Western society in the 19th century was a time of instability and disorganization in how people structured their worldview. The time was characterized by a decline in religious authority which largely functioned as an organizer of identity for society individually, politically, and economically. Therefore the 19th century also introduced new ideas in which society could find identity, such as communism, liberalism, and nationalism. The literature at the time also reflected the search for stable identity in the 19th century. This can be seen most readily in Fyodor Dostoevsky’s novel Crime and Punishment. The novel explores many philosophies on how identity should be structured, including communism. Karl Marx and Friedrich Engels’ political pamphlet …show more content…
One of the most important ideologies in Marxism is stated early in The Communist Manifesto, and that is “the history of all hitherto existing society is the history of class struggles” (Marx and Engels 6). This is an important idea in Marxism and modern class structure is formed by the development of all opposing classes before it. Therefore, modern identity is intrinsically tied up in the class identity throughout history. This is shown the text when Marx writes that “the modern bourgeoisie is itself the product of a long course of development, of a series of revolutions in the modes of production and of exchange” (Marx and Engels 8-9). Furthermore, over the course of history, class warfare and revolutions in production have allowed the oppressive class to gain more power over the working class through the state, as “the modern state is but a committee for managing the common affairs of the whole bourgeoisie” (Marx and Engels 9). Class identity’s relationship to history serves two purposes for the working class. Firstly, it binds the oppressed class together through a shared history. This is important because the working class, or the proletariat, is bigger than the bourgeoisie, which is where most of the power lies (i.e. forming unions and striking). Consequently, much of the bourgeoisie’s purpose throughout history lied in keeping the proletariat separate and weak, primarily through competition for jobs. However, a shared history allows the working class to unite under common interests. The second purpose served by class identity’s relationship to history is that the proletariat are aware of the power structures, as well as that their own power lies in the unity. Therefore, over time the proletariat “ever rises up again, stronger, firmer, mightier” (Marx and Engels 22) as gains the advantage over the bourgeoisie’s own divisions, as well as its organization into
As Rodya analyzes Luzhin’s character, he realizes that intellect unrestrained by moral purpose is dangerous due to the fact that many shrewd people can look right through that false façade. Luzhin’s false façade of intellect does not fool Rodya or Razumikhin, and although they try to convince Dunya into not marrying Luzhin, she does not listen. Rodya believes that Luzhin’s “moral purpose” is to “marry an honest girl…who has experienced hardship” (36). The only way he is able to get Dunya to agree to marry him, is by acting as if he is a very intellectual person, who is actually not as educated as he says he is. This illustrates the fact that Rodya knows that it is really dangerous because he knows that people can ruin their lives by acting to be someone they are not. Rodya also knows that people will isolate themselves from others just so that no one will find out their true personality. This is illustrated in through the fact that Luzhin tries to avoid Dunya and her mother as much as possible. The way he writes his letter, exemplifies his isolation, for Luzhin does not know how to interact with society. He has no idea how to write letters to his fiancée and his future mother in law. This reflects on Rodya’s second dream because he is unable to get Dunya married off to a nice person. He feels isolated from everyone else because his intellect caused him to sense that Luzhin is not telling the truth about his personality. However, it was due to his lack of moral purpose that Rodya berates his sister’s fiancé. He is unable to control himself, and due to his immoral act of getting drunk, Rodya loses all judgment and therefore goes and belittles Luzhin. Although Rodya’s intellectual mind had taken over and showed him that Luzhin wa...
The Communist Manifesto, written by Karl Marx and Friedrich Engels, is a short publication that contains Marx’s and Engel’s theories on the nature of society and politics, as well as class struggle, problems with capitalism, and how to slowly change the government from capitalist to socialist and finally communist. The start of the first chapter in the essay, "Bourgeois and Proletarians", states ‘The history of all hitherto existing society is the history of class struggles’ (...
A Study of the literary techniques used by Fyodor Dostoyevsky in Crime and Punishment to convey the downfall and subsequent rise of the main character. "Crime and Punishment" by Fyodor Dostoyevsky is the story of a young student Raskolnikov and his need to murder an old woman to prove one of his many philosophies. The book begins with the murder, but the primary focus is on his reasoning and reactions before and after the act. It is set in St Petersburg where the main character, Raskolnikov, appears to be an ex-student living, in poverty, a life of lethargy.
In Crime and Punishment, Dostoevsky gives the reader an inside look to the value system that he holds for himself, as well as the type of characteristics that he abhors in people as well as the characteristics that he admires in people. He uses characters in the novel to express his beliefs of what a person should be like in life to be a “good'; person. Specifically he uses Raskolnokv to show both good and bad characteristics that he likes in people. Also he uses Svidriglaiov and Luzin to demonstrate the characteristics that people should shun and his personal dislikes in people.
