There is no lake at camp green lake it’s not even green expect for two oak trees. Those trees have a hammock and the only shade outside but no one is aloud to lay on it. No one expect the warden. When the protagonist of the novel holes,Stanley Yelnats arrives at “camp” green lake he inconcoters similar yet different challenges. Stanley changes from bullied and overweight to brave because of how Sanchar describes him in middle school,camp green lake,and God’s Thumb. In the beginning of the novel, Stanley is bullied and overweight. Based on Stanley overall appearance the author describes him as, “Overweight an the kids at his middle school often teased him about his size.” (Sanchez 7) In the text it explains Stanley is overweight and was made fun of that. In chapter six the author states , “Back at school a bully named Derrick Dunne used to torment Stanley.” (Sancher 23) In that part of the text the author states that Stanley was being bullied at school by Derrick. In addition to that Stanley is not only overweight and bullied but gains a strong relationship with Zero that makes him thoughtful. …show more content…
Without hesitation Stanley, “flung open the door to the truck and climbed quickly inside.” (Sancher 147) Stanley is thinking of Zero when he steals the truck from Mr.Sir because he thinks that Zero still may be alive. In addition to that while climbing the mountains Stanley, “Stooped down and let Zero fall over his right shoulder. He stood up, lifting Zero’s worn-out body off the ground.” (Sancher 170) Stanley could have left Zero In the desert to die but he carried him up the mountain instead. Stanley relationship with Zero made him come out of his comfort zone and became
After an attack, his wife states to her sister, "He was as good as a lamb when I came back and he's really very, very ashamed of himself (Williams, 2309). Due to human nature, he does show that he feels sorry for his wife, in order to make sure she doesn't get any ideas to leave. Stanley is unaware of this, but the fact that he fears his wife's departure is an insecurity we will never admit to (psychological/psychoanalytic approach).
Stanley first meet, it is easy to see that Stanley feels as if he has
But the second character that seems to be really important also is Stanley, and his significant color of red. The color red seems to appear a lot in this story, especially around Stanley at the Poker Night in scene three. Red reflects on Stanley's angered peace of mind. The color red represents anger and promiscuity. Stanley does have a lot to be angry about. First off, he's getting old, he's poor, lives in the ghetto, is having a child, and is a huge control freak. So know that we know that the color red means anger and promiscuity, it is easy to see that anger is provoked by Stanley's problems that he has to face and endure day in and day out. Stanley is shown in the book to be a really aggressive and angry man. This can be seen especially when he always takes his anger out on his poor wife Stella by mentally, and physically abusing her and also her sister Blanche. So now it can be really understood that the color red, which symbolizes anger can be paired to Stanley because of his state of
He said “Pig-Polack-disgusting-vulgar-greasy…Remember what Heuy Long said-“Every Man is a King!” And I am the King around here, so don’t forget it! My place is cleared! You want me to clear your places?”(Williams131). This proves that Stanley has a violent and disrespectful character. He claims that he is the man of the house and no one else can take his place even temporarily. Every time his dominance is doubted by someone else he feels challenged and impulsive. Especially with women, he gives them no respect but expects their respect and shows a deep desire for control. This relates to the thesis because he talks and acts with women in a very violent way, which makes them emotionally hurt. This scene is also very ironic because Stanley states that he is not an animal and that he is a hundred percent perfect American but in reality he has an inhuman behavior and he is savage, which is portrayed in the way he talks, eats , and acts with
The portrayal of Stanley Kowalski plays a major role in the success of the play. Williams forms Stanley into an extremely masculine character who will always have his way or no way at all and makes his opinions very clear to those around him. This profound masculinity places Stanley in direct opposition to Blanche DuBois. "The high-minded yet oddly fragile Blanche takes an immediate dislike to the loutish, working-class Stanley, while Stanley immediately recognizes Blanche for what she has become: a woman who finds consolation in indiscriminate sex and alcohol." (Authors & Artists, 165). This clashing forms the conflict which eventually roots itself deeply into the plot of the play. Stanley represents the symbol of the New South. Stanley's aggressiveness leads to his ease in taking total control over a situation. This characteristic also allows Stanley to completely secure the respect of all the men who associate with him, however, his aggression also shines a light upon a very destructive side of his character. In many ways, Stanley's brutality leads to the major conflict between Blanche and himself. "And look at yourself! Take a look at that worn out Mardi Gras outfit, rented for fifty cents from some rag picker! And with that crazy crown on! What queen do you think you are?" (Williams, 127). Stanley becomes very blunt in his contempt and aggression towards Blanche. Another view into the excessive aggression of Stanley appears in the third scene. In this scene, Williams provides a look at a very negative side of Stanley. Stanley physically assaults his wife, Stella, after she returns to the house during his poker game. "How anyone could find Stella Kowalski's comatose endurance of Stanley healthy or whole-hearted is, indeed, a subject for wonder." (Drama Criticism, 401). Stanley also shows his vi...
