Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Marriage in shakespeare's time
Marriage during the renaissance
Marriage in shakespeare's time
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Haonan Sun
James Lee
ENG 121-01
Love and Marriages in As You Like It and Twelfth Night
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
…show more content…
First and foremost, the married couples in As You Like It all have similar social statuses in the society. Shepherd Silvius married shepherdess Phebe, nobleman Orlando married mistress Rosalind, and Touchstone the clown married goatherd Audery. Not only did all the couples share the same social status, but their ideology and actions in the play conformed to the social convention as well. Right after Rosalind met Orlando, Celia asks Rosalind about why she had been silent for so long. Rosalind responded Celia with “Some of it is for my child’s father” (1634: 09-10). Then Celia asks why Rosalind suddenly fell in love with Orlando, to which Rosalind replies “The Duke my father loved his father dearly” (1634: 24). It is clear that Rosalind’s affection towards Orlando stems from his father’s affection to Orlando’s father. It was a convention for parents to arrange their children’s marriages, especially for aristocracy. Therefore, Rosalind knew that she was to marry Orlando and that became the rationale for her further affection towards Orlando. Another example of a character in the play conforming to social convention is Phebe. As a native of the forest of Arden, Phebe was straightforward and somewhat arrogant. She was very clear about her feelings to Ganymede and Silvius. However, in the ending scene, when she realizes that the man of her dream was actually a noble woman, and that she was set up into the marriage with Silvius, Phebe conforms to the arrangement and marries Silvius. With a comedy one might expect Shakespeare to make happen something unconventional. However, the marriage part seems to be very conventional as everything was socially expected. But the title of the play somehow conveys an ironic
Ranald, Margaret Loftus. “ 'As Marriage Binds, and Blood Breaks': English Marriage and Shakespeare” Shakespeare Quarterly 30, (1979): 68-81.
William Shakespeare (1564-1616) was a Renaissance poet and playwright who wrote and published the original versions of 38 plays, 154 sonnets, two long narrative poems, and several other poems. He is widely regarded as the greatest writer in the English language, and often called England’s national poet. Several of his works became extremely well known, thoroughly studied, and enjoyed all over the world. One of Shakespeare’s most prominent plays is titled The Tragedy of Romeo and Juliet. In this tragedy, the concept that is discussed and portrayed through the characters is love, as they are recognized as being “in love”. The general umbrella of love encompasses various kinds of love such as romantic love, the love of a parent for a child, love of one’s country, and several others. What is common to all love is this: Your own well-being is tied up with that of someone (or something) you love… When love is not present, changes in other people’s well being do not, in general, change your own… Being ‘in love’ infatuation is an intense state that displays similar features: … and finding everyone charming and nice, and thinking they all must sense one’s happiness. At first glance it seems as though Shakespeare advocates the hasty, hormone-driven passion portrayed by the protagonists, Romeo and Juliet; however, when viewed from a more modern, North-American perspective, it seems as though Shakespeare was not in fact endorsing it, but mocking the public’s superficial perception of love. Shakespeare’s criticism of the teens’ young and hasty love is portrayed in various instances of the play, including Romeo’s shallow, flip-flop love for Rosaline then Juliet, and his fights with Juliet’s family. Also, the conseque...
Twelfth Night, written by Shakespeare between the years of 1599 and 1601 (“Shakespeare-Online”), is easily one of his most well-known plays. A year after the assumed date of publication, on February the 2nd of 1602, Twelfth Night was performed for the first time (“William-Shakespeare)”. The location of the production is thought to have taken place in the Middle Temple, which was one of four law schools within London that were known as the Inns of Court (“Shakespeare-Online”). Though some would classify Twelfth Night as generic, it is laced with a sharp sense of humor and controversial concerns that can easily be applied to the issues of present day. Many of these issues, such as marriage, gender identity, sex, homosexuality, and social ambition, are relevant in today’s society, making them easy to relate to. The central theme of the play is romance. The characters all experience love, in one way or another, whether it be unrequited or shared between more than one person. The plot is intricately woven, sometimes confusingly so, between twists and turns throughout the multiple acts, but it never strays too far from the subject of adoration. Despite the hardships, misperception and deceit the characters experience, six individuals are brought together in the name of holy matrimony in three distinct nuptials.
