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The nature of heroism essay
The nature of heroism essay
The nature of heroism essay
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Hamlet, the Prince of Denmark vs. the Good Soldier Every person views and reacts to murder differently. The morality of murder depends specifically to one 's culture and beliefs. While many Christians view murder as a mortal sin, a soldier who volunteers to serve their country and kills enemies during wartime, most do not see this at murder. The same ethical and moral conflict arises in the play Hamlet, The Prince of Denmark by William Shakespeare and the video The Good Soldier. The characters in Hamlet are portrayed with flaws, emotions, strengths and weaknesses just as those interviewed in The Good Soldier. The two sources express their own specific views on honor, murder, and suicide. Honor is a word used to describe an honest and loyal …show more content…
He questions himself whether to avenge his father 's alleged murder or to become the noble prince he was raised and trained to become. Young Hamlet also struggles with the assumption of considering that his new stepfather and Uncle Claudius may have murdered his beloved father, King Hamlet and discovering the truth (SparkNotes). “Not so my lord. / I am too much in the sun (Shakespeare 1404). From Hamlet’s quote, he does not feel comfortable at the new relationship with Claudius Equally, Hamlet feels deceived by his mother, Gertrude, for how she quickly remarried after his father 's death. He quarrels with himself about being dishonorable to his mother (SparkNotes). Ophelia is another example of a character that struggles with honor. Her character struggles with issues of accepting her role as a woman during the Renaissance era and being true to herself, which forces her to fall into the launch of madness. From the time she is born, Ophelia is taught to obey her father, as well as, her brother, Laertes. "Do not as some ungracious pastors do/ Show me the steep and thorny way to heaven Whiles like a puffed and reckless libertine/ Himself the primrose path of dalliance treads (Shakespeare 1411)." …show more content…
As a reader, one may question whether or not the murder of anyone, no matter what the particular circumstance, is justifiable. For example, Jim Massey justifies his actions after killing unarmed protestor by stating "this is war", but after the war he shows remorse for what he has done and protests. Massey states "That marine training gives you the ability to kill one time, after that it 's on you" (The Good Soldier). The complicated and controversial issue during wartime is an outsider view of the killing taking place. Jim has a feeling of conflict in his actions of committing what he feels as genocide and protests in military uniform. Some see this as being dishonorable to the county, such proving a connection that murder and honor may be intertwined (The Good Soldier). Spectators view what they see on the news, make accusations that the military use war as an excuse to kill. All four of the performers in The Good Soldier had to endure watching their fellow men being killed during this act of war but do they justify witnessing their companions as an act of war or murder? Does every soldier that is active in war question will they be condemned to hell, the way Hamlet is fearful to kill Claudius (SparkNotes)? Each one of the four from the video decided to protest in a result of the conflicts of war. Death is a strong motif throughout the whole play in Hamlet, The Prince of Denmark. The ghost of
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
In the play Hamlet, by William Shakespeare, the death or murder of a character becomes very freuquent. Although many people die. It is a result of their own wrong-doing. You could almost say they deserved what they got. But there were deaths of people, that were due to the manipulation from the royalty. A good example can be found in the family of Polonius’. The real tragedy of Hamlet is not that of Hamlet or his family but of Polonius’ family because their deaths were not caused by their own, sinful actions, but rather by their small instigation of Claudius and Hamlet’s battle.
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
William Shakespeare’s play Hamlet is the dramatic story of a son who felt betrayed by both his mother, and the woman that he loved. Written in the Elizabethan era, around 1600, “Shakespeare's focus on Hamlet's intellectual conflicts was a significant departure from contemporary revenge tragedies… which tended to dramatize violent acts graphically on stage” (Hamlet). The play depicts Hamlet, the Prince of Denmark, who it visited by the ghost of his father, King Hamlet. The ghost reveals how he was murdered by his brother Claudius, who then claimed the title of King, and married Hamlet’s mother, Gertrude. Hamlet vows to avenge his father’s untimely death. Hamlet is in love with Ophelia, but her brother, Laertes, and father, Polonius, warn her that Hamlet can never really love her. Ophelia, following her father’s wishes, is unwittingly enlisted to spy on Hamlet, which leaves him feeling betrayed. Hamlet rejects Ophelia, accidently stabs and kills Polonius, and then hides the body. Ophelia becomes so distraught over her father’s death, that she ultimately drowns herself. Hamlet is devastated when he learns of Ophelia’s death. The play culminates with a sword fight between Hamlet and Laertes. Hamlet’s mother dies from inadvertently drinking poisoned wine that was intended to kill Hamlet. Laertes and Hamlet are both stabbed with a poison-tipped sword, but before dying, Laertes confesses that Claudius was the mastermind behind everything. Hamlet forces Claudius to also drink the wine and the irony is that everyone dies in the end. One of the most controversial topics in history is the relationship between Hamlet and Ophelia. Hamlet’s letters express his sincere feelings, and reveal that he was very much in love with Ophe...
