Sharecropping In The Color Purple

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Madison Fitzpatrick Mrs. Krasny AP Lit & Comp 15 February 2017 Flowers Close Read Alice Walker’s Flowers is powerful. Given that she wrote The Color Purple, it’s most likely a comment on racial elements in society, and through using a historic/cultural lens, one can see that. Mypop, the young, dark skinned girl the story focuses on, is the daughter of a sharecropper: “Turning her back on the rusty boards of her family’s sharecropper cabin”. This would date the story to the Antebellum, possibly early 20th century period. Sharecropping was developed during Reconstruction America as a way for the newly freed slaves to have land of their own (“own” really, the land was rented from, usually, a white person) while still surviving and creating a semi-profit. …show more content…

Reconstruction as a whole was a failure, and many of the racial conditions were exacerbated. So, Mypop was 10, and was surrounded by all of this. However, she probably didn’t know what sharecropping and racial tension meant. The end of the story is up to interpretation, but looking through a historical lens, the man was most likely lynched and left for dead. That’s what happened back then. More often than not, the men were innocent, average people, which was how the man was described. Overalls, tall, white teeth, long fingers. He was a regular adult male. The title itself, Flowers, calls attention to the various flowers described throughout the piece, and their possible symbolism. Mypop gathers flowers throughout her journey in the forest, the likes of which (that are highlighted) are blue, brown, and pink. Mypop also places them down upon finding the noose next to the dead man, much like placing flowers upon a grave. A sign of respect, or maybe another sign of her losing her innocence (since there ARE PLENTY): “deflowering” meaning losing virginity, which used loosely could be a signal of lost innocence. Her eyes are no longer virgin, her soul is no longer virgin to these violent, racist …show more content…

She’s skipping around her property, and banging a song onto the fence with a stick. She’s extremely childlike. Walker makes a callback to her mother in paragraph 4 to show that she’s growing, since in the summer she’s alone, but to also highlight that not that long ago, she had to be with her mother when she went on these excursions. She’s only 10. She’s unafraid, just before noticing that it was a man’s face that she stepped on, exposing that she truly is unaware of the dangers that lie in store for her. Even the season - summer - gives the sense of a carefree attitude. Children play in the summer, that’s when they’re the most active. And the abrupt end to that summer with the discovery of the noose next to the dead man signifies the end to that childlike period. No more carefree days. No more picking wildflowers. Now she is aware of the horror that her people experienced and continually experience. In paragraph 3, another indicator of race struggle is made evident. Toward the end, Maypop notices “the tiny white bubbles disrupt the thin black scale of soil” which is a big color contrast. Notably, between black and

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