Vodou is a Haitian creole word that describes an official religion of Haiti that contains bits of Roman Catholicism within its belief system. Vodou was creolized and forged by Dahomean, Kongo, Yoruba, and other African ethnic group descendents. These African ethnic groups had been enslaved and brought to modern-day Haiti, then called Saint Domingue, and were christianized by missionaries of Roman Catholicism in the 16th and 17th centuries. The word “Vodou” means spirit or deity within the Fon language of the African Kingdom Dahomey, of where most early practitioners originated from.
Vodou’s fundamental principle is that everything possesses a spirit, and its primary goal/ activity is to offer prayers and devotional rites directed at God, and
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Jacques, one of the leaders of the Haitian Revolution whom is honored on the Altar. Ezili Danto, is also represented within the altar as a flag, and she was also considered a catalyst for the Haitian Revolution by dancing in the “head” of the priestess Cecile Fatiman on a night in 1791. Also, there exists some cross referencing between the historical references within the Altar, to its correlation of the spiritual purposes of the Altar’s persona and the objects on it. For example, how the Petwo and Rada spirits, “angry and calm” spirits, are on two representational sides of the altar, can also be interpreted as the energy of the slaves imprisoned during the Slave Trade, and how angry, vengeful, and “hot” they would be considered, and how the spirits were relieved of their pain and suffering in Death after they passed, before the end of the slave trade, and how some spirits had passed away physically due to brutality, or imprisonment during the Slave Trade, and even during the …show more content…
One thing that is a little hard to display in a museum would be the food offerings. In Vodou, it’s customary to provide food to the gods on an altar, and the cooking and arranging of food is an important ritual. Unfortunately, our altar resides in a museum, making it difficult to provide food for the gods due to the rules and regulations that a museum faces. A fake cake sits in the center of our altar, with ceremonial candles placed on each side of the cake. This is meant to represent the food that would be offered. The two chairs on either side of the altar are for sitting, but sometimes a doll may be on the chair of an altar instead to symbolize someone sitting in the chair. The teacup in the front of the altar is used to hold libations for the gods or used to hold wicks with olive oil and honey to make prayer stronger. The maraca looking objects are used in the ceremony and to communicate or salute to the gods. Dr. Matory, the creator of the altar, informed us that the necklace is often worn by a Haitian priest during a ritual. Each bead or pattern represents each god in its colors. It is worn in a way that the spirits envelope people and include them all as a community, and to provide protection during a ritual. The statuette of twins represents the Marasa, the sacred twins of Vodou. The statuette is placed on the altar during rituals
Although the thought of being involved in such rituals is scary, I developed a deeper understanding and appreciation for the practices that Haitian voodoo participants, if it is appropriate to refer to such people as, engage in. The most impressive bit of information that I will keep with me is to be less judgmental of others; “people who practice voodoo believe in the same God as Christianity, but they also believe in communicating with other spirits, who serve various roles in healing, casting spells, and more” (Boudreaux, 2015a, p. 110). As a golden rule, I know that I should not be judgmental of others anyway, but I am human and am prone to quickly create stereotypes in my mind. I don’t always share those thoughts, but thinking makes me just as guilty as doing or saying. I am thankful for the reminder that all people are children of God, and I should research and learn about different beliefs before I make a judgmental decision, if I make that judgment at
It is amazing how two religions, such as Voodoo and Christianity, can be filled with so many awesome differences with respect to time eras, status, publicity, and language, and yet still have an almost identical core ideal. This also demonstrates that this core ideal of the use of humans as a mouthpiece of the divine has been a long lived concept which people, such as Mama Lola and her family, still believe in and practice today. Perhaps this proves there is some truth in the idea, and most likely, we will never know for sure, whether this concept, in it’s many different forms continues to live on, or if it dies out.
Both France and Haiti had so many similarities between their revolutions. Both France and Haiti had an oppression for both social and political systems, because they wanted equality among people. “ The injustices of the social system in Saint Dominique stood in stark contrast to the ideals of the French Republic espoused in France during the French revolution, when on August 26,1789, the Claritin of the rights of man was adopted”. (Stock). This quote means that the french republic wanted good in their social system but they got the opposite.“Among the whites, political upheaval had started in the french colonies which had started in 1789 and ended in 1799, which came into conflict, which also divided the French at home” (stock). So basically
The French Revolution and the Haitian Revolution were very significant in the course of human history. They were significant because they changed governments and the human rights in their respective nations. The people in France and Haiti wanted a new government in the form of a democracy. Both revolutions had many similarities and differences. The causes for both revolutions were similar because the poorest citizens of each country drove the need for the revolutions as those in higher power treated them with no dignity.
At the University of Chicago, Dunham decided to study anthropology with a focus on African and Caribbean ritual dances. Here, she studied under many of the best anthropologists of the time, and in 1935, she was awarded a grant from the Julius Rosenwald Fund to study dance in any way she wished. So, she decided to use this money to travel to the islands of the West Indies and document the ritual dances of the people. She visited such islands as Jamaica, Trinidad, Martinique and Haiti; however, she found a special connection with the people of Haiti and the dances they performed, particularly in their Vodoun rituals. In 1936, Dunham received a bachelor of philosophy from the University of Chicago, and after gathering her research and materials from her work in the Caribbean, she submitted her thesis, Dances of Haiti: Their Social Organization, Classification, Form, and Function,” to the University of Chicago in 1938.
