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The complicated personality of hamlet
The complicated personality of hamlet
Claudius and Hamlet's relationship
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ACT 2 Scene 1 Hamlet returns to the castle as mad as ever because of the news of his fathers death was due to the fact that he was poisoned by the new king of Denmark Claudius, he was so enraged that his ¨girlfriend¨ Ophelia approached him and he did not say anything, but he grabbed her with aggression and walked away. Ophelia then got upset the went to see her father Polonius. While she was on her was to see her father Polonius was talking to his servant (Reynaldo), telling him to go to France, and spy on his son Laertes and to let him know of his whereabouts. Ophelia tells her father Polonius about her encounter with Hamlet and tells her to keep away from him and suggests that his reasoning for his mood might be lovesickness. Scene 2 King of Denmark Claudius and Queen Gertrude call upon Hamlet´s friends old friends from school (Rosencrantz and Guildenstern), and ask them to spy on Hamlet and report with what he is up to. The Queen says tells the 2 that they will be paid very well to spy on him and that its for his own good, they Agree and go off to seek out to find their old friend Prince Hamlet. Polonius says that Hamlet is mad and needs mental help, but the queen says that she is sure that he isnt crazy. That he is just upset at the fact that his father has died and her new marriage. Also ambassadors from norway one being the former king of …show more content…
As everyone including the king and queen is seated the play begins with just a normal show. Then they act out a king and queen happily married and, they show the king taking a nap and then someone walking up to the king to put poison in the actors ear, then goes to have fun with the queen actor. Everyone at this point is confused by the play then the actual king gets kinda mad and orders the play to stop. Doing this Hamlet knew right then and there that the ghost was
The Mel Gibson version of Act I, scene 5 gives the most accurate representation of the ghost’s purpose to use Hamlet as a result the actors’ movements and manners of speaking. In this film clip, the ghost is calm and sure of himself, speaking softly, as ghosts do, yet with conviction of his own authority. He is also mobile in the scene, moving ever closer to a Hamlet who appears to be paralyzed with fear. This motion establishes an unequal power dynamic between the father and son, making it clear that the late King Hamlet is in control of the situation. Although the ghost still tells Hamlet to “taint not [his] mind, nor let [his] soul contrive against [his] mother aught,” the line is delivered as an ominous warning rather than fatherly advice.
Act II scene i of William Shakespeare’s play Hamlet is a scene in which a lot is revealed. In this scene Polonius sends his servant, Reynaldo, to France to see Laertes and also to spy on him. As Reynaldo is on his way out, Ophelia comes into the scene and she is very distraught. She explains to Polonius that Hamlet had confronted her in a very unkempt state. Hamlet had grabbed her wrist and held her there for a few moments and then sighed. In this entire encounter Hamlet did not speak. Polonius is convinced that Hamlet is madly in love with Ophelia and that in addition to Polonius forcing Ophelia to distance herself from Hamlet is that is the reason for this encounter. The scene ends with Polonius going to see Claudius of his idea. This scene shows evidence of dramatic irony because Polonius is convinced that Hamlet is mad because he is in love with Ophelia but the audience knows that Hamlet is only pretending to be mad.
the purpose of his old friends' visit and he is perceptive enough to see through
Act 3 Scene 4, so called the closet scene, is the first time we see Hamlet and Gertrude together alone. In this scene Hamlet releases his anger and frustration at his mother for the sinful deed she has committed i.e. her marriage to her brother-in-law and the murderer. We can see that Gertrude is unaware of her husband's murder when she says `As kill a King?' and it is the first time she confronts her own behavior. There is a conflict between the two; Hamlet gives powerful replies
The second scene of Act 2 of Hamlet is a good example of how a simple scene, which at first glance seems to be trivial, could rather significantly affect the plot development. I will try to analyze the given excerpt and prove that its themes bear a rather unexpected significance for the play as a whole. First I will analyze the meaning of this scene and the possible reasons for Polonius to speak in such manner. Then I will try to present evidences that the themes present in this scene indirectly affect the development of the plot and serve as a kind of a “catalyst” for the ensuing tragedy.
... his father’s ghost, and whether or not to get revenge. Hamlet is still unsure about the ghost being real or a hallucination from him going mad. This also adds suspicion about Claudius's true motives in marrying Gertrude and his concern for his country of Denmark. Shakespeare opts to let Hamlets character possesses these certain characteristics so early on so that it will set the scene for the rest of the play. I predict Hamlet will become so delirious and mad; he will listen to what the ghost tells him. He only wants the best for his country, but there about to go to war with Norway under the direction of a king who in Hamlets eyes is not worthy. I believe there will be a power struggle between Hamlet and Claudius over the throne and for Hamlet to claim what is rightfully his.
