In August of 1889, Carrie Meeber leaves her small town to find employment in the city of Chicago. Theodore Dreiser, the author of Sister Carrie, informs the reader that, "Self-interest with her was high, but not strong. It was nevertheless her guiding characteristic.". With her youth and innocence she hopes to seek employment so that she can get and buy all the nice things that she wants. Carrie does not have any idea how hard this is going to be. When she tries to find a job, she is scared. Carrie has no skills to offer an employer, no job experience, and her clothing was of poor quality. Chicago was a large city, but society at that time did not have many job opportunities for working women. The only jobs that Carrie could possibly get were in the factories that, paid low wages, had poor working conditions, and long hours. She knew that after she paid rent to her brother-in-law, she would have very little left to buy all the beautiful things that she longed for. When Carrie took the job at the shoe factory, she did not like the hard work and considered the other women who worked there to be common. When winter arrived, Carrie got sick and stayed home from work which caused her to lose her job. On the train to Chicago, Carrie had met a traveling salesman, Charlie H. Drouet. She is impressed by the way he talks and dresses. When they meet again, Drouet is aware of her beauty and innocence and he hopes to charm and seduce her. He "lends" Carrie money to buy nice winter clothes, treats her to fine meals, takes her to the theater, and shows her the sights of Chicago. Because Carrie is young and inexperienced in the world of men, she is not wise enough to understand where all Drouet's attention is leading toward. Although she senses that the money should be given back, her desire and longing for the good things in life are so powerful that she ignores her beliefs in what is right and wrong. Unable to find another job, Carries is forced to make a decision, returning to Wisconsin or letting Drouet keep her as his mistress. Choosing to remain with Drouet was an extraordinary decision. This went against everything society taught. It was unthinkable for any decent woman to live with a man without marriage.
Things have gotten a lot better for people in the work place since this book was written but I know that people are still facing the same problems that she had. In my mind I think having a job is better that not having a job. I'd rather get paid $6 an hour then not have any source of income at all.
She sets out to explore the world that welfare mothers are entered. The point was not so much to become poor as to get a sense of the spectrum of low-wage work that existed-from waitressing to housekeeping. She felt mistreated when it was announced that there has been a report on “drug activity”, as a result, the new employees will be required to be tested, as will the current employees on a random basis. She explained feeling mistreated, “I haven 't been treated this way-lined up in the corridor, threatened with locker searches, peppered with carelessly aimed accusations-since junior high school” (Ehrenreich,286). The other problem is that this job shows no sign of being financially viable. Ehrenreich states that there is no secret economies that nourish the poor, “If you can 't put up the two months’ rent you need to secure an apartment, you end up paying through the nose for a room by the week” (286). On the first day of housekeeping, she is yelled and given nineteen rooms to clean. For four hours without a break she striped and remake the beds. At the end of the experience she explained that she couldn 't hold two jobs and couldn 't make enough money to live on with one as where single mothers with children. She has clarified that she has advantages compare to the long-term
As this occurs, the story takes on a comedic aspect from the view of the reader, and we lose our sympathy for Sister. Sister lives in China Grove, Mississippi, presumably a very small town with only a few occupants. She lives with her mother, grandfather and uncle in their home, being the center of attention for the duration of the time until her younger sister, Stella-Rondo returns home. The return of Stella-Rondo sparks a conflict with Sister immediately because Sister is obviously envious of her and has been even before she came back to China Grove. The reader gets clear evidence of Sister’s jealousy toward Stella-Rondo when Sister says “She’s always had anything in the world she wanted and then she’d throw it away.
An American city seemed extremely attractive from afar. Big city pleasures such as electricity, indoor plumbing, and telephones created jealousy from the rural farmers, who did not possess such things. Also, cities lured many people with architectural marvels such as the skyscrapers with their fancy elevators. Rural farmers started to think their lives as dull when compared to the late night glitter of the cities. Jobs were also another lure of the big city. Industrial jobs presented jobs for both men and women. Not only did these jobs provide an income in which the employee could spend at city department stores (such as New York’s Macy’s) but also the income provided greater equality for many minorities as well as women. Theodore Dreiser’s further encouraged the glamorous city life belief when he wrote Sister Carrie (1990).
