Sir Gawaine and the Green Knight, a poem of pitting chivalrous courage against a game of deceitful trickery, relies heavily on the symbolic messages its protagonists send through their apparel. The anonymous poet dedicates numerous lines to describing the artifacts of armor, clothing, and jewelry both characters display. Dress, designed to convey a multitude of concepts is crucial to the story's plot; the elements of garb also work in tandem to reaffirm specific personality traits. The dominant role and emphasis of apparel as portrayed by the poet is in part a logical extension of the medieval culture climate in which the poem was penned. Middle era society placed high value on cloth and textile in general, an attitude that is reflected in the poem, where the author places high value on its description and uses it to convey plot and personas. Concentrating on the description of the Green Knight when he first enters King Arthur's court and the description of Sir Gawaine's imminent departure on the quest to find the Green Knight, will show their distinct entities and the opposite roles they have assumed in the "beheading game", essential to the development of the story line. Furthermore, the poet also places emphasis on armor, particularly the shield Gawaine uses; an analysis of this will confirm that accouchements are valued as important vehicles to convey central theme in the plot. Finally, the green girdle, the piece of cloth that leads to the climax end of the poem, will be evaluated for its emblematic content. "There [hurtled] in at the hall door an unknown rider," almost by deus es machina, a timely yet somewhat improbable occurrence, King Arthur's wished upon entertainment and Sir Gawaine's enemy appear in the text (Si... ... middle of paper ... ...raits. And secondly, it represents the Green Knight's power and skill at deception. The duality of the girdle is an extension of the duality of the Green Knight's persona. While the girdle represents freedom and life (it is green), it also represents destruction and finality. The same is said of the Green Knight who is a combination of fertility and destruction. Written beautifully in the middle ages, the poem's elaborate descriptions of textiles such as clothing and armor, serve to emphasize the culture climate in which it was composed. The time dedicated to detail reflects the author's own societal values. Moreover, in a piece riddled with deceit and trickery, clothing is a tangible way to express character traits and add dimension to the plot. The story of Sir Gawaine and the Green Knight traverses from commencement to finality on a sea of symbolic trappings.
In literature, insights into characters, places, and events are often communicated to the reader by symbolic references within the text. This is the case in Sir Gawain and the Green Knight. In this Medieval romance, the colors and textures of fabrics and jewelry are used heavily by the poet not only as a descriptive tool, but also to give the reader information about the characters’ personalities and roles within the story.
In his struggles to uphold his chivalric duties, Sir Gawain faithfully demonstrates the qualities of chivalry and fidelity until his honor is called into question by an unknown green knight that rides into the castle.
The poem’s intricately balanced structure challenges the reader to seek out a resolution coherent with his or her own ethics. An admirable knight of King Arthur's renowned court, Sir Gawain is directed by a complex set of ethos, a collaboration of principles symbolized by the mystical pentangle. A five-pointed star composed of five interlocking lines; the figure represents a multitude of guiding tenets, representing both religious and knightly ideals. One can recognize that “the pentangle cognizance is explicated by the poet to signal Gawain’s complete Christian perfection, and for the reader to be aware of contemporary concerns about magical protective practices, hinting at human frailty” (Hardman 251).
Anonymous. Sir Gawain and the Green Knight. The Norton Anthology of English Literature Sixth Edition. Volume 1. Ed. M.H.Abrams. New York: W.W.Norton and Company, Inc., 1993.
When Gawain shows up at the Green Knight’s chapel, his mere presence provides comfort to his host, who greets him: “Sir so sweet, you honour the trysts you owe.” Perhaps the green gallant had been expecting Gawain, as representative of the crumbling House of Arthur, to be derelict in his duties. Gawain lives up to his good name. Similarly, he resisted the unbearable temptations of Lady Bertilak on numerous occasions, providing a mere kiss, in accordance with the code of chivalry.
Through jest of a game the Green knight enlightens Gawain the short sights of chivalry. He comes to realize within himself that the system which bore him values appearance over truth. Ultimately he understands that chivalry provides a valuable set of ideals toward which to strive, but a person must retain consciousness of his or her own mortality and weakness in order to live deeply. While it is chivalrous notions, which kept him, alive throughout the test of the Green Knight, only through acute awareness of the physical world surrounding him was he able to develop himself and understand the Knights message. From the onset of Sir Gawain and the Green Knight the author relies intensely upon descriptive language to create ambiance and tonality, but it is only later in the work, upon Sir Gawain’s development, that like Gawain, the reader is able to derive meaning from the descriptive physicality and understand the symbiotic relationship of nature and society.
In the opening scene Sir Gawain faces his first trial when the Green Knight proposes his “Christmas game.” The room falls silent for “If he astonished them at first, stiller were then/ All that household in hall, the high and low;” (lines 301-302). The Green Knight begins to mock the court; and then boldly, King Arthur accepts h...
In the anonymous poem Sir Gawain and the Green Knight, the character of Sir Gawain is portrayed as the imperfect hero. His flaws create interest and intrigue. Such qualities of imperfection cannot be found in the symbol of the pentangle, which he displays on his shield. This contrast between character and symbol is exposed a number of times throughout the poem allowing human qualities to emerge from Gawain’s knightly portrayal. The expectations the pentangle presents proves too much for Gawain as he falls victim to black magic, strays from God, is seduced by an adulterous woman, and ultimately breaks the chivalric code by lying to the Green Knight.
Markman, Alan M. "The Meaning of Sir Gawain and the Green Knight." Modern Language Association 72.4 (1957): 574-86. JSTOR. Web. 11 Nov. 2013.
Sir Gawain and the Green Knight consists of three hunts, three temptations, and three different animals. It is not by accident that the first day's hunt is for deer. The deer represents the innocence and purity of Gawain as a knight. The lengthy and detailed description of the hunt and the capture of the deer serve to emphasize the symbolism of the deer. The even more detailed description of the slaughter and butchering of the meat further emphasizes the symbolism. It can be inferred that the butchering of the deer is similar to the fate that awaits Gawain when he meets with the Green Knight.
Sir Gawain and the Green Knight is a late 14th-century Middle English alliterative romance about the adventure of Sir Gawain, King Arthur's Knight of the Round Table. This great verse is praised not only for its complex plot and rich language, but also for its sophisticated use of symbolism. Symbolism is a technique used in Sir Gawain and the Green Knight to give a significance to the plot. The Green Knight, the Green Sash, and Sir Gawain's Shield are three of the most prominent symbols given to us in this verse.
In the Old English poem Beowulf, the warrior culture is centered upon the heroic codes of each individual, as well as the court as a whole. Members of Hrothgar’s court are ranked based upon the identities and reputations of their ancestors. It can be said that the armor of these warriors, as it has travelled from generation to generation and warrior to warrior, is emblematic of the very reputations these warriors consider most important. In Sir Gawain and the Green Knight, too, armor plays an important role. It is representative of the virtues Sir Gawain is challenged to uphold, and, on a larger scale, is also
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
No matter where we go in the world, we will always be surrounded and tempted by sin. These temptations test our character and morality, and they prove that our human nature inherently causes us to fall to the sins that encompass us. Even though the world is a dark and immoral place to live, we all value our lives and are prepared to do almost anything to protect ourselves from harm’s way. In Sir Gawain and the Green Knight, the green girdle serves as symbol that highlights Gawain’s incessant love for life that tempts him to stray from his knightly code of chivalry.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.