Sound 101 Essay

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Cinematography 101: Ushering students into the world of the cinematographer through hands-on sessions with the camera operator’s essential tools in telling a visual story, including who’s who on set and what they do. It’s an exploration of fundamental camera principles, types, formats and operations, shot selection and rules for continuity and screen direction, plus that most crucial element, the basics of lighting—the nature and quality of light itself and how to sculpt it.
Sound 101: Introducing students to the powerful storytelling tools available in the soundtrack and showing how to use them. Sound 101 concentrates on a practical and useful approach to production sound. Students develop skills and gain understanding through demonstrations …show more content…

Students will learn about the variety of emerging hybrid producer positions and more traditional producer roles as well as in-class discussions on real life situations involving decision making and problem solving. Projects will include breakdowns, budgets, and production schedules.
Directing 202: Continuing the development of the director’s craft, encompassing concepts of rehearsal, overall theme and story resonance, and staging scenes with multiple actors, plus managing a cast and crew. The material also provides students with informed techniques for casting, rehearsals, and working one-on-one with actors. The integration of mis-en-scene and coverage with other elements like dialogue and sound enable students to find any weakness and turn it into an advantage, and thereby gain a firmer foundation in visual and emotional storytelling.
Cinematography 202: Exploring more difficult shooting situations and lighting set ups, students will build on their first- term experience and gain a better understanding of the ways a cinematographer tells a visual story through framing and lens selection, color correction, and lighting for mood and tone with a more advanced lighting package. Not overlooked are issues of set safety and continuity, along with intermediate camera principles and a review of

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