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Discuss theme of love in Much ado about nothing
Discuss theme of love in Much ado about nothing
Love as the subject matter of much Ado about nothing
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A romantic comedy is a work of art that depicts a relationship in a light and humorous manner (Dictionary.com, n.d.) Much Ado About Nothing by Shakespeare and You've Got Mail by Nora Ephron will be the two romantic comedies discussed throughout this paper. In both titles, deception plays an important role in revenge, in forming relationships, and in overcoming the opposition between two opposing forces. From a first glance, Much Ado About Nothing and You've Got Mail seem nearly identical, but upon analyzing these title's character involvement, the intent behind the character's actions, and the viewpoint behind the creators, it is evident that these titles differ when it comes to the role of deception opposing adversarial views.
Act I of Much
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However, this leads into trouble in Act II as Don Pedro's brother, Don John, tricks Claudio into believing that Don Pedro is winning over Hero for himself. Although Don Pedro is Claudio's best friend, he is shockingly quick to believe that his friend is so willing to betray him. Subsequently Don Pedro returns and gives Claudio the news that Leonato supports the marriage, and Hero is happy to marry him. With this happy news on the table, Beatrice makes a comment that she will be single forever, and Don Pedro replies with an offer to marry her. After she rejects him, Don Pedro and his friends devise a plan to ensure Benedick, Beatrice's arch nemesis, and they fall in love together. This works, as Benedick and Beatrice both begin to see that they are not so terrible, and they decide to give the …show more content…
Although they are both in committed relationships, they seemingly fall for each other's wit and charm through their emails. Kathleen, worried that her online friendship counts as cheating on her partner, reassures herself that "it's nothing" after relaying her concerns to her coworker. Later on in the film, Joe's bookstore becomes a huge hit in the neighborhood and sweeps away Kathleen's business. Alarmed, and unsure of how to solve this crisis, Kathleen decides she wants to meet her anonymous friend, NY152, and they plan to meet at a local café. When Joe arrives and sees that she is Shopgirl, he walks in preserves his anonymity while they hurl insults at each other. Afterward, Kathleen closes her store and breaks up with her partner, and Joe realizes he loves the relationship he had with Kathleen online so much that he dumps his significant other. Joe begins a mission to become friends with Kathleen, and apologizes for the pain he's put her through. Although she is kept in the dark about who NY152 is, they begin to grow close to each other and a deep friendship blooms. Kathleen finally has plans to meet NY152, but before she leaves, Joe confesses his love for her, which she refuses. She arrives at the designated park, and waits for NY152 and in the end finds out it was Joe all along. The movie ends as Kathleen says to Joe that she "wanted it to be
The difference between Beatrice,Benedick,and the other two Claudio and Hero though is that, these two are very headstrong characters with a different outlook on love, but have very much love for one another. Benedick believes in just being a bachelor and spending the rest of his life messing with as many women as he pleases, well as for Beatrice she believes there is no man good enough and willing to show her the love she wants so she much rather be left alone. But the fact that they honestly want to believe what they say is what makes this get way more interesting. What they don’t know is that they are going to soon become curious trying to figure out what they truly feel for one
The main problem is young Count Claudio. He is immature when it comes to matters of love, and it shows when he hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161). Claudio cannot come out and just say that he has feelings for Hero, he has to seek approval from his male counterparts first. While talking to both Benedick and Don Pedro, Claudio describes his feelings as passion first (I.i.219-220), and then he says, “That I love her, I feel” (I.i.228), indicating that he knows he feels something for Hero, but he is unsure of exactly what his feeling...
Beatrice's courtship with Benedick greatly contrasts with the courtship of Hero and Claudio. Hero gladly and willingly submitted to marriage, and she accepted the role of the relatively powerless woman. In contrast Beatrice chose her submission after openly criticizing the institution of marriage.
...ce Borachio confesses about his and Don John's plot, everyone lays their grudges and challenges aside. Claudio still marries Hero while Benedick and Beatrice also wed together.
