Shi Baochang was a Buddhist monk who lived in the early sixth century. He would have been highly educated and in a position to devote large amounts of his time to compiling the biographies in his work. He was a master of Buddhism who preached in the Fields of Buddhism, making him as near to an authority of Buddhist teachings as existed at that time. Most of the women in his collection of stories lived hundreds of years before him, showing that he both was diligent about collecting stories and most likely wrong about a number of things. He wrote this piece to both tell famous nuns’ stories and to encourage other people to join Buddhism.
When Lingshou and Shi Baochang were alive China was in both political and theological chaos. After the
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The excerpt being reviewed in this paper is the story of An Lingshou whose “secular surname was Xu” (Shi 307). She is an upper class woman who “was intelligent and fond of studies” and “took no pleasure in worldly affairs” (Shi 307). She is devoutly Buddhist and doesn’t want to be married, but her father Xu Chong disagrees, accusing her of being “unfilial” (Shi 307). She responds that her “mind is concentrated on the work of religion” and questions why she must “submit three times before [she is] considered a woman of propriety” (Shi 307). Her father thinks this is selfish and goes to see a “Buddhist magician monk” who tells him to “keep a vegetarian fast and after three days . . . come back” (Shi 307). Xu Chong does so and the monk “spread Xu Chong’s palm with the oil of sesame seed ground together with safflower” and has him read what’s there (Shi 307). He sees “a person who resembled his daughter” as Buddhist preaching to a large group. The monk tells him that it “is a former incarnation of” his daughter who left her house to help the world at large and that “she indeed shall raise her family to glory” and help them find Nirvana (Shi 307). Lingshou is allowed to become a nun and “cut off her hair, discarded secular ornaments, and received the rules of monastic life from” the monk who spoke to her father and another famous nun (Shi 308). Lingshou goes on to be a famously great nun who “built five or six monastic retreats” and her family goes on to be honored and promoted (Shi
In the beginning paragraphs of Mrs. Spring Fragrance, Sui Sin Far introduces readers to the Chin Yeuns and their beautiful 18-year-old daughter, Mai Fwi Fan, who goes by her American name, Laura. Sui Sin Far describes the Chin Yeuns as living “in a house furnished in American style, and wore American clothes, yet they religiously observed many Chinese customs, and their ideals of life were the ideals of their Chinese forefathers” (865). Abiding by Chinese tradition, Laura’s parents have “betrothed their daughter” (865) to the son of the Chinese Government school-teacher. Laura confesses to Mrs. Spring Fragrance that she is actually in love with Kai Tzu. Mrs. Spring Fragrance is the only person who knows about the relationship between Laura and Kai Tzu. Unfortunately, for Laura, her betrothal is quickly approaching. Mrs. Spring Fragrance, trying to cheer up her young friend, quotes the famous l...
...an. Ma Jian magnifies taboo, incest, and guilt in this family story. The only religious aspect was the old man praying to Buddha to wash away his sins. Ma Jian family interpretation did not include love, amity, or hope but is instead manifested with sins and a twisted family.
Some were as young as fourteen while some were mothers who were forced to leave their child behind in Japan, but for these women the sacrifice will be worth it once they get to San Francisco. Yet, the women desired a better life separate from their past, but brought things that represent their culture desiring to continue the Buddha traditions in America; such as, their kimonos, calligraphy brushes, rice paper, tiny brass Buddha, fox god, dolls from their childhood, paper fans, and etc. (Otsuka, 2011, p. 9) A part of them wanted a better life full of respect, not only toward males but also toward them, and away from the fields, but wanted to continue the old traditions from their home land. These hopes of a grand new life was shattered when the boat arrived to America for none of the husbands were recognizable to any of the women. The pictures were false personas of a life that didn’t really exist for these men, and the men were twenty years older than their picture. All their hopes were destroyed that some wanted to go home even before getting off the boat, while others kept their chins up holding onto their hope that maybe something good will come from this marriage and walked off the boat (Otsuka, 2011, p.
In the patriarchal, Confucian influenced, Han dynasty, a woman’s role and social status was far from equal to that of a man. In Ban Zhao’s work Lessons for a woman she depicted the role of a woman, as a lower-class member of society. Hidden beneath the stereotypes of what a woman was supposed to be, Ban Zhao was a rarity of her time as she excelled as a historian and teacher.
Walking into the Hall of the Buddhas, there was a sense of peace and guidance lingering inside me. The seated Bodhisattva, of the Northern Wei dynasty (386-534), CA.480, from the Yungang, Cave xv, Shani Province, made of sandstone, guarded the entrance. At first, I thought it was a time to be disciplined, but the transcending smile from the statue was a delicate fixed gesture that offered a feeling of welcome. It was not a place to confess your wrongdoings; neither was it a place for me to say, “Buddha I have sinned.” It was a room to purify the mind, the mind that we take for granted without giving it harmony. There was a large mural decorating the main wall called “The Paradise of Bhaishajyaguru”(916-1125). I sat down wandering if the artist of the portrait knew that his work would one day be shared on this side of the world, in my time. Much like Jesus Christ and his followers, the mural is a painting of healers and saviors. It was a large figure of the Buddha of medicine, (Bhaishajyaquru) surrounded by followers of Bodhisattvas, Avalokiteshvara, and Mahosthamaprapta with twelve guardian generals who have pledged to disseminate the Buddha’s teaching (Tradition of Liao 916-1125, Metropolitan Museum wall plaque).