The life of Hamlet is without a doubt very interesting, he suffers from unfortunate events in his time that are often major blows to his ego. His father dies while he’s away at college, Hamlet is next in line to be king until his “uncle-father” steals it from him; but it is to be known his “uncle-father” would not have stolen it if his “aunt-mother” hadn’t allowed it. It’s very apparent from the beginning of the play that he is very well obsessed with his mother and her doings. He harasses, humiliates, and abuses her because she has done such an unforgivable act by marrying Claudius. His thoughts and feelings towards his mother are very strong and well known, he even describes the odd pair as “little more than kin and less than kind.” That’s not all with Hamlet; his mother remarrying is just the tip of the iceberg so deeply rooted in the ocean of his emotions. His relationship with Ophelia is twisted, Hamlet goes through episodes of
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
Ophelia’s obedience towards her untrusting father is indescribable ( I; iii; 101-103. "Affection? Pooh! You speak like a green girl, unsifted in such perilous circumstance. Do you believe his tenders, as you call them"?). Why a grown woman would listen to her father and not help the man of her dreams in his time of need is disheartening. A man’s girlfriend should be there for him when a family member passes away, no matter what. If she had been with him on the plan to kill Claudius and knew about his fathers ghost who told Hamlet that Claudius was the one that murdered him, than neither one of them would have went crazy.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Hamlet's relationship and actions towards Ophelia are not exempt from his dual personalities. In private, he is deeply devoted to her; but in public, he humiliates and belittles her...
A second example of Hamlet’s immaturity, which stems from his plotting against Claudius, can be seen in his treatment of Ophelia, the daughter of a court advisor. Hamlet himself gives cause for belief that he is in love with Ophelia. He writes to her informing her that she is his “…soul’s idol…” (Polonius 2:2). How ever when Hamlet affects insanity he treats Ophelia in a very ribald manner. After a litany of insults directed at Ophelia because of Hamlet’s belief that she is in league with Polonius in trying to trap him he goes so far as to proclaim “I loved you not.” (Hamlet 3:1) Hamlet used Ophelia quite cruelly in order to strike a blow at her father and Claudius. Instead of acting like a man and telling them directly what he thought of them he abused a trusting, loving, girl in order to deliver his message of loathing.
One of the main relationships in which there is great deal of control and manipulation is between Hamlet and Ophelia. Ophelia is the only lady in her family. Her family includes her father Polonius and brother Laertes. Ophelia is an obedient lady who views the men in her life as her only reference in life’s dilemmas. However, there is irony from the advice that her family gives her to prevent her from being with Hamlet. Laertes mentions to Ophelia, “Then, if he says he loves you,/ It fits your wisdom so far to believe it/ As he in his particular act and place/ May give his saying deed, which is no further/ Than the main voice of Denmark goes withal./ Then weigh what loss your honor may sustain”(I.iii.41). Laertes tries to protect Ophelia by telling her to be wise enough on believing Hamlet’s words. Laertes does not only approve of Ophelia’s love for Hamlet because he does not want his sister to be hurt. Ophelia as the obedient lady she is, tells Laertes that she will take his words of wisdom close to her mind. The main example of Hamlet showing the act of being callous and over controlling is when...
...ith moral problems of deep import; recognition of this fact is essential to an understanding of the tragedy.” (Sister Joseph 125) Most every character in the play, whether good or evil, has Christian thought. Hamlet’s decision not to kill Claudius until he knows he will be destined to live in hell, is the main turning point of the play. His fulfillment of his father’s ghost command is the condemnation. Hamlet is a Christian prince whose sense of Christian morals drives his motives in this timeless play by William Shakespeare.
In the Shakespearean era, certain pressures can cause one to become enclosed in expectation, making conformation the only viable alternative. “Then weigh what loss your honour may sustain, / If with too credent ear you list his songs, / Or lose your heart, or your chaste treasure open / To his unmastered importunity” (1.3.32-35). Laertes reminds Ophelia that as a woman she must be careful around men, certainly Hamlet, and sustain her chastity in order to appear favourable to the public. As a woman of her time, Ophelia is expected to be obedient, submissive, and spiritless. In order to be approved by society, she is required to remain untarnished until her father finds an appropriate suitor to give her away to. She is literally viewed as an article in her father's possession. Ophelia later challenges her brother's notion by saying, “Do not, as some ungracious pastors do, / Show me the steep and thorny way to heaven” (1.3.50-51). In her view, she holds the same set of expectations for her brother rather than accepting that she must blindly follow his (or anyone else's) guidelines simply because she is a woman. Even though Ophelia verbally expresses her disdain towards these formalities, it is inevitable that the pressure placed on her by society will prove too much to bear. Subconsciously, Ophelia has the desire (instilled in her throughout her upbringing) to find a husband and start a family while she is still at an ideal age. Despite all of the warnings she receives, Ophelia falls prey to Hamlet's words, giving up the entirety of herself to him: "I a maid at your window, / To be your Valentine. / Then up he rose, and donned his clothes, / And dupped the chamber-door, / Let in the maid, that out a maid / Never departed more" (4.5.50-55). Ophelia suggests that she innocently allows herself to be intimate with Hamlet. Prior to this, Ophelia believes that Hamlet is that one