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Critical analysis of sonnet 130
Love in victorian literature
Sonnets love comparison
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Paper 1-Literary Explication
When one thinks of a sonnet about love, one thinks of beautiful description of the speaker’s lover or a lovely illustration about love in a general sense. Love poems contains emphasis on emotional and imaginative spontaneity as oppose to “Sonnet 130” that compares the speaker’s lover in a decretory sense. In “Sonnet 130- My mistress' eyes are nothing like the sun..." by William Shakespeare is a parody of love poetry; love is not always like it is presented in other contemporize poems. Someone doesn’t need to be beautiful to be loved. Shakespeare contradicts the exaggerated comparisons some poets of his days made about their lovers.
The parody of this sonnet starts with the writer using the traditional English
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Instead of being a fully developed character like Hamlet or Juliet, she is mostly to give a chance to poke at a cliché love poem. The descriptions about her are vague and negative like in line one “My mistress’ eyes are nothing like the sun”. The speaker refuses to compare his lover's eyes to the sun. He then picks an exaggerated simile so that one can see just how absurd this kind of comparison can be. In line eight, the speaker uses the word "reeks" conveying a strong image of how non-perfect this woman is. In line 11, the speaker uses the words "grant…goddess" creating a hyperbole, the speaker then illustrates two portrayals, one of an ideal woman, and the other is of the real, imperfect woman the speaker has been describing all along. In these last lines the speaker chooses the real woman over the goddess usually portray in other poems. In “Coral is far more red than her lips’ red” (line 2) the speaker compares his mistress’s lips to red coral giving us another example of an over-the-top simile. For lips to be red they would have to be painted, and that's the kind of false image of beauty that this poem is pushing back
...uty which is impossible for any woman or man to match. Campion's poem reflects this impossible ideal that society inflicts on us. This woman in There is a Garden in Her Face could never really live up to the image that the speaker has created of her. The image is false, and so is his love because he is only focusing on her outward appearance. The speaker in Shakespeare's sonnet clearly is not in love with his mistress' looks. Everything about her is contrary to society's standards, but he understands the absurdity of these standards and rejects them. There is more to his mistress than meets the eye, and that is why he truly loves her.
In “Sonnet,” Billy Collins satirizes the classical sonnet’s volume to illustrate love in only “.fourteen lines.” (1). Collins’s poem subsists as a “Sonnet,” though there exists many differences in it, countering the customarily conventional structure of a sonnet. Like Collins’s “Sonnet,” Shakespeare’s “Sonnet 130” also faces incongruities with the classic sonnet form as he satirizes the concept of ideal beauty that was largely a convention of writings and art during the Elizabethan era. Although these poems venture through different techniques to appear individually different from the classic sonnet, the theme of love makes the poems analogous.
"My Mistress' Eyes Are Nothing Like the Sun" uses comparisons to express Shakespeare's idea of love as opposed to lust. A lustful man would focus on a woman's pleasing physical characteristics, such as white breasts, beautiful hair, red lips, and fragrant breath; however, Shakespeare's mistress possesses none of these great characteristics. Shakespeare, instead, uses metaphors to express her physical shortcomings. "Coral is far more red than her lips' red" (line 2) describes his mistress' faded lips. "If hairs be wires, black wires grow on her head" (line 4) shows the coarse, unkempt and dark color of her hair. "
That means, the approaches of poet’s love remain the same. In one place, he portrays beauty as conveying a great responsibility in the sonnets addressed to the young man. The poet has experienced what he thinks of as "the marriage of true minds," also known as true love, that his love remains strong, and that he believes that it’s eternal. Nothing will stop their love, as in the symbols like all the ships, stars and stormy seas that fill the landscape of the poem and so on what can affect to their love. The poet is too much attracted with the young man’s beauty, though this indicates to something really bad behavior. But in another place, Shakespeare makes fun of the dark lady in sonnet 130. He explains that his lover, the dark lady, has wires for hair, bad breath, dull cleavage, a heavy step, pale lips and so on, but to him, real love is, the sonnet implies, begins when we accept our lovers for what they are as well as what they are not. But other critics may not agree with this and to them, beauty may define to something
“Sonnet 130” by William Shakespeare, uses many similes to be able to highlight the beauties of his love and how nothing is as beautiful as her. “And in some perfumes, is there more delight, than in the breath that from my mistress reeks. I love to hear her speak, yet well I know, that music hath a far more pleasing sound” this line describes how she is not perfect and she may not be the most beautiful woman, or the most pleasing to hear; she is perfect in every way to him because his love is true. 7.