These sacred pieces light the flame into the speaker’s passion for her religion in many ways. She begins to pay more attention and really contemplate why she is on earth? What is she here to do in
Haitian Vodou is the combination of supernatural and mystical components of African religions, along with the ritual basics of Roman Catholicism. They believe that there is one supreme God, but praise spirits, which are recognized as sacred ancestors, African gods, and even Catholic saints. Haitians call these spirits loa. Loas are “African deities who have been inherited through succeeding generations by the descendants of those who brought them to Haiti” (124). It is required to have ritual ceremonies for the loa, so that they can guide, protect, heal, and help those that practice Haitian Vodou. To begin calling down the loa, one must draw the vévé, which is the symbol for the loa on the prayer ground. During these ceremonies, there is a lot of dancing, singing, drumming, prayer, animal sacrifice, and food preparation. Just like Catholicism, a priestess or priest guides the worshipers in the ceremonies. Also in the course of a Vodou ceremony, which ever loa that is being called upon possesses participants to give advice or perform cures. To anyone that does not practice Haitian Vodou, the way these ceremonies are unorthodox, but to Haitians, it is their way of life and what they believe
The French Revolutions ideology of freedom and equality lead to the Haitian revolution in Saint Domingue. Saint Domingue was one of the richest colonies in the entire world during this time. It made a big profit for France, but the rules were also unfair. They favored only to the slave owners and whites. This is why many slaves wanted to revolt. Before the revolution, Saint Domingue was a major producer of coffee and sugar.
On January 1, 1804, the country of Haiti formally declared independence from the French colonial powers. This newfound state of freedom was born as a result of the Haitian revolution (1791–1804), a movement that was primarily lead by the former slave and prominent leader, Toussaint L’Overture. Due to the successful nature of this slave revolt, the nation of Haiti became a huge inspiration for surrounding colonies – becoming the second former European colony in the New World that was able to achieve independence. Despite the hard-won efforts of the oppressed, political stability within the country quickly unravelled as the national identity formed during the revolution deteriorated under rising conflict between mulattoes and blacks.
...white people were the change-makers and shapers of Vodun, when actually black people adapted their religion to suite oppressive conditions. As time went on “Voodoo had become less of a religion than a political association [which was] and inherent characteristic of black religion from the slave period” (46). This happened not only in America, but in Haiti as well. This not only highlights the evolution of Vodun from religion, to a political force, but also the adaptability of Vodun as well.
Throughout time individuals have rebelled against corrupt policies within society in order to obtain their autonomy as well as their rights as an individual. King Louis XIV of France, for instance, taxed the lower class of France, in order to construct his palace, the Palace of Versailles, which depicted his power and authority. If individuals refused to pay their taxes to Louis XIV, then as a result, they would be placed in prison or be executed, as a penalty. The lower class individuals of France began to question King Louis XIV’s authority, ultimately leading to numerous rebellions against his position as King of France. Likewise, between 1750 to 1914 numerous revolutions to alter certain aspects within society occurred in diverse regions
As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
Once Enlightenment philosophies created new views on individual’s natural rights and their place in society, resistance to oppressive government was inevitable. The core beliefs of freedom and equality above all served as a catalyst for the revolutions in America, France, and Haiti. Because of these shared ideals each revolution is interconnected with the revolution before it. However, the waves of this revolutionary movement that swept through the Atlantic World became increasingly radical with each new country it entered. By looking at the citizen involvement and causes of the American, French, and Haitian revolutions, the growing radicality of these insurrections can be better understood.
Like Santeria, Voodoo is a syncretic religion that embodies the beliefs and practices of Christianity with those of traditional West African religions. Voodoo is also a monotheistic religion, with the God Bondye being the supreme creator. Bondye is similar to Olodumare in that he does not interfere with the lives of his believers, so Voodoo practitioners redirect their worship and rituals to spiritual deities known as lwa. Lwa are regularly contacted and worshipped through various forms of rituals; these rituals include altars, possession by spirits, and elaborate ceremonies. The purpose of the rituals is to appease the lwa to lend assistance to believers in times of need, or for general good faith measure, to prevent angering of the lwa and the possible dire consequences that may follow. As with Santeria, the syncretism of Catholic imagery and objects is inherent to the religion, and these objects are usually included in the rituals of Voodoo
The late 18th century and early 19th century was a prominent time period in which the French Revolution and Haitian revolution occurred. Both revolutions were connected to each other such that they shared similar causes and consequences. Together, France and Haiti were angered by the inequality and unfair privileges that continued to appear in their societies. At the same time, they were inspired and hopeful of bringing the Enlightenment ideas into reality. Although they were able to accomplish most of what they fought for, such as the abolition of slavery, they still took part in bloody revolutions. However, one of the greatest differences in their outcomes was that France emerged as a new, firm government as Haiti staggered with its new independence.