Ophelia becomes distraught due to Polonius’, Laertes’ and Hamlet’s hurtful words piling up on her. Polonius and Laertes tell Ophelia how Hamlet’s love isn’t
In Act 3.4,Hamlet’s madness is clearly displayed after he murders Polonius,due to his mother calling for help because of her fear with Hamlet. In the text,Hamlet’s tone is intense but emotional as he shares with his mother her faults of marrying her late husbands’ brother. Hamlet says , “No, by the rood, not so.You are the queen, your husband’s brother’s wife,And—would it were not so!—you are my mother” (4.3.14-16). As the scene advances , the ghost of his father , King Hamlet , appears and Hamlet becomes poignant while his mother comes to realize that Hamlet has indeed become mad. Similarly displayed in Branagh’s interpretation , the character of Hamlet is a very serious , but eventually emotional character. Instead of using a bed,Hamlet
If I were directing the play, I would begin by cutting out Bernardo and Marcellus’s scenes in Act I, scene I. Although they set the scene for the beginning of the play, their characters are insignificant throughout the play as a whole. I would also cut out the scenes between Polonius and Laertes. Laertes character is irrelevant in the play especially his trip to France which doesn’t have any significant effect on play. In addition to this, Laertes have not been mentioned in any of the scenes after act II, scene I. Any scenes involving Polonius servant, Reynaldo should also be cut out. Even though the interaction between Reynaldo and Polonius may have revealed some of Polonius’s characteristics, Polonius eventually die early on in the play (act
'Hamlet ', one of William Shakespeare longest and finest piece of literary work. Hamlets play hones in on characteristics such as, sadness, madness, insanity, morbidity, and mortality. While many scenes depict many of these characteristic’s if not more than one, Act 5 Scene 1 is renownedly known for exhibiting all five of these characteristics in just a few paragraphs. With Shakespeare’s writing technique imagery, repletion, and metaphors expressed throughout this scene, it allows for the reader to receive a clear image of what is going through Hamlets mind.
In this scene we see two new characters, Rosencrantz and Guildenstern, childhood friends of Hamlets. They have been sent by the king,Claudius, to help discover why Hamlet's behaviour has changed, and to find out whether he is actually mad. "The need we have to use you did provoke.something you have heard of Hamlets transformation" The two men pretend to be visiting Hamlet. This is an important part of the play, as it shows that Hamlet is getting to Claudius, worrying him, he feels threatened by Hamlet and his behaviour. Next Polonius enters, he brings news that the ambassadors from Norway have returned and that he has found the cause of Hamlets lunacy.
Imagine the castle of Denmark before the well-known events of the play. King Hamlet and Gertrude sit together at meals and deeply show love for one another. Claudius and King Hamlet are quite close but there is an obvious hint of jealousy towards the King from Claudius. Hamlet and Ophelia cross paths and eyes many a time and stray away subduing emotions for one another. Everything in their lives of royalty are flawless and set before them but because one brother was discontent with his present state he acted for more in his life.
Act III Scene IV has fuelled much speculation and many psychoanalytical perspectives of Hamlet and his Oedipal complex. The scene is set in a closet, typically a private room in a castle while a bedroom was meant for receiving visitors, the convention since the late 19th century was to stage this scene in Gertrude’s bedroom; resulting in further speculation of Hamlet harbouring sexual desires towards his mother. If Gertrude received him in her closet, she treated him more intimately than a son.
Scene iii, Claudius finds out that Hamlet knows that he was the one to poison his father and take his throne. Claudius thinks Hamlet is unstable, and could be a threat to everyone in the castle. Claudius and Polonius have set up Ophelia to meet with Hamlet:
In his anger, Hamlet seems to act like a madman, prompting King Claudius, his wife Gertrude, and his advisor Polonius to send Rosencrantz and Guildenstern to spy on Hamlet and figure out why he is acting mad. Hamlet even treats Polonius' daughter Ophelia rudely, prompting Polonius to believe Hamlet is madly in love with her, though Claudius expects otherwise. Polonius, a man who talks too long- windedly, had allowed his son Laertes to go to France (then sent Reynaldo to spy on Laertes) and had ordered Ophelia not to associate with Hamlet. Claudius, fearing Hamlet may try to kill him, sends Hamlet to England. Before leaving, however, Hamlet convinces an acting company to reenact King Hamlet's death before Claudius, in the hopes of causing Claudius to break down and admit to murdering King Hamlet. Though Claudius is enraged, he does not admit to murder. Hamlet's mother tries to reason with Hamlet after the play, while Polonius spied on them from behind a curtain. Hamlet hears Polonius, and kills him through the curtain, thinking the person is Claudius. When finding out the truth, Hamlet regrets the death, yet Claudius still sends him to England, accompanied by Rosencrantz and Guildenstern with orders from Claudius that the English kill Hamlet as soon as her arrives.