With this said, Crane maintains her status as an outsider in both the white and black community, and is never content with her surroundings. She also disregards her peer’s philosophies on life as annoying or absurd. She is constantly looking for a “better” life that will bring her self-fulfillment, but to her misfortune she never finds it. In the text Quicksand, Helga Crane shows great dissatisfaction with her life because of the racial barriers she has set for herself psychologically. She has formed these barriers in her life to keep distance from facing racial discrimination and conformity. Crane fights to keep differentiation between herself and the rest of society, and makes a life choice to not repeat the same mistakes as her given mother. While trying to find her own happiness, Helga Crane looks towards her materialistic views which prove to dissatisfy her in every situation.
Clare longs to be part of the black community again and throughout the book tries to integrate herself back into it while remaining part of white society. Although her mother is black, Clare has managed to pass as a white woman and gain the privileges that being a person of white skin color attains in her society. However whenever Clare is amongst black people, she has a sense of freedom she does not feel when within the white community. She feels a sense of community with them and feels integrated rather than isolated. When Clare visits Irene she mentions, “For I am lonely, so lonely… cannot help to be with you again, as I have never longed for anything before; you can’t know how in this pale life of mine I am all the time seeing the bright pictures of that other that I o...
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
Nella Larsen wrote Helga to be ahead of her time. She’s a fiercely materialistic and intelligent woman of bi-racial ethnicity in a time that did not allow for bending of social norms and roles. Because of these strict societal barriers and her own self-doubt and internal struggle, Helga continually lets herself drown in the quicksand that is her isolationist feelings and life.
Nella Larsen's Passing tells the story of the reconnection of two childhood friends whose lives take divergent paths. Through these characters Larsen weaves together a cautionary tale about the consequences of living a double life, and the harm associated with internalized racism. Through Clair and Irene, Larsen conveys to readers the consequences of desiring to live life as a bicultural individual during the early 20th century. Claire represents the archetypical character known as the tragic mulatto, as she brings tragedy to all those she encounters. Irene represents someone grappling with internalized racism; catalyzed by Claire's reentrance into her life. Larsen juxtaposes the two characters to demonstrate the inescapability of social regulations. Clare attempts to escape the social barriers placed upon African-Americans, and she does, but not without consequence. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about.
As the subject of the first section of Doris' novel, A Yellow Raft In Blue Water, Rayona faces many problems that are unique to someone her age. Ray's mixed race heritage makes her a target of discrimination on the reservation. Problems in her family life (or lack thereof), give Rayona a reversed role in which she is the mother taking care of Christine. In dealing with these issues, Rayona learns a lot about herself and others.
"The Harlem Renaissance - Boundless Open Textbook." Boundless. N.p., n.d. Web. 16 Apr. 2014. .
Larsen, Nella. “Quicksand.” The Norton Anthology of African American Literature. 2nd ed .Ed. Henry Louis Gates Jr. and Nellie Y. McKay. New York: W.W. Norton & Company, Inc. 2004. 1085-1167. Print
3. Dictionary of Literary Biography, Volume 51: Afro-American Writers from the Harlem Renaissance to 1940. A Bruccoli Clark Layman Book. Edited by Trudier Harris, University of North Carolina at Chapel Hill. The Gale Group, 1987. pp. 133-145.
Alice Walker and Zora Neale Hurston are similar to having the same concept about black women to have a voice. Both are political, controversial, and talented experiencing negative and positive reviews in their own communities. These two influential African-American female authors describe the southern hospitality roots. Hurston was an influential writer in the Harlem Renaissance, who died from mysterious death in the sixties. Walker who is an activist and author in the early seventies confronts sexually progression in the south through the Great Depression period (Howard 200). Their theories point out feminism of encountering survival through fiction stories. As a result, Walker embraced the values of Hurston’s work that allowed a larger
In 1942, Margaret Walker won the Yale Series of Younger Poets Award for her poem For My People. This accomplishment heralded the beginning of Margaret Walker’s literary career which spanned from the brink of the Harlem Renaissance of the 1930s to the cusp of the Black Arts Movement of the 1960s (Gates and McKay 1619). Through her fiction and poetry, Walker became a prominent voice in the African-American community. Her writing, especially her signature novel, Jubilee, exposes her readers to the plight of her race by accounting the struggles of African Americans from the pre-Civil War period to the present and ultimately keeps this awareness relevant to contemporary American society.