Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
A streetcar named desire blanche character study
Character of Blanche in Streetcar named desire
Streetcar named desire theme of class
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: A streetcar named desire blanche character study
The play A Streetcar Named Desire by Tennessee Williams is an intriguing play about a clash between two class groups. Blanche Dubois portrays herself as a high economic citizen where her sister and her husband are contrasted as lower class. Class is significant throughout the play because it provokes negative relationships and negative feelings amongst the main characters. The clash of the different classes causes immediate biases and heated argument between each pair of characters throughout the play. Firstly, the class conflict between Stanley and Blanche is the strongest in the play. In most scenes, Stanley is brewing over Blanche`s high class status. He often makes sarcastic remarks about Blanche’s fancy and luxurious background. In scene …show more content…
Firstly, Class prejudice makes a person selfish. In scene 7, Stanley eagerly and happily shares the news of Blanche’s past to Stella regardless of how it would affect the rest of his family. He then continues to say, “You know that, don’t you? Just to make sure I bought her ticket myself. A bus-ticket!” (Williams 127). Stanley’s is so angry about the class distinction between him and Blanche that those feelings cloud any ability for him to be sensitive. Instead, he selfishly announces the news to his wife no matter how hurt she would become. Stanley places emphasis on Blanche taking the bus. As he refers to taking the bus as a form of transportation for a lower class citizens unlike Blanche. Secondly, Class distinction is self-destructive. In scene 10, Blanche says, “I said to him, thank you, but it was foolish of me to ever think that we could adapt ourselves to each other. Our ways of life are too different. Our attitudes and backgrounds are incompatible.” (Page 157). Blanche herself believes that because she was born into a high class family, that she will remain in high class status for the rest of her life and that she belongs with other high class people. Important life decisions such as love and companionship are foolishly based on class. Blanche says bye to Mitch and possibly gives up happiness because he is from a lower class than her. Lastly, Class makes a person delusional. In scene 5, Blanche feels that she must learn new slang words in New Orleans in order to relate to her lower class family members, “I must jot that down in my notebook. Ha-ha I’m compiling a notebook of quaint little words and phrases I’ve picked up here.”(Williams 87-88). With a simple class designation, Blanche automatically believes she and everyone else in her class share the same characteristics and knowledge. She unrealistically thinks that high class people are smarter and have a
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Tennessee Williams, an American playwright, has been known as the most prominent American southern dramatist. He won his first Pulitzer Prize with Streetcar Named Desire. In this play, Williams shows the need for belief in human value against the natural realistic world. He uses symbols to develop the characters and theme of illusion verses reality within Streetcar Named Desire. The two main characters are Blanche DuBois, an aristocrat southern belle, and Stanley Kowalski the "gaudy seed-bearer." Blanche lives in the superficial world she has made for herself while Stanley lives in the harsh realistic world. The confrontation between Blanche and Stanley is shown throughout the play and is so severe that one must be destroyed.
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Blanche, the main character in William’s play "A Streetcar Named Desire" invokes many contrasting emotions. To analyze one’s emotions concerning Blanche is no easy task, to do so effectively one must break the play into different parts and analyze them separately. The problem with Blanche is that she presents a character so mixed up in her own motives and opinions that one never knows if it is really her or an act she’s putting on. The audience will find itself constantly readjusting its position towards Blanche and the other characters as the play unfolds and we learn more about her story and the reasons behind her inadequacies. Williams makes sure nothing is white or black but grey so that at some moments in the play we struggle to find a reason for her cool manipulation and hunger for power while at others we pity her pathetic life founded on lies and misconceptions. Even when she tries to break up Stanley and Stella’s relationship we don’t immediately brand her as a villain, we remember that if Stella hadn’t left than maybe Blanche would have become what she had wanted to become rather than what society dictated her to become.
The arts stir emotion in audiences. Whether it is hate or humor, compassion or confusion, passion or pity, an artist's goal is to construct a particular feeling in an individual. Tennessee Williams is no different. In A Streetcar Named Desire, the audience is confronted with a blend of many unique emotions, perhaps the strongest being sympathy. Blanch Dubois is presented as the sympathetic character in Tennessee William's A Streetcar Named Desire as she battles mental anguish, depression, failure and disaster.
In the play, Blanche represents old America and Stanley represents new America. Why Blanche represents old America is because of her way of thinking, lifestyle and values. When Blanche walks into the room where the guys are playing poker, there is a great example of how Blanche represents old and Stanley new. When she walks in, the guys are sitting around the table, then Blanche says “Please don’t get up”. Stanley replies “nobody’s going to get up, so don’t be worried”. Before men were always supposed to treat women with respect, and get up from the chair when they came in, and when they left. Blanche expects or imagines that they are going to treat her like that. In this way Blanche appear as the “old” America, how people used to think. Stanley is a large contrast and represents new America, when he says nobody’s going to get up. None of them were even thinking of getting up for her, because that is not their manners, and that is not what people do in the “new” America. New America is when there was a lot of immigration. In this new “world” the old fashions and norms were bit by bit disappearing, for instance racism. Also the lower classes in society became more common. This is the world Stanley lives in. In contrast Blanche is stuck in the old world.