By chance, and her appearance, Carrie was taken in by Mr. Drouet. From there, she met Mr. Hurstwood, who won her affection with attention and romance. Eventually, he tricked her to go to New York City. This city allowed her to become an actress simply because someone noticed something they liked when she was a choir girl. The only reason she had been hired
Miss Hancock, her personality and beliefs were contrasted entirely by her character foil, Charlotte’s mother, “this civilized, this clean, this disciplined woman.” All through Charlotte’s life, her mother dictated her every move. A “small child [was] a terrible test to that cool and orderly spirit.” Her mother was “lovely to look at, with her dark-blond hair, her flawless figure, her smooth hands. She never acted frazzled or rushed or angry, and her forehead was unmarked by age lines or worry. Even her appearance differed greatly to Miss Hancock, who she described as,” overdone, too much enthusiasm. Flamboyant. Orange hair.” The discrepancy between the characters couldn’t escape Charlotte’s writing, her metaphors. Her seemingly perfect mother was “a flawless, modern building, created of glass and the smoothest of pale concrete. Inside are business offices furnished with beige carpets and gleaming chromium. In every room there are machines – computers, typewriters, intricate copiers. They are buzzing and clicking way, absorbing and spitting out information with the speed of sound. Downstairs, at ground level, people walk in and out, tracking mud and dirt over the steel-grey tiles, marring the cool perfection of the building. There are no comfortable chairs in the lobby.” By description, her mother is fully based on ideals and manners, aloof, running her life with “sure and perfect control.” Miss
Many women who were part of the middle classes were often not sent to school and so didn’t usually learn a skill that they could use to make a living. Consequently, as they were women and so were often not left much, if any, inheritance when their parents died, women found that they must. marry in order to have money and to keep their place in society. Charlotte takes advantage of her situation to marry purely for money. and not for love, this is what many women do and what society.
...ues women’s work becomes wrong. Yes, in today’s society one could argue further that a woman who stays at home and does not work is only reinforcing the stereotype and prolonging the inequality. However, this essay was not written to change the world. It simply strove to identify and prove the reasons behind a ruined sense of self worth that many women in the early 1900’s felt as a result of their work being demeaned. By reaching out to people’s emotional sides, McBride relayed her grandmother’s tale so that people could clearly feel the hurt and demotion that women of that time lived with in order to have them persuaded that the oppression of women in any manner and capacity is wrong.
...t, cruel, and even emotionless. However, this is far from true. Louise Mallard may have been relieved to hear about her husband’s death and she may have died of the disappointment at hearing he was actually alive, but she is only human. She desires freedom from oppression and freedom to be her own woman. She cares deeply for her husband, but he tied her down in a way that she did not like. The weight was far too much to bear, despite what feelings she held for Brently Mallard. She has a wide range of emotions, including the grief toward the death of Mr. Mallard. Mrs. Mallard’s thoughts and feelings are no different than those belonging to any other person.
One of the things that the women went through was alienation by other women, who were deemed as “true” women or respectable women. The alienation was not because of money or race, not even religion, but because the women of the factory wore slacks. A working class woman was seen as less of a woman because a woman during those times was expected to stay at home and play house because of society’s view on gender roles. Plus, the women who worked at factories wore slacks, which was a big taboo during those times also. Women who wore skirts
The girl in this story is incredibly naive. Her character is very weak due to her inability to realize the inevitable. This creates the internal conflict in which she faces. By the usage of first-person point of view, Tallent enables the reader to realize the obvious truth that this girl refuses to see. The entire setting takes place in a small town, where there is "nothing else to do," inside of Jack's dirty old pickup truck, and symbolizes the filthiness of their sex based relationship.
Her father works out of town and does not seem to be involved in his daughters lives as much. Her older sister, who works at the school, is nothing but plain Jane. Connie’s mother, who did nothing nag at her, to Connie, her mother’s words were nothing but jealousy from the beauty she had once had. The only thing Connie seems to enjoy is going out with her best friend to the mall, at times even sneaking into a drive-in restaurant across the road. Connie has two sides to herself, a version her family sees and a version everyone else sees.
She continues in this sequel to talk about the abuse she faced and the dysfunction that surrounded her life as a child and as a teen, and the ‘empty space’ in which she lived in as a result. She talks about the multiple personalities she was exhibiting, the rebellious “Willie” and the kind “Carol”; as well as hearing noises and her sensory problems. In this book, the author puts more emphasis on the “consciousness” and “awareness” and how important that was for her therapeutic process. She could not just be on “auto-pilot” and act normal; the road to recovery was filled with self-awareness and the need to process all the pieces of the puzzle—often with the guidance and assistance of her therapist. She had a need to analyze the abstract concept of emotions as well as feelings and thoughts. Connecting with others who go through what she did was also integral to her
...her room she will no longer be bound to her husband but rather free to do what she wants whenever she chooses to. Mrs. Mallard is at last apart from a person who was once somebody she loved but then started to dislike him because of his selfishness towards her. Then at last she comes to a point when she sees him and dies because she knows she will be jailed up again with his possession with her.
The Other Sister is about a family with a sibling that has a developmental disability also known as mildly mentally retardation (MMR), mild developmental disability, or mild intellectual disorder (MID). Carla Tate is our main character that has MMR as a disability. She is a young women, twenty-four years old, with a slender but beautiful appearance. Carla has just graduated from a special education boarding school and is returning home to her family. Carla’s mother (Elizabeth Tate) is overbearingly protective, does not appreciate all of the abilities that Carla has acquired. Her father (Bradley Tate) is a recovering alcoholic who is sympathetic and supportive of Carla, who at the same time has to deal with his domineering wife. Carla has two sisters Heather (who happens to be a lesbian) and Caroline (who is planning a wedding). Carla’s sister quickly bond again upon Carla’s return. They are supportive of Carla and her abilities.