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Literary criticism on shakespeare's richard ii
Literary devices used in shakespeare's richard ii
Literary criticism on shakespeare's richard ii
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Self-Realization in Richard II's Final Soliloquy
William Shakespeare's The Tragedy of King Richard II, first published in a quarto edition in 1597, is the first in a sequence of four history plays known as the second tetrology, which deal with the early phases of a power struggle between the houses of Lancaster and York. The Richard II of the play has been called both mercurial and self-indulgent; however, several sustained soliloquies in the play demonstrate how deeply realized his character is. During one of these soliloquies, which takes place after his imprisonment and before his murder, he seems to rediscover the qualities of pride, trust, and courage that he lost when dethroned-and so goes onward to meet his death with a spirit more powerful than ever before.
The scene (5.5), begins in the keep of Pomfret Castle, where Richard is being held prisoner, and starts on a despondent note as he tries to reconcile his life in prison with the life he led as king:
I have been studying how I may compare
This prison where I live unto the world;
And, for because the world is populous,
And here is not a creature but myself,
I cannot do it. Yet I'll hammer it out. (5.5.1-5)
Despite his despondency, Richard begins to explore how he might live his life out within the microcosm of the keep, and still keep some semblance of his former life. He finds his life in the keep lacking because it is unpeopled. However, the last line indicates a turnabout in this attitude. He is beginning to fight back against the internal forces that threaten to drag him into despair and loneliness when he states, in line five, that he will ìhammer it out.î
Because a king needs a ...
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... and the role that time will play henceforth in his life. These realizations have made him stronger, and fortified him against the future, for now he knows that he must depend upon himself, not upon the royal blessings of God.
With Richard's last words, we see the final result of this moment of truth, this self-realization, as he bravely assaults and kills two of his attackers before dying a noble death: ìMount, mount, my soul! thy seat is up on high;/Whilst my gross flesh sinks downward, here to dieî (5.5.111-112).
Works Cited
McKay, John P., Bennett Hill, and John Buckler. A History of World Societies. 3rd ed. Boston: Houghton Mifflin Company, 1992. 452-454.
Shakespeare, William. The Tragedy of King Richard The Second. William Shakespeare: The Complete Works. Ed. Alfred Harbage. Baltimore: Penguin Books, 1969. 554-667.
...e was also writing in Tudor England and seemed to have openly dislike Richard III. In other portions of his writing he describes Richard as an unattractive deformed man who was born with a full set of teeth. He writes that he had a “sour countenance , which seemed to savour of mischief, and utter evidently craft and deceit.”
Richard starts of persuading Lady Anne to marry him. After killing her husband and dad, he still blames her for not accepting his love. With great confidence, he tells her to either kill him or marry him. “Arise,
Up until the early 1960s, the people of that generation grew up believe that exposure to the sun was healthy and could be used as potential treatments for ailments like acne, for example. The doctors of the early 20th century even promoted the use of the sun’s ultraviolet rays (UV rays) as a treatment for certain strains of tuberculosis. Little did they know the long run consequences of prolonged exposure to the now-labeled ...
Indoor tanning is becoming a very popular “hobby”, but most people do not know, or do not care, about its dangerous side effects. Studies show that people who use tanning booths have a much higher chance of being diagnosed with skin cancer. If someone were to start tanning indoors before they turn 30 or 25, the risk of them getting Melanoma peaks, and if they start tanning before they turn 20 or 25, they are much more likely to get basal and squamous cancer.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
Surprisingly, even with these astonishing numbers people still continue to put themselves at risk everyday. The solution to all this is very simple, we all need to wear sunscreen when planning to expose ourselves to the sun. There are also other everyday preventive measures that we can take to decrease our chances of harmful exposure to the sun. It is always helpful to wear a shirt and a hat with a broad brim. Wear sunglasses that absorb 99%-100% of UV rays to help your block your eyes and the skin around your eyes from these harmful rays. The two most important things for most people who like to tan are to seek shade frequently and to never use tanning beds. You can put your body at even more of a higher risk of contracting skin cancer when staying in the constant heat.
...y patients on the dangers of the sun and its effects on our skin. I remember the days when I was young and we would go to the beach and it was the “in” thing to do to use baby oil and just bake in the sun. Not only does that increase your chances of getting skin cancer but it also damages you skin in other ways like premature aging and sun spots. Not very attractive to look like you are 50 when you are actually 30.
Though skin cancer is the most common type of cancer, and has more than a thousand types, there are so many ways to prevent it.Examples are, staying in the shade, especially during late morning and early afternoon. Whenever possible, put on sunscreen. Avoid tanning bed, booths, etc. at all costs. They are more dangerous than help. Keep areas covered where sun may expose more. Keep infants out of the sun. Their skin is thinner and more fragile than adults. Keep a close eye on your skin. The skin cancer foundation recommends a head to toe check monthly. Wear a hat and shades to prevent constant exposer to your head and eyes. The statistics of the people who have developed skin cancer and ones who have died because of it is alarming. Last year over 100,000 people were diagnosed with a cancer of the skin and an alarming number of over 12,000 died.
who stands in his way. Richard talks about a pretext for his villainy. by pointing out his physical deformity. “Why, I in this weak piping. time of peace and peace.
"therefore, since I can not prove a lover, To entertain these fair well spoken days, I am determined to be a villain".As a villain Richard must be heartless, he can not let his emotions interfere with his actions.
...f control of scenes and verbal encounters, which finally ends with his magnificent downfall. [implement more Margaret control/curses/competition in the beginning]. Despite Richard's best attempts to write his own ending, the audience is now forced with the truth that it was Margaret's prophecy that ripened to fruition. With Richard's final soliloquy taking blame for his actions and "the outward movement away from any semblance of Richard's control, completes the separation of Richard and audience" (Schellenberg 66). Through the course of Act V, Richard takes part in only two of the six scenes. Of these two scenes, he shares the stage with Richmond, the rising actor to take the lead role.
From the outset of the play, it is obvious that Richard subscribes to the majority of the Machiavellian principles. Certainly, he is not ashamed or afraid to plot heinous murder, and he does so with an ever-present false front. "I do mistake my person all this while,"1 he muses, plotting Anne's death minutes after having won her hand. He will not even entertain the ideas in public, demanding they "Dive...down to [his] soul."2 He knows that he must be cunning and soulless to succeed in his tasks. Richard also knows it is essential to guard against the hatred of the populace, as Machiavelli warned.
jailed and executed for committing treason. www.altavista.com search engine said that in the play, Shakespeare said that Richard
McKay, J/P/, Hill, B.D., Buckler, J., Ebrey, P.B., Beck, R.B., Crowston, C.H., & Wiesner-Hanks, M.E. (2008). A History of World Societies, Volume A: From Antiquity to 1500. New York, NY: Bedford/St. Martin's
This is a prime example of Richard using his authority by way of rulings and pronouncements rather than action, even to the point of disallowing an action. Bolingbroke, on the other hand, is quite ready to do battle no matter what the consequences. Moments before Richard puts a stop to the proceedings, Bolingbroke says, ". . . let no noble eye profane a tear / For me, if I be gorged with Mowbray's spear" (1.3.58-59). Here is a man who is resolved in his intent.