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Usefulness of photography in society
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Your View of the World Think about the last time you went somewhere exciting and did not have a camera or a picture-capturing device. How did that make you feel? In “On Photography,” the essay by Susan Sontag, she challenges how the uses of photography have developed between the invention of the camera in the 1800s and the time this essay was written in 1977, by juxtaposing different topics and ideas. She delves into how photography makes people feel and the plethora of uses, all which depend on the person. Finally, Sontag states that photography lets people show their experiences to others through their own point of view. Through her cynical words, she forces readers to feel a negative emotion towards photography. Sontag states pathos-charged …show more content…
In photography’s more recent uses, “[it] has become one of the principal devices for experiencing something, for giving an appearance of full participation” (177). She would like to make up an excuse as to why so many people take pictures and why so many obsess over the simple act of taking a picture. This strategic use of pathos appeals to the emotional side of the readers and makes them truly think about why they take pictures. This quote might bring up feelings of sorrow because the reader might remember events that they have attended in the past only to take pictures, not because they cared about the what was happening at the event. Sontag also uses the appeal to emotion to subtly attack the readers. The statement might make the reader stop and consider their actions. They may think about how the statement does not describe them, and then think about it a little longer and realize that it exactly describes what they do. Today, most people take pictures for their later enjoyment, but they also subconsciously take photographs because they have the desire to show others that they involve themselves in a myriad of …show more content…
So only those people could show off their “art”, or how they interpreted an experience or event. Now in the 21st century, everyone has a cell phone with a camera. Because people have access to this portable picture-capturing device, they have an easy way to create their own art form. In turn, they have an effortless way to show off to others that they enjoy outdoor activities or participating in impressive life events. Sontag brings up this topic in a strategic way by making the readers feel nostalgic about photography. Photography seems like such a modern invention, when in fact, photography surpasses all the article’s readers in age. In addition to just being able to take pictures of the happenings in the present moment, people can easily skew this photographical information. With social media sites and filters galore, someone can edit their pictures so much that the image no longer represents their true experience. Before the invention of the camera, people did things because they enjoyed them. Today, because of the invention of the camera, people do things not because they like them, but because they want to show people that they did something noteworthy. After reading this information, think about your own life. Do you have hobbies because you genuinely enjoy them or because you can take pictures and show off to your
...sm: in a sense, photography enlivens the dead and gives immortality. The latter is a quality which make a photograph work as a fetish, its immobility and silence its ability to preserve a past moment, are the same qualities associated with death as is rendered rather obvious through Susan Sontag “All photographs are memento mori.”
In the essay “Why We Take Pictures” by Susan Sontag, she argues that taking photos can be a tool of power and sometimes even a defense against anxiety(353). Taking pictures can be a great source of power, according to Sontag. The photographer has the power to show what they want and people can choose whether or not to be in the photo. Sontag uses the example of a family photo; as some family photos portray the family being happy, many people cannot see that the family might not actually be as happy as they look. Sontag also uses examples like nuclear families and traveling in order to enforce her claims about picture taking. In a nuclear family, Sontag believes that taking a picture of that family can help relieve some anxiety because people
Sontag, Susan. "Essay | Photography Enhances Our Understanding of the World." BookRags. BookRags. Web. 15 Apr. 2014.
There you are holding your camera an arm’s length away from your face, posing in the most flattering position to capture your best angle. There you are taking a photo of yourself to share with all of your Facebook friends. Taking a self-portrait photo, also known as a selfie, is something almost everyone has done in this new generation. This action is typically done without a second thought. In Alex Williams’ article “Here I Am Taking My Own Picture” that second thought is provoked through exploring the quickly spreading trend of self-portrait photography. In the article while Williams’ provides interesting examples on a changing generation as this trend progresses through social media and modern technology; Williams also leaves something to be desired within the article due to a lack of direction in the author’s stance on the topic.
