Summary Of Ecstasy Of Saint Teresa, Cornaro Chapel

190 Words1 Page
bulb-icon

Recommended: Analysis of The Ecstasy of Saint Teresa

Ecstasy of Saint Teresa, Cornaro Chapel by Gianlorenzo Bernini is an amazing master piece. This piece of marble art stands in the middle of the chapel tall and proud. The aura around it is so divine and angelic. To attract our attention it appears alongside of Fresco style sun beams and colored marbles that frame the scene in an extravagantly theatrical way. We can see Saint Teresa leaning, underneath her is a cloud that gives us a feeling that she is floating in the air over the clouds. Her mouth slightly open due to the heavenly pain she is feeling. Her body fully covered from head to toe just leaving her feet naked and dangling off the cloud. As she described the angel, “He was not tall, but short, and very beautiful," related Teresa of

Show More
Related

  • Analysis Of Helena Maria Viramontes 'Under The Feet Of Jesus'

    1283 Words  | 3 Pages

    In the United States, the hierarchical system that dominates the social landscape has created a pool of power for those who sit at the top of the social ladder. This system has power trickling down from the top to those at the bottom: those who work hard and get recognized the least. This creates a conflict between the oppressed and the oppressor, and eventually those who are oppressed use those drops of power to fight for their basic human rights. In an excerpt from Gloria Anzaldúa’s book Borderlands/La Frontera: The New Mestiza, Anzaldúa explains the complications of oppressed people developing counterstances with their oppressors. In Helena Maria Viramontes novel Under the Feet of Jesus, Viramontes develops a female character named Estrella

    Read More

  • Comparison of Annunciation and The Raising of Lazarus

    806 Words  | 2 Pages

    Annunciation (Paolo Caliari) and The Raising of Lazarus (Joachim Wtewael) are oil on canvas paintings located in the Blanton Museum of Art. Annunciation is set on a balcony during sunset; the archangel Gabriel appears to be ascending from heaven and a woman seems to be falling in awe of the sight. The Raising of Lazarus depicts about fourteen people in a scene where everyone is looking at a different person, but no eye contact is taking place. The people are in the foreground, and a city can be seen in the background. Although these works of art were created during a similar time period and share a few similarities, these paintings also contrast in a number of ways when viewed closely.

    Read More

  • Baroque

    525 Words  | 2 Pages

    This is displayed in Parmigianino’s painting, Madonna of the Long Neck. During this time the Catholic Church was in a transition period, moving from their recent reputation and becoming a well-respected organization. During this reform, an autobiography written by Layola about Saint Teresa of Avila set a new tone for Catholics to follow. This influenced people to have a more spiritual outlook on life.

    Read More

  • Philadelphia Art Museum

    636 Words  | 2 Pages

    As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.

    Read More

  • Major Changes: Humanism and The Renaissance

    939 Words  | 2 Pages

    ...tism. The dove which has been tactfully placed above the Christ’s head, symbolizes the Holy Spirit. The other characters are angels who believed to be witnessing the baptism. The nakedness of the Christ on the other hand symbolizes humility. The general landscape in this picture displays an extraordinary naturalism. The Francesca’s work also marked the era of excessive antiquarian style of sculpturing and tactful use of oil in painting (Prescott, 2005).

    Read More

  • A Very Old Man With Wings, by Gabriel Garcia Marquez

    876 Words  | 2 Pages

    best to stay down and keep quiet. After the arrival of the angel the child’s condition had

    Read More

  • Madonna Of The Clouds

    929 Words  | 2 Pages

    The title of the piece, Madonna of the Clouds, implies setting; however, Mary’s robes blend in with the surrounding cherubs, creating a mass of folds. Donatello shows perspective through subtle changes in the depths of carving – stiacciato relief – a technique that he devised (Britannica). This varying strength of line utilizes shadows to enhance emotion, as seen with the Virgin Mary. The concern that she shows for her son in her arm foreshadows his fateful end. This expression though, is not only demonstrated within the facial features of her profile, but also in the ever-present shadow under her chin, directly above Christ’s head. Stiacciato relief depends on the reflection off of pale materials, like marble, in order to manipulate light to enhance or detract from the forms themselves (Britannica). Donatello controls his medium to work with his audience’s position, casting shadows to be where they are most meaningful. Awareness of his viewers’ angle ceased to allude Donatello as his earlier marble masterpieces, the sculptures at the Or San Michele, employed their alleviated situations to accentuate his subject’s personalities as seen with Saint

    Read More

  • Scene Analysis - The Awakening

    937 Words  | 2 Pages

    How strange and awful it seemed to stand naked under the sky! how delicious! She felt like some new-born creature, opening its eyes in a familiar world that it had never known.

