Stripped of Freedom Many Feminist writers during the Progressive Era often wrote about gender equality. During the Progressive Era, many women found freedom through artistic creativity to escape their bounded lives through writing. Each writer expressed their opinions in hope to strike a spark in women’s rights. The authors Charlotte Perkins and Kate Chopin in their stories, “The Yellow Wallpaper” and “The Story of an Hour,” use recurring themes of complete isolation to illustrate the domestic space typically inhabited by women during the Progressive Era, providing detail and evidence of this isolation through the use of setting and symbolism. During the Progressive Era, many women faced forms of isolation. In the short story, “The Yellow …show more content…
but John would not hear of it” (Gilman 648). The patience would receive little to no control of their treatment. The narrator of the story faced the method of the treatment for many months. The enduring pain of complete isolation had a major toll on her body and mind. The isolation caused the narrator to grow a tremendous mental problem. The method was believed to help her, but ended up worsening her condition. The narrator was driven to complete insanity, even causing her to have a deep love for the yellow wallpaper within her room. During all of the depressing effects and isolation of the “rest cure,” the narrator was able to find a way to freedom. In the room the narrator stayed she would often look outside of her window. This window would offer her with a form of freedom to help her escape from some of the pain caused by the treatment. The narrator states, “I can see her out of everyone of my windows!” (Gilam 654). In this statement the narrator is looking at her reflection within the window, causing her to see herself on the outside free. The window within the story symbolizes many different things. The window symbolizes freedom for narrator, as she can view outside of it and escape isolation. Also the window if a form of medication for the narrator, as she can look outside it and be released of some of her pain. To blame for all her pain, is her husband, who was also the doctor of her …show more content…
The main character of the story is Mrs. Mallard, who suffers from heart problems. The setting of the story takes place in the room of Mrs. Mallard. This room is all Mrs. Mallard knew, as she was placed under observation, isolation, and little communication. Due to her many different heart problem Mrs. Mallard is given the method treatment of the “rest cure.” Within the story her loved ones receive information that Mrs. Mallard's husband has been killed in a train wreck and don't know how to deliver the message to her, due to her heart problems. The story states, “Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death” (Chopin 1). Josephine, Mrs. Mallard's sister breaks the news to Mrs. Mallard, and as expected, Mrs. Mallard was in deep grief. This is when the story state's Mrs. Mallard is facing a window, “There stood, facing the open window, a comfortable, roomy armchair” (Chopin 1). Viewing outside the window Mrs. Mallard begins to see the stuff she has never seen before, “There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window” (Chopin 1). This statement is so
When we compare contrast the two stories "The Yellow Wallpaper" vs. "The Story of an Hour”. If we first look at the similarities that they have, they are both about women who are controlled by their husbands, and who desired freedom. But both women had different reasons for their freedom. It sounds as though both husbands had control over their lives and both women had an illness. But I don’t believe the husbands knew their wives were so miserable. So as we look at the lives of women back in the 19th century time they have the stereotypical trend of being a house wife, staying at home taking care of kids, the house, and aiding the husband in his work. Being in charge of the household makes women have many responsibilities to take care of but still women are often looked down upon and men who often thinks a women’s say is unimportant. The two short stories are about two women who have husbands that successful and the women who feel suffocated by their lack of ability to live their own lives or make their own decisions. The two stories present similar plots about two wives who have grown to feel imprisoned in their own marriages.
In their works, Charlotte Perkins Gilman and Kate Chopin show that freedom was not universal in America in the late nineteenth and early twentieth century. The three works, "The Yellow Wallpaper," "At the 'Cadian Ball," and "The Storm" expose the oppression of women by society. This works also illustrate that those women who were passive in the face of this oppression risk losing not only their identity, but their sanity as well.
Kate Chopin’s “The Story of the Hour” and Charlotte Perkins Gillman’s “The Yellow Wallpaper” are viewed from a woman’s perspective in the nineteenth century. They show the issues on how they are confined to the house. That they are to be stay at home wives and let the husband earn the household income. These stories are both written by American women and how their marriage was brought about. Their husbands were very controlling and treated them more like children instead of their wives. In the nineteenth century their behavior was considered normal at the time. In “The Story of the Hour” and “The Yellow Wallpaper,” both women explore their issues on wanting to be free from the control of their husband’s.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper.
Kate Chopin’s “The Story of an Hour” and Charlotte Gilman’s “The Yellow Wallpaper” are both centralized on the feministic views of women coming out to the world. Aside from the many differences within the two short stories, there is also similarities contained in Chopin’s “The Story of an Hour” and Gilman’s “The Yellow Wallpaper,” such as the same concept of the “rest treatment” was prescribed as medicine to help deal with their sickness, society’s views on the main character’s illness, and both stories parallel in the main character finding freedom in the locked rooms that they contain themselves in.