In the first section of Communist Manifesto, Marx explains the class struggles of the modern society, most notably found between the bourgeoisie and the proletariats. He also points out that in today’s modern society, all of the exploitive relationships that were covered by ideology (i.e. religion) have all been uncovered and revealed to be only in self-interest. Finally, he explains that the bourgeoisie need to continually change their way of leadership if they want to stay in power. The proletariats, in Marx’s opinion, go to great lengths as to how the modern laborers seem to be seen as part of the machinery and are only good for what labor they produce. Marx reveals that the proletariats are a unique class, and that they are connected by the miserable existence they share in common. He believes that they have nothing to lose, and that by being proletariats they have no powers or privileges to defend; rather, to help themselves they must destroy the entire class system. Because of this, when they have the revolution they destroy everything.
Marxism is a method of analysis based around the concepts developed by the two German philosophers Karl Marx and Fredrich Engel, centered around the complexities of social-relations and a class-based society. Together, they collaborated their theories to produce such works as The German Ideology (1846) and The Communist Manifesto (1848), and developed the terms ‘’proletariat’ and ’bourgeois’ to describe the working-class and the wealthy, segmenting the difference between their respective social classes. As a result of the apparent differences, Marxism states that proletariats and bourgeoisie are in constant class struggle, working against each other to amount in a gain for themselves.
In The Communist Manifesto written by Karl Marx and Friedrich Engels, the two German philosophers saw history as the struggle between the working class and the Bourgeois, or middle class (textbook 708). The Communist Manifesto was written in 1848, during the peak of the Industrial Revolution, a time when the Bourgeois made huge profits in manufacturing at the expense of the working class. According to Marx and Engels, the fruits of the Industrial Revolution created a new class of the oppressed modern working class, the Proletariat, which had never before existed because it was neither like serfdom or slave hood in that it was dependent on the Bourgeois to hire them for wage labor. This was the class the two philosophers envisioned would set off a revolution that would overthrow capitalism to end the perpetual class struggle and create a fair society known as Communism.
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
Marx views history as being determined by economics, which for him is the source of class differences. History is describe in The Communist Manifesto as a series of conflicts between oppressing classes and oppressed classes. According to this view of history, massive changes occur in a society when new technological capabilities allow a portion of the oppressed class to destroy the power of the oppressing class. Marx briefly traces the development of this through different periods, mentioning some of the various oppressed and oppressing classes, but points out that in earlier societies there were many differentiations of social classes. Marx sees the modern age as being distinguished from earlier periods by the simplifications of the class conflict, splitting up society into two great hostile groups: the bourgeoisie and the proletariat.
In Dostoevsky's Notes from Underground, the Underground Man proposes a radically different conception of free action from that of Kant. While Kant thinks that an agent is not acting freely unless he acts for some reason, the Underground Man seems to take the opposite stance: the only way to be truly autonomous is to reject this notion of freedom, and to affirm one's right to act for no reason. I will argue that the Underground Man's notion of freedom builds on Kant's, in that it requires self-consciousness in decision-making. But he breaks from Kant when he makes the claim that acting for a reason is not enough, and only provides an illusion of freedom. When faced with the two options of deceiving himself about his freedom (like most men) or submitting to ìthe wall,î (a form of determinism), the Underground Man chooses an unlikely third option - a 'retort'. I will conclude this paper by questioning whether this 'retort' succeeds at escaping the system of nature he desperately seeks to avoid.
It did this by outlining the history of classes and class struggle. The Communist Manifesto stated that society and history are shaped by class struggles and that two classes were present in 1848, the bourgeois and the proletariat. The document goes on to state that the bourgeois had created capitalism and were oppressing the proletariat. Marx defines the proletariat as “an appendage to the machine”. He recognized how the proletariats were being exploited and he brought it to the attention of the public.
Karl Marx and Friedrich Engels’ The Communist Manifesto explores class struggles and their resulting revolutions. They first present their theory of class struggle by explaining that “The history of all hitherto existing society is the history of class struggles” (Marx 14), meaning that history is a repeated class struggle that only ends with a revolution. Marx and Engels’ message in The Communist Manifesto is that it is inevitable for class struggles to result in revolutions, ultimately these revolutions will result in society’s transition to communism.
In the Communist Manifesto it is very clear that Marx is concerned with the organization of society. He sees that the majority individuals in society, the proletariat, live in sub-standard living conditions while the minority of society, the bourgeoisie, have all that life has to offer. However, his most acute observation was that the bourgeoisie control the means of production that separate the two classes (Marx #11 p. 250). Marx notes that this is not just a recent development rather a historical process between the two classes and the individuals that compose it. “It [the bourgeois] has but established new classes, new conditions of oppression, and new forms of struggle in place of the old ones. Our epoch, the epoch of the bourgeoisie, possesses, however, this distinctive feature: it has simplified the class antagonisms. Society as a whole is more and more splitting up into two great hostile camps, into two great classes directly facing each other: Bourgeoisie ...
Social Contradictions in Fyodor Dostoyevsky's Notes from the Underground. Notes from the Underground, by Fyodor Dostoyevsky, is a truly remarkable novel. Dostoyevsky's novels probe the cause of human action. They questioned conventional wisdom of what drove humans and offered insight into the inner workings and torments of the human soul. In Notes from Underground, Dostoyevsky relates the viewpoints and doings of a very peculiar man.