    Read More

  • Baroque Vs Italian Baroque Art

    1519 Words  | 4 Pages

    The Italian Architects of the seventeenth century faced a huge volume of orders to carry out. The most required orders were churches. (Bazin 15) When Urban VIII became pope he asked Bernini to design a baldachino, also known as a canopy, to define the altar area. Bernini built something that was half sculpture and half architecture that had four columns that were very detailed. The columns were designed with spiraling grooves and vines made of bronze. The spiraling and decorative effects were made to symbolize the union of the new and Old Testaments, the vine of the Eucharist climbing the columns of the temple of Solomon. The Eucharist was the Christian ceremony commemorating the Last Supper. The elements of the Ionic and Corinthian orders are at the top of the columns. Angels are along the entablatu...

    Read More

  • Understanding Architectural Form: St Peter’s Basilica and Neumann’s Pilgrimage Church

    1172 Words  | 3 Pages

    ... middle of paper ... ... Using sculpture around the Alter of Grace and images on the wall and ceiling he pictures the story of the ’the Fourteen Holy Helpers and gives the kind of imagination to the level of reality as cited by (Lanciani and Rodolfo 1892). All these Baroque architectural elements were applied to the building to get the people attention to the focal point.

    Read More

  • Virgin Child And Saint John Analysis

    866 Words  | 2 Pages

    Jacopo del Sellaio’s Virgin, Child, and St. John is a characteristically iconographic tempera panel painting of Madonna, the Christ Child, and the infant St. John from the early renaissance, dating to the early 1480s. Sellaio was a Florentine painter under the apprenticeship of Sandro Botticelli, which reflects through his style and symbolism in the painting. In this work, he depicts a classically devotional scene filled with biblical symbolism. Sellaio’s Virgin, Child, and St. John expresses Mary’s loving role as Christ’s mother, the protective power and warmth of her maternal bond, and the significance of the birth of Christ.

    Read More

  • Brunelleschi's Chapel

    1269 Words  | 3 Pages

    Likewise, the chapel's twelve-ribbed dome approached the floor below it in the same respect as the Pantheon; completed after Brunelleschi's death, the chapel dome caps a severe rectangular base in the same way the Pantheon dome covers an ascetic circle. Tractenberg. The chapel's dome, however, is itself capped with a cylindrical cupola "with delicate lantern" added in 1462 (Italy Field Study). Although they differ in base, both domes were framed according to circles. The image above illustrates the resemblance between the Pantheon and Pazzi chapel dome.

    Read More

  • “The Pieta” by Michelangelo

    1239 Words  | 3 Pages

    St. Peters Basilica. (2009). Chapel of the Pieta. Retrieved April 15, 2011, from St. Peters

    Read More

  • Cathedral Of Our Lady Of The Angels Analysis

    1050 Words  | 3 Pages

    Because from age to age, Christians have built these spaces to help those find God and know themselves to be in God by being in these places. It serves as a luminous link to our past this building of breadth and breath, joining bonds between men and women. It is more than an extravagant building, it is a living liturgical space for all of God’s people, in all their diversity to gather and worship God. A goal of Moneo’s that is shown in the Cathedral is to embody the architecture with the power to be a new vessel for a sacred experience. The display of power in an institution such as Saint Peter’s in Rome, Gothic cathedrals that offer God with complex construction, post-Tridentine architecture in Italy that aspire to serve as liturgy, and very much as Romanesque architecture for how the symbolism of light becomes an ampoule of a spiritual experience, the light that is reflected off the chapel roofs spills throughout the ambulatories toward the

    Read More

  • florence cathedral

    1043 Words  | 3 Pages

    In the Florence Cathedral, Florence, Italy, there is a cathedral church whose octagonal dome, built without the aid of scaffolding, was considered the greatest engineering feat of the early Renaissance. Dedicated to Santa Maria del Fiore, Our Lady of the Flower, it is also known as the Duomo, after the Italian word for cathedral. Created by many great Early Modern artists, this piece of architecture is a perfect example the Renaissance style. We can come to a better understanding of why this is so by exploring what the characteristics of the Renaissance “style”. To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others. The building's stained-glass windows are the work of the Italian architect and artist Lorenzo Ghiberti, and the interior is decorated with sculpture and fresco paintings by several Renaissance masters. Construction of the campanile (bell tower), situated to the right of the entrance to the Duomo, was begun by Giotto and completed according to his plans in 1359, after his death. Nearly 278 ft high, the campanile is embellished with red, green, and white marble panels of relief sculpture by Italian artists Andrea Pisano and Luca della Robbia, and niches with sculpted figures by Donatello and other masters. Facing the cathedral and campanile is a smaller, octagonal structure, the Baptistery of San Giovanni, noted for its gilt-bronze doors, elaborately worked in high relief by Andrea Pisano and Lorenzo Ghiberti. With that background information about the cathedral, one question comes to mind: what is it that makes the Renaissance style distinct? Renaissa...

    Read More

More about Summary Of Ecstasy Of Saint Teresa, Cornaro Chapel

Open Document