The Story of an Hour, by Kate Chopin, and The Yellow Wallpaper, by Charlotte Perkins Gilman, both have very similar themes, imagery, and a plot with very little differences. In both stories the theme of the two short stories is the ideals of feminism. Some similar imagery is the idea of freedom and living on one 's own. The plots are very similar, both woman coming into conflict with their husband, feminism, and a tragic ending. Also, both deal with the everyday problems women faced during the periods surrounding the time the stories were written. Mrs. Mallard, from Story of an Hour, and Jane, from The Yellow Wallpaper, both are trying to write their own destinies but their husbands prevent them from doing so. Mrs. Mallard and Jane both
t Kate Chopin's story The Awakening and Charlotte Perkins Gilman's story The Yellow Wallpaper draw their power from two truths: First, each work stands as a political cry against injustice and at the socio/political genesis of the modern feminist movement. Second, each text is a gatekeeper of a new literary history. Kate Chopin and Charlotte Perkins Gilman seem to initiate a new phase in textual history where literary conventions are revised to serve an ideology representative of the "new" feminine presence. Two conventions in particular seem of central importance: "marriage" and "propriety".
To initiate on the theme of control I will proceed to speak about the narrators husband, who has complete control over her. Her husband John has told her time and time again that she is sick; this can be viewed as control for she cannot tell him otherwise for he is a physician and he knows better, as does the narrator’s brother who is also a physician. At the beginning of the story she can be viewed as an obedient child taking orders from a professor, and whatever these male doctors say is true. The narrator goes on to say, “personally, I disagree with their ideas” (557), that goes without saying that she is not very accepting of their diagnosis yet has no option to overturn her “treatment” the bed rest and isolation. Another example of her husband’s control would be the choice in room in which she must stay in. Her opinion is about the room she stays in is of no value. She is forced to stay in a room she feels uneasy about, but John has trapped her in this particular room, where the windows have bars and the bed is bolted to the floor, and of course the dreadful wall paper, “I never worse paper in my life.” (558) she says. Although she wishes to switch rooms and be in one of the downstairs rooms one that, “opened on the piazza and had roses all over the window. ...” (558). However, she knows that, “John would not hear of it.”(558) to change the rooms.
Both of the main characters in “Story of an Hour” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Perkins Stetson are women in the 19th century. The main female character in “Story of an Hour” was told that her husband died, but when she found out that he was not, she died of a heart attack because of her heart condition. The main female character in “The Yellow Wallpaper” is being neglected by her husband, which makes her rethink their relationship, and eventually, go crazy. Carver and Stetson both use elaborate settings, similar protagonists, and use a theme of lost. However, the wife in The Yellow Wallpaper was grieving because her husband does not care for her, compared to Story of an Hour was grieving because of her husband's “death”.
Women have traditionally been known as the less dominant sex. Through history women have fought for equal rights and freedom. They have been stereotyped as being housewives, and bearers and nurturers of the children. Only recently with the push of the Equal Rights Amendment have women had a strong hold on the workplace alongside men. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Two interesting short stories, “The Yellow Wall-paper and “The Story of an Hour, “ focus on a woman’s plight near the turn of the 19th century. This era is especially interesting because it is a time in modern society when women were still treated as second class citizens. The two main characters in these stories show similarities, but they are also remarkably different in the ways they deal with their problems and life in general. These two characters will be examined to note the commonalities and differences. Although the two characters are similar in some ways, it will be shown that the woman in the “The Story of an Hour” is a stronger character based on the two important criteria of rationality and freedom.
Another example of how Mrs. Mallard was more uplifted than brought down by the news of her husband?s death is the description of the window. As Mrs. Mallard looks out, Chopin explains?she could see in the open square before her house the tops of trees that were all a quiver with new life?. This is telling the reader about the new life that Mrs. Mallard can see in the distance, that symbolizes the new life she saw that lay ahead of her now that she was free of her husband. This thought was supported by Hicks in saying "The revelation of freedom occurs in the bedroom"
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Women have been mistreated, enchained and dominated by men for most part of the human history. Until the second half of the twentieth century, there was great inequality between the social and economic conditions of men and women (Pearson Education). The battle for women's emancipation, however, had started in 1848 by the first women's rights convention, which was led by some remarkable and brave women (Pearson Education). One of the most notable feminists of that period was the writer Charlotte Perkins Gilman. She was also one of the most influential feminists who felt strongly about and spoke frequently on the nineteenth-century lives for women. Her short story, "The Yellow Wallpaper" characterizes the condition of women of the nineteenth century through the main character’s life and actions in the text. It is considered to be one of the most influential pieces because of its realism and prime examples of treatment of women in that time. This essay analyzes issues the protagonist goes through while she is trying to break the element of barter from her marriage and love with her husband. This relationship status was very common between nineteenth-century women and their husbands.
Advocating social, political, legal, and economic rights for women equal to those of men, Charlotte Perkins Gilman speaks to the “female condition” in her 1892 short story “The Yellow Wallpaper”, by writing about the life of a woman and what caused her to lose her sanity. The narrator goes crazy due partially to her prescribed role as a woman in 1892 being severely limited. One example is her being forbidden by her husband to “work” which includes working and writing. This restricts her from begin able to express how she truly feels. While she is forbidden to work her husband on the other hand is still able to do his job as a physician. This makes the narrator inferior to her husband and males in general. The narrator is unable to be who she wants, do what she wants, and say what she wants without her husband’s permission. This causes the narrator to feel trapped and have no way out, except through the yellow wallpaper in the bedroom.