Dash, Irene G. "Wooing, Wedding, and Power: Women in Shakespeare Plays". The Critical Perspective Volume 2. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 825-833.
A Midsummer Night's Dream is one of Shakespeare's most widely read comedies about love. This seems somewhat strange, however, in light of the fact that so few of its characters seem to display any kind of full or true love. A close examination of the actions and words of each of the players will reveal that only one of them, by the end of Act V, should be considered a "lover".
The William Shakespeare tragedy Othello features various types of love, but none compare to the love we find between the protagonist and his wife. In this essay let us examine “love” as found in the play.
The most obvious concern of As You Like It is love, and particularly the attitudes and the language appropriate to young romantic love. This is obvious from the relationships between Orlando and Rosalind, Silvius and Phoebe, Touchstone and Audrey, and Celia and Oliver. The action of the play moves back and forth among these couples, inviting us to compare the different styles and to recognize from those comparisons some important facts about young love. Here the role of Rosalind is decisive. Rosalind is Shakespeare's greatest and most vibrant comic female role. She is clearly the only character in the play who has throughout an intelligent, erotic, and fully anchored sense of love, and it becomes her task in the play to try to educate others out of their false notions of love, especially those notions which suggest that the real business of love is adopting an inflated Petrarchan language and the appropriate attitude that goes with it.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
Ranald, Margaret Loftus. “ 'As Marriage Binds, and Blood Breaks': English Marriage and Shakespeare” Shakespeare Quarterly 30, (1979): 68-81.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
In William Shakespeare’s play A Midsummer Night’s Dream, he strides to portray the tides of love! But even for Shakespeare, It’s quite hard to grasp the understanding of love, for there is always arising complications, that get in the way of lustful love; Throughout the play, Shakespeare, undermines the notion that true love ever existed.
One of the main concerns of man throughout the centuries has probably been to define the concept of love and to understand the complexities that govern love relationships among people. William Shakespeare seems to have been fully aware of the need and interest in love, since his work transcends time and place. Love is the central concern in As You Like It. This comedy presents different attitudes towards love, which may be derived from the conversations among its characters and from the romantic attachments portrayed in it. By comparing the different love relations in the play, one may further appreciate important facts about the concept of love. Moreover, love is also depicted as the force that rules over all kinds of human ties other than the romantic ones, namely familial bonds and friendship. The purpose of this paper is to analyze the concept of love portrayed in As You Like It, and to explore the different varieties of love relationships among its characters.
In William Shakespeare’s “Twelfth Night,” a unnatural love triangle unfolds as the leading heroine, Viola, disguises herself as a male to obscure her social class in society in order to find herself without being bound by her gender. While many of Shakespeare’s works elaborate on the traditional and religious understanding of marriage during the 1600s, “Twelfth Night” obscures these traditional motifs by creating a humanistic portrayal of love that blurs not only social class but gender as well. The determinism throughout the play demonstrates how nature imposes limitations on the characters through cause and affect. For the characters
As You Like It, by William Shakespeare, is a radiant blend of fantasy, romance, wit and humor. In this delightful romp, Rosalind stands out as the most robust, multidimensional and lovable character, so much so that she tends to overshadow the other characters in an audience's memory, making them seem, by comparison, just "stock dramatic types". Yet, As You Like It is not a stock romance that just happens to have Shakespeare's greatest female role. The other members of the cast provide a well-balanced supporting role, and are not just stereotypes. Characters whom Shakespeare uses to illustrate his main theme of the variations of love are all more than one-use cardboards, as they must be fully drawn to relate to life. Those characters most easily accused of having a stock one-dimensionality are those inessential to the theme but important to the plot and useful as convenient foils, such as Duke Frederick and Oliver de Boys. The assertion of the question deserves this quote: "You have said; but whether wisely or no, let the forest judge."
To give a little background on the play, the pursuit of marriage is the driving force behind the play. “I now pronounce you, man and wife.” This traditional saying, commonly used to announce a newlywed couple during a wedding ceremony, marks the happily ever after that many dream of today. In today’s society, marriage is an expression of love between two individuals. Marriage has not, however, always been an act of love.