LOVE, LUST, and REINCARNATION is a script that explores the concept of past lives. There are solid themes about grieving and healing. There are also insightful messages about learning to move on from the past. The script offers some spectacular scenery, especially at the windmill.
The goal for the protagonist is clear and the stakes for him are personal. The script clearly conveys the idea that the protagonist, Jack, is deeply driven by his inner conflict and by his guilt. He has the ability to remember his past lives. The concept of him being a “soul tracer” feels appealing and has the potential to make for a strong hook.
While the premise of being a soul searcher or tracer feels exciting, the script would benefit from more development in the areas of structure, pace, and tension, as
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He goes off on his own odyssey, returns, and it’s Amanda who has a change of heart and attitude. Jack doesn’t really have to do anything to get Amanda back. In other words, he hasn’t earned it. In addition, it’s not clear why Amanda has changed her mind about Jack.
The other area to examine is the tone. It presents more as a drama, although there are some humorous moments, like the lobster. The concern about the tone is that it’s way too depressing. The shooting of a pregnant female and then the suicide, makes for a very dark story.
To make this work, the overall tone would have to be much darker and more consistent. Consider a backstory that’s not so dark and depressing.
Focus flashbacks only on the love between Jack (Ralph) and Laura and convince the audience they were in love. Maybe she got sick and died, or maybe she was hit with a car or drowned. With Amanda, consider making her the opposite of Laura, and maybe Jack tries to make Amanda “be” Laura. Maybe add more suspense regarding the idea if Amanda really is the born again Laura or not. Maybe Jack just wants her to
As Jack and his family start trudging through the long winter in the hotel it becomes apparent that Jack starts to develop “cabin fever.” His writer’s block causes anxiety and anger towards his wife and son. Jack also starts to develop an obsessive compulsive behavior pers...
The death of Willie Starks and the circumstances force Jack to rethink the way he thinks. He rethinks a belief that no one can ever be responsible for the evil actions of another individual over time. In a way Jack feels responsible for Willie’s death. Jack eventually marries Anne Stanton and he feels orthodox about his decision to marry her. Jack restarts his long lost hobby of working on a book about Cass Mastern.
Overall I felt this movie was extremely well done. The cinematography and art direction were beautiful and the acting was superb. The film took me through the lives of people who had no conscious, and- no morals and the damage that resulted from it. Its themes were mature in the sense that the situations in this movie that would normally contain adults were written onto teens that in my opinion were almost too wise beyond their years. The movies content was beyond immoral and the fact that the film was centered on youth and hardly ever showed an adult with more than a line proved its focus on moral decay. All in all I was highly intrigued by this movie and felt that the director did a wonderful job with his 90210 interpretation of Dangerous Liaisons.
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
In conclusion to this analysis of these characters they go together where the resolve is Jack coming to the conclusion that he had truly taken his life threw a complete twist and in all seriousness didn’t want to experience being Tyler. What was seen there this analysis that Tyler was a real person and Jack was very jealous and everyone around wanted to be like him. Jack eventually grew as a man and wanted to use everything he experience to help mold him as an individual. They way in which he commanded at the end of the movie by shooting himself giving complete orders to the guys in project mayhem that this is something that Jack would have done. To us as an audience you can tell that they he has grown through the movie and took complete ownership.
Jack is a prime example of a Narcissists, which are people who for lack of a better word, ‘full of themselves’, and extremely unconfident, so they try to mask that with pretending to be magnificent, astounding people. He overstates his accomplishments and abilities in order to keep himself on a pedestal. For example, when describing his hunters, he describes them as being strong and alert, when in reality; they are undeveloped boys with sticks. “People with narcissistic personality disorder tend to try to maintain an image of perfection and invincibility to as to prevent other people...