Stanley’s biggest issue with Stella and Blanche is that they always “undermine” him. He struggles to remain in control and appear as the head of their household as Blanche encourages Stella to stand her ground with Stanley. Stanley hitting and yelling at Stella is him showing dominance and his “masculinity”. Stanley is always trying to portray an image of masculinity and control whether it is directed at Stella or Blanche. But with Blanche constantly insulting him and undermining his authority he has to strive even harder to show dominance. As the story progresses Stanley becomes more frustrated with Stella and becomes aggressive with her in order to appear in control of the situation. Stella: ”…You come out with me while Blanche is getting dressed.” Stanley: ”Since when do you give me orders?” (2.70-1) Once Mitch discovers that Blanche is not the pure woman she made herself out to be, he feels entitled to having the same benefits other men have had with her. When Blanche turns down his advances, he becomes angry with her and tries to force her to have sex with him. Blanche becomes scared and threatens to expose him by opening the window and screaming “fire!” until he runs out of the apartment. Blanche: “...What do you want?” Mitch: “What I been missing all summer.” Blanche: ”Then marry me, Mitch!” Mitch: “I don’t think I want to marry you anymore.” Blanche: ”No?” Mitch: ”You’re not clean enough to bring in the
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
Stanley is, at first sought to be a dominant, rough individual but William’s use of stage direction implies an opposing thought. For example, Williams describes Blanche’s bed near the bedroom of Stella and Stanley’s, but what is so vital about the position of the bed readers may question. Conclusively, Stanley’s...
However, there are also many instances where Stanley, a common working-class man, reveals his desire to be powerful and manly in his relationship with Stella, a woman who is of high class. Stanley is a man from a poor background and is married to a woman with a rich family history. Logically, Stanley may feel intimidated by Stella’s upbringing and feels that it is crucial to oppress her; it is hinted many times throughout the play as Stanley clearly demonstrates he is the one that holds the power by the way he treats Stella. Right from the start of the play, with Stanley’s introduction, he comes “around the corner… [with] a red-stained package from a butcher’s” (4), much like how an animal would bring its kill back home. With this, it is an analogy to a leader, Stanley, of a pack that brings back the food for the others to eat. The reliance of Stanley to bring back home the food broadcasts his will as the almighty alpha male that holds more importance than Stella. Furthermore, Stanley “heaves the meat at her (Stella),” (4) treating her as like a servant and also making a sexual innuendo. This action is one of disrespect and lets Stella know that she is under Stanley. This is an example of Stanley seeing Stella as a slave, a sexual object, under his control. Control is a large factor to Stanley as a husband and as a person. This is apparent when Stella explains that “Stanley doesn’t
Stanley (Stella's husband) represents a theme of realism in the play; he is shown as a primitive, masculine character that is irresistible to Stella and on some levels even to his "opponent" Stella's sister Blanche.
Stanley repeatedly gets what he wants by using any means possible. In addition, the person whoever threatens the existence of his poker game receives a beating, in this case his wife. This scene demonstrates Stanley’s viscous animal-like traits with such violence. If what happened here was repeated in today’s society, he would find himself in a jail cell with a pending divorce.
...ices, such an attempt to elicit sympathy for this monster falls short” (Bell 2). Stanley is looked at as the monster of the play which is how he should be viewed. Luck was not on Blanches side through her life which made her make the mistakes she made. Even though her past was not clean, Stanley did not purge her of this. He tried to show her the reality of the world, but through his brutal treatment, only made her sensibility worse. Stanley is a primitive ape-like man, driven only by instinct, who views women as objects and has no respect for others. He is a wife batter and a rapist who is responsible for the crumbling sanity of Blanche who is “the last victim of the Old South, one who inherits the trappings of that grand society but pays the final price for the inability to adapt to a modern world that seeks to wipe grace and gentility out of existence” (Bell 2).
...left Stanley it would have left a better ending to the story. The significance of this resolution is that having a mental illness and no one believing you when you are a victim can lead one to have a mental breakdown. Life goes back to normal for Stanley when Blanche is sent off to the mental institution. When the play comes to an end reality sets in and Stanley and his friends return to their poker game.
Also, the repetitive comparison of him to an animal or ape is the perfect image not the id as it is the instinctive part of your psyche. The way this passage leaves the reader is very powerful saying that “maybe he’ll strike you” is a good example of Stanley’s aggressive nature, and when Blanche says “or maybe grunt and kiss you” is a very good example of his sexual nature.
[More laughter and shouts of parting come from the men. Stanley throws the screen door of the kitchen open and comes in. He is of medium height, about five feet eight or nine, and strongly, compactly built. Animal joy in his being is implicit in all his movements and attitudes. Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence, dependency, but with the power and pride of a richly feathered male bird among hens. Branching out from this complete and satisfying center are all the auxiliary channels of his life, such as his heartiness with men, his appreciation of rough humor, his love of good drink and food and games, his car, his radio, everything that is his, that bears his emblem of the gaudy seed-bearer. He sizes women up at a glance, with sexual classifications, crude images flashing into his mind and determining the way he smiles at them.] Blanche is uncomfortable and draws involuntarily back from his stare. She is keenly aware of his dominant position and reacts as women of the day did. Through all of this he is the leader of his group and in full control of his household. Any opposition to his leadership is quickly put down by physical force. He beats his wife, fights his friends and eventually humiliates Blanche by raping her.