Her first problem is with the heroine of the play, Blanche DuBois, who, she claims, is "ironically made guilty for her own victimization. No longer fully human, she is simply a metaphor of all that is vile about women. Blanche cannot, then, claim tragic stature or even our sympathy precisely because she is a victim of rape. And as she becomes responsible for her own victimization, Stanley is left to glory in his ascendancy. This aspect of Streetcar arises from the misogyny which colors the play…" (Lant 226). Admittedly, Blanche does flirt with Stanley briefly at the beginning of the play—just as many women playfully flirt with their brothers-in-law. But as her relationship with Stanley deteriorates, she makes it quite obvious to him that she loathes the sight of him. Though the world in which Lant lives may be one in which a woman, playfully sprinkling her brother-in-law ...
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown of Laurel, Mississippi for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley and Stella's (Blanche's sister) doorstep as nervous exhaustion. This, she claims, is the result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Suspicious, Stanley points out that "under Louisiana's Napoleonic code what belongs to the wife belongs to the husband." Stanley, a sinewy and brutish man, is as territorial as a panther. He tells Blanche he doesn't like to be swindled and demands to see the bill of sale. This encounter defines Stanley and Blanche's relationship. They are opposing camps and Stella is caught in no-man's-land. But Stanley and Stella are deeply in love. Blanche's efforts to impose herself between them only enrages the animal inside Stanley. When Mitch -- a card-playing buddy of Stanley's -- arrives on the scene, Blanche begins to see a way out of her predicament. Mitch, himself alone in the world, reveres Blanche as a beautiful and refined woman. Yet, as rumors of Blanche's past in Laurel begin to catch up to her, her circumstances become unbearable.
she was told "to take a streetcar named Desire, and then to transfer to one
A Streetcar Named Desire, by Tennessee Williams, is a very worldly play that contains issues from life; a guilty feeling of abandonment, the anger and frustration between two complete opposites, and the violation of a rape. It happens in New Orleans where there are many different races. Blanche DuBois, loses her ancestral home, Belle Reve, and her teaching position as a result of promiscuity. With expectations for the new life, she moves in with her pregnant sister Stella and her brutish husband, Stanley Kowalski. Throughout the play, we can distinguish many differences between Blanche and Stella. Although they come from the same noble and aristocratic family, their philosophies of life are distinct and lead them to different roads. Blanche is a highly vulnerable, as well as neurotic, woman living in a world of boozy self deception. She is intelligent, yet prefers magic over realism. She puts too much emphasis on her manners and appearance. She demands to be seen for what she wished to be, rather than what she really is.This is the reason for the paper lanterns and constant bathing - she is creating her world of illusion. A complite opposite of Blanch is Stella.Unlike her sister, she is a passive and gentle woman. She is five years younger than Blanche, about 25, and has been submissive to her for her entire life. After marrying Stanley, she is forced to join the lower class, endure her husband's bad temper, and be obedient to him. Blanche is not a compromising person who can adapt to changes. Moreover, I think she is afraid of alterations and denies facing the reality (ex. she is afraid of losing her properties, her youth and beauty, etc.). She feels very uncertain about the new world and tries to persist in her own way of behavior and thinking, since that is how she has been educated: to be a lady. Stella is the connecting figure to two different worlds- the supposed royalty world of Blanche DuBois and the more common world of Stanley Kowalski. Blanche and Stanley both attempt to influence her, and they succeed to a degree. Stella still has many of the qualities instilled in her at Belle Reve, yet she does not let that get in the way of her having some fun. As she is so entangled between two completely opposite worlds, she is stuck and eventually forced to side with one of the two.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
From the moment Stanley and Blanche met the contrast between the two characters was apparent, Stanley even points out ‘The Kowalskis and the DuBois have different notions’ (S2:pg.135*). Williams uses the dramatic device of colors to symbolize a distinction between Stanley and Blanche; Stanley wears vivid colors ‘roughly dressed in blue denim’(S1:pg.116*) representing his masculinity and authority he possesses in the Kowalski household, before Blanche arrived, in contrast to Blanche who ‘is daintily dressed in a white suit’ (S1:pg.117*) representing purity and femininity. Blanche wears white at the beginning of the play thinking she will be able to hide her impure behaviour but Stanley saw right her act and knew she would be a threat to his marriage with Stella. The reason being is that Blanche constantly criticizes Stanley making derogatory comments about him calling him a ‘common’ and ‘bestial’(S4:pg.163*) along with conde...
Through the symbols found in the main characteristics of the play’s main characters, in addition to specific use of animalistic images, color, and light, Williams is able to better emphasize particular features of the play’s main, conflicting characters, Blanche and Stanley. As analyzed by the criticism, everything about Blanche and Stanley’s qualities and character traits force them to stand in contrast to each other, and even Stanley and Stella’s simple living quarters provide enough expressionism to show that Blanche and Stanley conflict with their diverse ways of seeing and interacting with the world around them.