Shakespeare’s introduction of the other couple in question is in stark contrast to the way in which Beatrice and Benedick were introduced. Claudio and Hero are amorously receptive to one and other from the very start. Upon laying eyes on Hero, Claudio remarks of her to Benedict “is she not a modest young lady?” (1.1.125). Clearly, by having Claudio express his fondness of Hero to Benedick, the playwright directly compares the older and more cynical to the more young and naive, allowing the reader to see the contrasting personas of the two men. This is reinforced by Benedick, who after finishing listening to Claudio’s rhetoric on the charms of the young Hero (“in m...
The term melodrama has come to be applied to any play with romantic plot in which an author manipulates events to act on the emotions of the audience without regard for character development or logic (Microsoft Encarta). In order to classify as a Victorian melodrama, several key techniques must be used, including proximity and familiarity to the audience, deceit rather than vindictive malice, lack of character development and especially the role of social status.
They had been to the town before, and this time Claudio confessed his love for the governor’s daughter, Hero. Because Leonato is so fond of Claudio, the wedding is set to be a few days away. This gives Don John, Claudio’s bastard brother, a chance to show his true hatred for Claudio. He comes up with a scheme to make Claudio think that Hero is cheating by dressing Margaret in her clothing and perching her near the window with another man. When Claudio sees this, he says that he will humiliate Hero instead of marrying her.
Tricking her to believe that Don Pedro himself has feelings for Hero: ‘I will assume thy part in disguise, and tell fair Hero that I am Claudio, and in her bosom I’ll unclasp my heart, and take her hearing prisoner with the force and strong encounter of my amorous tale. Then after, to her father will I break: and the conclusion is, she shall be thine.’ - Don Pedro. o (Act I, Scene I: Lines 276 - 282). It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
By illustrating the negative effects of deception in relationships in the play Romeo and Juliet, Shakespeare shows how important honesty is in
When Benedick hears that Claudio has fallen in love for Hero, he is enraged. He thought that Claudio would live a bachelor’s life like him. Benedick tells him that men who are in love are not masculine. Near the end of Act IV, Benedick’s complete change is evident when Benedick chooses love over friendship. Benedick challenges Claudio, previously his closest friend in the world, to duel to the death over Claudio’s accusation as to Hero’s unethical behavior. After Beatrice complains to him about Claudio’s mistake, Benedick gives in, “Enough, I am engaged. I will challenge him.” At this point, there is no doubt that Benedick has switched his allegiances entirely over to Beatrice. But then again, Benedick was relieved that Hero was proved guilty so he would not have to fight his close friend Claudio.
Leonato agrees and pretends to challenge Claudio for ruining his daughter’s reputation. At first, Claudio and Don Pedro disparage him since they don’t care about Hero and still believe she is a horrible person. However, once they learn the news that they is dead and innocent, Claudio instantly feels very guilty, which Friar Francis and Leonato predict. In order to get Claudio to marry Hero unknowingly, Leonato lies to Claudio again by guilt-tripping him into writing and singing a poem to “Hero’s” grave and marrying Hero’s cousin the next day. Claudio decides to acquiesce to Leonato’s terms of reparation and is grateful for his kindness.
William Shakespeare’s comedies Much Ado About Nothing and Taming of the Shrew have a similar theme: they both contrast the stories of a mature couple and an immature couple. In Much Ado About Nothing Beatrice and Benedick, the mature couple, are trying to find the courage to love, while Hero and Claudio, the immature couple, are learning the importance of maturity within a relationship. In the same way, Katherina and Petruchio, the mature couple in Taming of the Shrew, are finding the capacity to love, while the Bianca and Lucentio, the immature couple, are learning that appearance isn’t everything in a relationship. I believe that the two mature female leads, Beatrice and Katherina, have some thought-provoking similarities and differences.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.
Comedies often use deception through appearance as a way to entertain the audience, such as Shakespeare’s play Twelfth Night and Billy Wilder’s movie Some Like it Hot. Deception can be intentional, accidental, and can even deceive oneself. Deception is also used to establish the plot of a work of art and create many subplots. Through the use of the theme of deception through appearance, the film Some Like it Hot is a natural descendant of Shakespeare’s Twelfth Night.