Buddhism is considered as one of the leading religions throughout the world today. In order for a Buddhist to follow the religion, there are certain set of guidelines that one has to follow to gain a better life, but most people have other factors that they have to face along this path. The story, “The Journey of One Buddhist Nun” by Sid Brown, is an account of a Thai woman, Maechi Wabi, who entered a spiritual life along with life struggles and outside influences. According to Brown, Wabi faced many challenges along the way to liberation and two challenges she faced most are the gender and socioeconomic issues which she overcame during her spiritual journey.
The Zhou dynasty collapsed from political turmoil which we later called the “Period of the Warring States” (403-221 B.C.E.). They are not religions because the people who follow Confucianism, Daoism and Legalism do not worship Gods. Confucianism and Daoism both share the belief in “the way”. Creating a society that’s orderly is what Confucianism is all about. Also Daoism belief is that people should find inner peace and live in harmony with nature. Legalism beliefs is that goodness is achieved by government total control over population. The philosophies of Confucianism, Daoism and Legalism are for guidance for people
She knew from her classical studies that she was the wei wang ren, 'the person who had not yet died.'; Having survived her spouse, she was required to rear his sons and support his parents, but on no account could she revel in her
Wars continued and China would not be unified for another 350 years.
The first Memoir of 1795 was addressed to the heir of her natal family and took the form of a public appeal in her effort to reestablish her family’s moral legitimacy and honorable family tradition. Before we explore her memoir, it is important to note that she felt responsible for her family’s downfall – believing that her marriage into the royal house had led to directly their suffering and decline. Beyond the scholarly merit of her stories, they are important in the view Lady Hyegyong provides of the court life and the strict Confucian beliefs that stress filial piety, loyalty and virtue. To being with, the move from
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Deep within the trees little hooded men walk along a path to meditate and pray dressed in brown robes tied with nautical rope. They dwell in silence and live a life of celibacy. This is what most of think of when we hear the word monk. Throughout the years, monks have always been people of intrigue. They live a different lifestyle than most. They live a life of seclusion far from the mores of modern society, which often makes people ponder who these people really are and why they choose to participate in such a foreign religious movement. This paper will attempt to unravel the mysteries of this peculiar movement of by researching it's origin, the true meaning of a silent lives, and how key leaders have helped to develop it one of the most popular movements in the history of Christianity. A movement called Monasticism.
“In Tantric Buddhism, we are dealing with a misogynist, destructive, masculine philosophy and religion which is hostile to life – i.e. the precise opposite of that for which it is trustingly and magnanimously welcomed in the figure of the Dalai Lama.”[1] Within Tibetan Buddhism, there is an inherent contradiction regarding the status of women. Although in many aspects women are seen and treated as inferior to men, several of the ancient and fundamental values of Tibetan Buddhism, and more specifically Tantric Buddhism, emphasize equality of the sexes, universal compassion, and most importantly the significant and essential role of the woman. Tibetan Buddhist nuns have been trying to correct this contradiction for years to remove the inferior and degrading stereotype that defines them and to be seen as equal to men. Beginning with the emergence of Tibetan Buddhism from India until today, the status of women, both physically and symbolically has declined due to the patriarchal system adopted by Tibet. “The mystery of Tantric Buddhism consists in the sacrifice of the feminine principle and the manipulation of erotic love in order to attain universal androcentric power.”[2] In their patriarchal society, the symbol of the woman is used by men now as an instrument; manipulated by men in order to acquire control and power.
“The whole character of Chinese popular religion flows in the direction of plethora of rituals and obligations without much discernable doctrinal underpinning” (Corduan, 2012, p.410). The Chinese popular religion has gravitated away the gods of Buddha and Daoism and captured the philosophy of luck and materialism (Corduan, 2012), while it “is less concerned with philosophical issues and
"You know, my friend, that even as a young man, when we lived with the ascetics in the forest, I came to distrust doctrines and teachers and to turn my back to them. I am still of the same turn of mind, although I have, since that time, had many teachers. A beautiful courtesan was my teacher for a long time, and a rich merchant and a dice player. On one occasion, one of the Buddha’s wandering monks was my teacher. He halted in his pilgrimage to sit beside me when I fell asleep in the forest. I also learned something from him and I am grateful to him, very grateful. But most of all, I have learned from this river and from my predecessor, Vasudeva. He was a simple man; he was not a thinker, but he realized the essential as well as Gotama, he was a holy man, a saint" (141).