Photography allows us to maintain memories and relish them whenever we desire. Although some advocates might argue that people are no longer enjoying experiences instead taking more pictures, in the essay, “Why We Take Pictures”, by Susan Sontag, she conflates that photography can be used as a defense against anxiety and a tool of empowerment. I agree with Sontag on the significance of photographs and how it allows us to store a part of our extended relatives so we are able to hold on the memories of family. Therefore, we must appreciate how photography allows us to manage anxiety, express feelings and remember our loved ones.
“Recently, photography has become almost as widely practiced an amusement as sex and dancing, which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power” (Sontag 8). After reading this quote in my head multiple times, I started to realize that people use it for different purposes. When I took a photography class in college, it was under the category “art.” Which made me think of it as a form of art, when there are so many other ways to view photography. Sontag changed my opinion about photography after further interpreting her quote because to have a camera in our hand, being able to capture the world through our lens is to have a tool of
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
Photographs are used to document history, however selected images are chosen to do so. Often times these images graphically show the cruelty of mankind. In her book, Regarding the Pain of Others, Susan Sontag asks, "What does it mean to protest suffering, as distinct from acknowledging it?" To acknowledge suffering is just to capture it, to point it out and show somebody else that it exists. In order to protest suffering, there has to be some sort of moral decision that what is shown in the photograph is wrong, and a want from the viewer to change that.
As seen in paintings of battle scenes and portraits of wealthy Renaissance aristocracy, people have always strived to preserve and document their existence. The creation of photography was merely the logical continuum of human nature’s innate desire to preserve the past, as well as a necessary reaction to a world in a stage of dramatic and irreversible change. It is not a coincidence that photography arose in major industrial cities towards the end of the nineteenth century.
“By the turn of the century the Kodak Brownie camera had been invented, making it possible for the average person to take candid photos of family and friends” (Gerber). Thanks to photography people now had the ability to have exact images of their loved ones who have died, or pictures of sons and husbands when they go to war. People also had a way to document things that happen in their daily lives. Anyone with a camera could take pictures of their workplace, homes, or even random moments throughout the day. Being able to preserve a memory on a piece of paper was seen as a miracle in the nineteenth century, but today it is apart of daily life thanks to pressing a single button.
To begin with, photography appeared to me as something entertaining a simple step in which one took a camera and simply shot a photograph of oneself or a friend. When I was handed my schedule for Mrs. Jones’s class, I felt as if this class had in store a special reward for me. As the days went by, Instead of being anxious of getting out of class I had a craving for additional time in the class. The class kept my eyes glued to the screen ...
Have you ever seen a painting or picture that captivates you and directly stirs up emotion within you? More than likely, you have. Usually, viewers merely observe the picture and enjoy the way it looks and how it makes them feel. But, have you ever asked yourself, “why?” What about the picture makes it pleasing to the viewer? With each strategy the photographer uses creates their own touch and passion that floods all over the picture. The emotional connection nearly goes unnoticed for when the picture is well photographed, the viewers experience the sensation in their subconscious. This is one of the most powerful tools that a photographer holds in their hands. If one can become a master of manipulating how the photo affects its viewers, the said photographer can potentially maneuver people’s minds and thoughts with one click of a button. The time spent with my mentor has opened up the door for me to tap into that power though the use of background, focus, shutter speed, angles, and most importantly, lighting. Even with all these techniques, the person behind the camera must remember that creativity must be at the forefront of all operations. Caleno (2014), when writing about the basics of capturing a beautiful moment in a picture commented, “If we want to be creative we must drop these pre-conceptions and start looking at things from a small child’s innocence.”
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
When I considered at first to discuss the role of photography and frame as evidence and their limitations, keeping in mind Butler’s argument regarding the visual modes of regulation of reality, the first problem that came up before me was: would it be something futile and an imposition of meaning on something which is by nature to be seen? But Butler’s claim regarding the way suffering is presented to us through the framing of reality in a certain way – for example, “embedded reporting” and our ethical response to it – prompted me to address certain questions involving the frame and its role in establishing or not establishing legal, political and ethical responsibility.
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.