The pointedness of the play is created through a distinct plot path. The observer is lead through the story, seeing first how greatly Amanda Wingfield influences her children. Secondly, the play-goer notes how Tom Wingfield desperately struggles and writhes emotionally in his role of provider- he wants more than just to be at home, taking care of his all-too-reminiscent mother and emotionally stunted sister. Tom wants to get out from under his mother’s wing; his distinct ambitions prevent him from being comfortable with his station in life. Lastly, Laura struggles inside herself; doing battle against her shyness, Laura begins to unfurl a bit with Jim, but collapses once again after Jim announces his engagement and leaves her, again. Each character struggles and thrashes against their places in life, but none of them achieve true freedom. This plot attests to the fact that true change and freedom can only come through the saving power of God Almighty and Jesus Christ, and by letting go of the past.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
As he begins to understand the people in his life and their actions, Jack learns that one can rarely make sense of an event until that event has become a part of the past, to be reconstructed and eventually understood in memory. T.S. Eliot expresses this idea in “The Dry Salvages”: “We had the experience but missed the meaning, / And approach to the meaning restores the experience / In a different form, beyond any meaning / We can assign to happiness" (194). Only by deliberately recalling the past can one understand the metaphysical and spiritual significance of his experiences. For this reason, Jack cannot make sense of the fateful day of Willie Stark’s murder until “long after…when I had been able to gather the pieces of the puzzle up and put them together to see the pattern" (Warren 407). The pattern of the past reveals the pattern of fallen human nature, thus opening man’s eyes to his own folly and enabling him to grow in wisdom.
Jack and Maria's lives are both changed in very drastic ways when they are thrown into new environments. Maria is trapped in an insane asylum when the secure life she finally had is threatened. Jack's island imprisonment has reduced him to a savage in his want for power. Both try to cope with their new surroundings, but the flaws already present in their character, have been brought to light.
Jack Burden is known as the “student of history” ( Warren 372). The very fact that he is a historian is ironic, as he has come from an aristocratic and reputable family and grew up in Burden’s Landing. However, Jack lacks the ambition needed to excel in life and works for Willie, despite the disapproval of this family. He “not only lacks ambition, but all ‘essential confidence’ in himself” (Bloom 132). If he had ambition, he could have married Anne Stanton earlier, as Anne would always tell him to “go on back to State and finish up” and then she will marry him “even before [he] gets [his] law degree” (448). Yet, Jack forced himself to get kicked out of school. Even as a historian, Jack cannot deal with new things he learns about people he is closely associated with. After he learned that Lois was actually a person and not “merely a luscious machine” he went into one of series of the Great Sleep ( Warren 459). After he learned about Anne Stanton and Willie’s affair, Jack temporarily escaped to the West because “when [people] don’t like whey [the] are [they] always go West” (Warren 464). Jack was not able to cope with this news that he had to leave to relieve his mind. In addition, as a historian, he does not delve into his own past. Concerning his father, he only knew that the Scholarl...
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
We see so much tension within all of the relationships in the story. The ideas of a toxic family and toxic marriage are very applicable to us today. We live in a society where treating your wife like this is socially acceptable when it shouldn't’t be. We live in a society where many kids grow up in dysfunctional families full of physical abuse, mental abuse, and substance abuse. I have definitely grown character from watching this film. There are so many lessons that we can take away from one of the greatest storylines ever, Death of a
In this poem the main character is lustful of both the new man she has met in Paris as well as the man she left behind her homeland, although she was under the false perception that it was love. The often confused words 'love' and 'lust' are becoming used interchangeably more and more every day. Indeed, many definitions are being loosened up, and many words are being used improperly. When people use the words 'love' and 'lust', they should be more careful which word it is that they mean to say.
At the end of the story, Jack realizes that blending in with society is not ideal. He regrets the past decade that was full of loss and regret when it could've been full of trust and love. People may be tempted to make unwise decisions to blend in with society. But think about it: the world is like a crowded marketplace. If you don’t stand out, you are invisible. Unique qualities define your identity. Without them, you are not yourself. At least on Qingming, the mother’s poor spirit can rest easy, knowing her son is with her in heart, but that can never make up for the years of hurt and betrayal directed at