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Recommended: Depression in hamlet
Throughout the play ‘Hamlet‘, we see that the protagonist seems troubled and quite isolated. The Shakespearean play is believed to have been first performed between 1600 and 1601 but not published until 1603. Hamlet is the young prince of Denmark, his mother Gertrude married her brother-in-law shortly after her husband (Hamlet’s father) died. In the Elizabethan era many people believed in supernatural forces and this is displayed within the play when Hamlet’s father returns as a ghost. Many people would argue that Hamlet is possessed and his madness and strange behaviour is partly due to his father’s death and his reoccurrence as a ghost.
From the beginning of the play Hamlet seems as if he is emotionally unstable and unable to cope well with his emotions. The audience see this through Hamlet’s sadness over his father’s death. For example ‘I have of late…lost all my mirth’ (2,2,280). Hamlet says here that he has lost all of his happiness; this shows us as an audience that he feels empty and has nothing to feel happy or joyful about.
Moreover we see that Hamlet is unable to communicate well with others and this backs up the point that he feels isolated and lonely. Shakespeare uses short sharp sentences to show that the character doesn’t want to converse, ‘Words, words, words’ (2,2,189). This is the response Hamlet gives when Polonius asks what book he reads. The reply shows that he doesn’t want to talk and is being quite dismissive when asked questions.
Hamlet’s behaviour is obsessive at times in different ways. He is very focused as he is concentrating on fulfilling his late father’s task, which is to kill his Claudius (Hamlet‘s uncle) for betraying him. For instance, ‘A villain kills my father, and for that, I, his son, do ...
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...ortant quote that could show that he is pretending is ‘, “I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw” (2,2,361–362). Here Hamlet basically says he knows what is what in which case he knows when he is seen to be mad.
Finally, the way that Hamlet is perceived by the audience is different for everyone and is interpreted in many different ways. The other characters all believe that Hamlet is truly ill or mad, however most critics feel that this was a cover up plan so Hamlet could organise his plan to murder Claudius and the other characters would find it hard to believe Hamlet could murder somebody if he was truly insane.
Works Cited
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
He is mentally disturbed by the thought of his uncle killing his father to the point where he loses touch with sanity. Hamlet is a tragedy that will never have a straightforward answer as to if he faked being crazy or not. My belief is that Hamlet had in fact lost touch with reality. The slow decline of his mental health throughout lead me to believe he did go crazy, even if he might have been faking it at first. After seeing his father’s ghost, I believe he started acting like he had lost his mind to blame his future actions on the fact that he was crazy. I also believe he truly did lose his mind shortly after when he found out about Claudius murdering his
If Hamlet were truly mad, he would not have been able to give such a guileless and processed response.... ... middle of paper ... ... Hamlet’s feigned insanity was all part of his overall scheme to avenge his father, King Hamlet.
Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what is going on around him. Most importantly, Hamlet does not think like that of a person who is mad.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
Hamlet gives many clues in this play that he is beyond feeling upset and anger over what is happening in his life. His soliloquies and speeches give excellent indications that he is actually depressed. People do not understand why he acts the way he does and even try to tell him to move on with his life. However, depression is a very serious disorder that cannot be easily detected or treated. Because the people do not detect that Hamlet is depressed, they obviously do not treat him for it. Hamlet's case continues to get worse and eventually aids in the cause of his death. Hamlet reveals too many obvious symptoms of depression to disclaim that he is inflicted with the disorder. Hamlet, a young prince, his heart filled with years of sadness and hardship, cannot escape his misery and develops major depression disorder.
Logan Gaertner Mrs. Amon English IV 1 March 2014 Is Hamlet’s Insanity Real? Is Hamlet truly insane? While the play is not extremely clear on the matter and often contradicts itself, many of Hamlet’s wild ramblings and words of nonsense seem to be not the true words of a madman. Hamlet says that he is merely “putting on an antic disposition” (Act 1, Scene 5, Line 181). He admits very early on in the play that his insanity will be nothing more than a ruse to fool those around him.
Hamlet throughout the play seems insane but in reality it is only an act to achieve his goal of killing his father's murderer. Hamlet chooses to go mad so he has an advantage over his opponent and since he is the Prince of Denmark certain behavior is unacceptable, so by faking madness he is able to get away with inappropriate sayings and actions. We can see this when he talks to Claudius, Polonius, Ophelia and his mother. When Hamlet talks to Horatio in the first act he says how he is going to "feign madness" and that:
Hamlet feigns madness so that he will be able to successfully get revenge on Claudius. In order for his plan not to be discovered, he has to fake madness in order to throw off his enemies. For his revenge plan to be a success, Hamlet will have to be perfectly sane so that he won’t sabotage his plan in anyway, and to keep himself alive long enough to carry it out. Hamlet’s plan on proving Claudius’ guilt and whether or not the ghost is his dead father shows that Hamlet is too intelligent to be mad. If Hamlet were indeed mad, he would be too dim-witted to come up with such a clever plan.
All throughout the play Hamlet mourns the loss of his father, especially since his father is appearing to him as a ghostly figure telling him to avenge his death, and throughout the play it sets the stage and shows us how he is plotting to get back at the assassinator. Such an instance where the ghost appears to Hamlet is when Hamlet and his mother are in her bedchamber where the ghost will make his last appearance. Hamlet tells his mother to look where the ghost appears but she cannot see it because he is the only one who that has the ability to see him.
From the beginning of the play, Hamlet is confident in the inability of others to know what is going on in his mind based on his actions. Upon being questioned by his mother about why he still seems bothered by his father’s death, he tells her that he does not simply seem to be grieving, he is, and that his displays of grief cannot “denote [him] truly,” because “they are actions that a man might play,” while his sorrow is real (1.2.76-86). This claim reveals Hamlet’s belief that his outward nature cannot reveal his inner one, and, as Skulsky notices, “gives no grou...
Shakespeare, William. "Hamlet." The Norton Introduction to Literature. Eds. Alison Booth, and Kelly J. Mays. Tenth. New York, NY: W.W. Norton & Company, 2011. 1024-1129. Print.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.