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Literature to movie adaptation proces
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When I was eight I went with my Family to go see a special showing of something we thought would be scary…. Misery. Misery is terrifying because of the skill and persistence of the actors/actresses and the actions of this film really could have happened during the early nineties. When this movie was released Steven King was just coming off a mini Series called IT in November 1990 which had become a T.V. hit so this movie was well received. Misery was a book written by Steven king in 1987 which meant that the Source was already there to adapt into a movie. Once director Rob Reiner and screenplay writer William Goldman got on board the rest fell into place. The audience and I watches Kathy Bates, who plays Annie Wilkes and imagines what the
...dience long after the film reels have stopped turning. The idea of a “scary movie” could be innocuous enough, if it is simply frights and ghoulish images, but Nosferatu raised the bar and discovered how to delve into a collective mindset and produce a truly unsettling product. Germany’s residual shame and concern regarding World War I made Nosferatu a gripping, telling exploration of a nation’s psyche.
The movies “Amelia” from the Trilogy of Terror directed by Dan Curtis and Misery directed by Rob Reiner are similar in plot, in that they both feature bursts of violence, the scheming of plans and the use of knifes. They also meet the three reasons King gives in the interview Why We Crave Horror Movies by Rise B. Axelrod and Charles R. Cooper.
Misery memoirs attract readers because it is a way for them to find their sympathetic self. They have a hard time letting go of the things that make them miserable, which brings them some type of pleasure. For example, sympathy is one form of pleasure. In today’s society, sympathy is a form of virtue. If you complain about being sick, or struggling with a personal problem, there is always a sympathetic ear to listen and offer you advice that makes you feel special and indulge your egotistical need of acknowledgement and attention. Another form of pleasure would be desires and opportunities. This is attaching yourself to a misery now in order that your future desire will occur. This is true for Darin Strauss, the author of Half A Life.
What does it take to frighten an author of best-selling horror novels? In Misery, Stephen King embodies a writer's fears about himself as a writer and about the continuation of his creativity in a richly elaborated and horrifi-cally psychotic woman, Annie Wilkes. In the novel, Annie represents a mother figure, a goddess, and a "constant reader". In reality, however, An-nie merely represents a creative part of King's mind.
My hands were clenched tightly around the armrest of my couch, ten minutes in to my first horror movie. I was in middle school as a 7th grader, brand new to the world of sleepovers, late nights, and scary movies. My best friend invited me over for a sleepover on a Friday night to pig out on candy, and watch a movie that would surely leave us with nightmares for a long time. I did not show it and neither did my friend, but I was apprehensive whether or not this was a good idea. I could hear my mom in the back of my head at the time saying, “scary movies are for adults, and you will regret it if you watch one.” We both acted like the movie we were about to watch, wasn’t a bigger deal than it actually was; I was terrified yet excited about the
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
I found the1981 movie, Mommy Dearest difficult to sit through. The disheartening attitude, physical abuse, and manipulation shown by the mother was disturbing and gave me nightmares for about a week.
Sorrow, the Straight Matter of Life. During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feelings of life? Thus, sorrow is inescapable; as it increases one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow.
A hero, according to Webster Dictionary, is defined as “a person who is admired for great or brave acts or fine qualities.” Heroes are very noble and do great things just like Odysseus, the epic hero of Homer’s The Odyssey. He must deal with incredible obstacles like battling a Cyclops and making a trip to the underworld. He still attempts to achieve sophrasyne, or the Greek word for restraint. Ethan and Joel Coen wrote and directed the movie, O Brother Where Art Thou? The movie is based off The Odyssey and there are obvious similarities. The main character of the movie, Ulysses Everett McGill is also a cunning leader as demonstrated by him escaping jail and returning to his family. However, unlike Odysseus, Ulysses uses his cleverness for his own good and tricks his cell mates to help him return home while Odysseus tried his best to help his whole crew return home. Although Odysseus and Ulysses are both strategic and heroic, Odysseus has more nobility than Ulysses as seen by his courage, honesty, and trustworthiness.
Throughout the whole movie the audience was kept on the edge of their seats. Holly was never expected to be the kidnapper. The plot was intense and unpredictable. Visuals during the movie are so graphic and real. This movie makes you put yourself into the plot, always asking yourself what would you do if you were in Keller and Franklin’s shoes. Prisoners is a action filled, heart wrenching and a true life scenario that could happen to anyone. It teaches a lesson to always be prepared for the worst and to keep a watchful eye on your kids, there are sick people in the world we live in that do sick and unbelievable things.
Popular movies often reflect society’s real world fears; likewise in horror movies monsters reveal our true anxieties as well. The monster that I am going to be using as examples will show how they reflected society’s fears and anxieties during specific moments in history.
In the writing Why We Crave Horror by Stephen King he states several reason to why we crave to watch Horror in our life. In the movies Misery by Stephen King and The Doll directed by Dan Curtis, I will explore the reasons Why We Crave Horror written by King and confirm two of the points with examples from the movies. Additionally, I will explore the parallel relationship between the two movies.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
In an era where Filipino horror films become an avenue for product placements and exposure for young actors, Yanggaw written and directed by Richard Somes certainly stands out as a local film that not only satisfies its viewers’ desire to be frightened but also gives the audience a different perspective where for once, the monster is the victim. This film’s simplicity makes it so realistic and relatable that it can pass as a movie that is based on a true story. Released on the year 2009 when all the other horror films tried too hard to scare its audience with the effects, script, plot and acting, Yanggaw takes on a simpler technique, challenging its audience
“To whom shall I tell my grief?” Grief must receive closure. Grief has the power to make the strongest person helpless. For an individual to share their grief they receive a sense of compassion instead of endlessly searching for answers. In the short story “Misery”, Anton Chekhov effectively shows the desperation of communication through the character Iona Potapov and his mare. Chekhov illustrates the difficulty Iona faces to communicate his sufferings to the various people he speaks to as a sleigh driver. He accomplishes this through his style of writing, imagery, and the events that take place in the story.