Sonnet 130 openly mocks the traditional love sonnets of the time. This is, perhaps, made most apparent through the use of subversive comparisons and exaggerated similes. The intention of a subversive comparison is to mimic a traditional comparison yet highlight the opposite purpose. Whereas his contemporaries would compare their love’s beauty to alabaster or pearls, Shakespeare notes, “If snow be white, why then her breasts are dun” (3), therefore intentionally downplaying the beauty of his mistress. Later he states, “...in some perfumes there is more delight / than in the breath that from my mistress reeks” (7-8). Both of these exemplify that Shakespeare ridicules the traditional love sonnet by employing the same imagery to convey opposite intentions.
Shakespeare and Petrarch, two poets popular for their contributions on the issue of love, both tackle the subject of their work through sonnet, yet there are key contrasts in their style, structure, and in the way, each approaches their subjects. Moreover, it is clear that in "Sonnet 130," Shakespeare in fact parodies Petrarch's style and thoughts as his storyteller describes his mistress, whose "eyes are in no way as the sun" (Shakespeare 1918). Shakespeare seems, by all accounts, to mock the exaggerated descriptions expanded throughout Petrarch’s piece by giving an English poem portraying the speaker’s love in terms that are characteristic of a flawed woman not a goddess. On the other hand, Petrarch's work is full of symbolism. In reviewing "Sonnet 292" from the Canzoniere, through “Introduction to Literature and Arts,” Petrarch’s utilization of resemblance and the romanticizing of Petrarch's female subject are normal for the Petrarchan work. The leading major contrast between the two poems is the piece structure utilized (McLaughlin).
The speaker uses metaphors to describe his mistress’ eyes to being like the sun; her lips being red as coral; cheeks like roses; breast white as snow; and her voices sounding like music. In the first few lines of the sonnet, the speaker view and tells of his mistress as being ugly, as if he was not attracted to her. He give...
At the start, the first stanza of the poem is full of flattery. This is the appeal to pathos. The speaker is using the mistress's emotions and vanity to gain her attention. By complimenting her on her beauty and the kind of love she deserves, he's getting her attention. In this first stanza, the speaker claims to agree with the mistress - he says he knows waiting for love provides the best relationships. It feels quasi-Rogerian, as the man is giving credit to the woman's claim, he's trying to see her point of view, he's seemingly compliant. He appears to know what she wants and how she should be loved. This is the appeal to ethos. The speaker seems to understand how relationships work, how much time they can take, and the effort that should be put forth. The woman, if only reading stanza one, would think her and the speaker are in total agreement.
Shakespeare’s style of writing sonnets subverts the Barrate-Browning’s style of writing sonnets, where they antithesis the traditional view of love. The most basic gist in both sonnets that they both address to their loved ones which is courtly described the reality in both sonnets. In comparison Shakespeare addresses his sonnet to a “Dark Lady” which lacks of clichés and very touched poignancy. In addition Elizabeth Barrett –Browning addresses her sonnet t...
The use of metaphors seems to shine through each of the three sections in the poem. The first section of the poem the speaker compares his love for his mistress to “vegetable love” (Marvell 11), in which, he is telling his mistress his love for her grows slowly. The speaker imagines his love for his mistress turning into ashes, while the chance for them to sleep together will be lost forever. In the final stanza he uses the word sun for imagery, when he replaced the word son with sun (45). The switching of imagery and metaphors in the poem, is to confuse the audience in order to persuade that that she is submitting to him. The allusion of this poem occurs in the first
This sonnet is an anti-love poem that ironically shows how the fairness of a lady is contingent upon nature's blessings and her external manifestations. The Spenserian style brings unity to this sonnet, in that it's theme and rhyme is interwoven throughout, but the focus of her "fairness" is divided into an octave and a sestet. The first eight lines praise her physical features (hair, cheeks, smile), while the last six lines praise her internal features (words, spirit, heart). This sonnet intentionally hides the speaker's ridicule behind counterfeit love-language, using phrases like: "fair golden hairs" (line 1), and "rose in her red cheeks" (line 3), and "her eyes the fire of love does spark" (line 4). This traditional love language fills pages of literature and song, and has conventionally been used to praise the attributes of a lover; but this sonnet betrays such language by exhibiting a critique rather than commendation. This sonnet appears to praise the beauty of a lady but ironically ridicules her by declaring that her "fairness" is contingent upon nature, physical features, and displaying a gentle spirit, which hides her pride.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Shakespeare's sonnets are a romantic and charming series of poems. His use of rhyme and passionate, eloquent language serve to illuminate his strong feelings. These techniques were probably the most fluent way for such a writer as him to express the immeasurable love that he obviously felt for his mysterious lady. Examining the numerous ways Shakespeare found to describe it, the reader believes that this love was undoubtedly lasting and authentic. He often made heart-felt comments about his emotions that could also suit lovers in the present day. Because of this, and the fact that people read them yet, Shakespeare's sonnets are timeless and universal, just like the concept of love itself.
The speaker paints a picture of his lovers’ uninspiring beauty. In the first quatrain by describing his, “mistress’ eyes” (Shakespeare 1) as they, “are nothing like the sun” (Shakespeare