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Comparing romeo and juliet
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Love can guide people to make crazy decisions, and therefore it can possibly lead to ones fate. Romeo and Juliet, written by William Shakespeare is a tragedy in which two lovers took their lives to settle an ancient feud. In contrast, Oedipus the King, written by Sophocles, is where the protagonist is blind to the truth, and therefore gouged his eyes out to deal with his flaw. Although both tragedies are somewhat similar, the difference between them is much greater. Oedipus the King better fits Aristotle’s definition of a tragedy because it demonstrates that the protagonist: endured uncommon suffering, that the tragic hero recognized the consequences of their actions, and that the audience experienced catharsis from the play.
In contrast to Romeo and Juliet, in Oedipus the King, the protagonist endured uncommon suffering. In Romeo and Juliet, it is argued that the protagonists endured uncommon suffering; however they are just teenagers with a typical love struggle, and even more usual, disapproving families. Romeo even said, “O brawling love! O loving hate! O anything of nothing first created” (Shakespeare 1.1.154-155). What’s significant about this is that Romeo used paradoxes to describe his feelings, and that signals that Romeo is confused about his feelings for love, which is not uncommon in teenagers. This weakened Romeo and Juliet because confusion, young love struggles, and disapproving families are not unusual in life. In Oedipus the King, however it is a different situation. While Oedipus learns more about himself, a messenger tells him this, “It is plain that all of your fears are empty, Polybus was no kin to you in blood” (Sophocles, 8). This is significant because Oedipus learned that he was raised by an adoptive fathe...
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...did not want to go through the same consequences Oedipus went through. This shows that ignorance to the truth can affect ones self and others. The play is strengthened as a tragedy because the audience does not want to be like Oedipus and let their actions determine their destruction.
Two lovers took their own lives to avoid the consequences, and in contrast while a man gouged his eyes out to deal with his flaw. Although Romeo and Juliet and Oedipus the King were great tragedies, Oedipus the King contains more of the tragic figures described in Aristotle’s definition. First, the protagonist endured uncommon suffering. Second, the tragic hero recognized the consequences of their actions and took responsibility for them. Third and lastly, the audience experienced catharsis. Ignorance and impulsiveness can cause one to stumble and it can ultimately lead to their fate.
Tragedy is a broad genre that may take many forms. Sophocles' Oedipus the King and Shakespeare's Hamlet both contain the basic elements of tragedy, but Hamlet is a tragic hero, while Oedipus is a tragic villain. From the opening moments of Hamlet, the audience knows that Hamlet must avenge his father's death. Oedipus, on the other hand, kills his own father and unwittingly marries his mother, thus sealing his own fate and fulfilling the prophecy that stated he would do just that.
A tragedy imitates the emotional events of life by showing instead of telling. It does not have to be an exact replication of life, but instead have some realistic aspects to it. This type of play is special because an event in the plot is caused by a preceding choice or action performed by the character. Therefore, unlike a story where occurrences are caused by coincidences, a tragedy must have events that inescapably connect to one another as a result of the characters’ choices. Consequently, this idea of cause and effect must direct the plot of the play until the protagonists have an unfortunate end. Thus, the audience watching the tragedy will experience fear and pity for the characters since their actions will lead to their dramatic downfall. Similarily, William Shakespeare’s, Romeo and Juliet, conveys these fundamental ideas, but it mainly emphasizes on certain tragic concepts. These components, explained by Aristotle, certainly make this play a quintessence of tragedy. They support the chain of events in Romeo and Juliet by using character traits and majors events to connect the plot and illustrate how the characters create their own ending. For this reason, Romeo and Juliet is a genuine tragedy because of its use of significant, tragic elements; tragically-flawed protagonists; and inevitable fate.
Originating in Greece, tragedies were and remain a common and popular form of dramatic entertainment. To be considered an authentic tragedy, the protagonist must be one of aristocracy. This noble character begins the story as a likeable person whose destined fate is foreshadowed in dramatic irony to the reader. The reader is aware of the errors in judgment that the protagonist is inflicting on oneself. As the last to discover one’s unfortunate fate, the protagonist is devastated. The revelation is far too much to bear; therefore, the protagonist either commits suicide or inflicts pain or mutilation onto oneself. “Oedipus the King” reflects all of the essential components of a tragedy; however, “Death of a Salesman” lacks some of these defining characteristics. In “Death of a Salesman” the protagonist is not a “tragic hero” (Kennedy, Gioia 1282) like Oedipus. He lacks the nobility that is a prerequisite to being...
The great Sophoclean play, Oedipus Rex is an amazing play, and one of the first of its time to accurately portray the common tragic hero. Written in the time of ancient Greece, Sophocles perfected the use of character flaws in Greek drama with Oedipus Rex. Using Oedipus as his tragic hero, Sophocles’ plays forced the audience to experience a catharsis of emotions. Sophocles showed the play-watchers Oedipus’s life in the beginning as a “privileged, exalted [person] who [earned his] high repute and status by…intelligence.” Then, the great playwright reached in and violently pulled out the audience’s most sorrowful emotions, pity and fear, in showing Oedipus’s “crushing fall” from greatness.
Throughout our history, many genres have survived the test of time. One of the most well known and popular genre is the tragedy. A tragedy tells a story of the downfall of a basically good person through some fatal error or misjudgment, producing suffering and insight on the part of the protagonist and arousing pity and fear on the part of the audience. One of the main authorities on tragedy is ancient Greek philosopher, Aristotle. His piece of literature, Poetics, is highly regarded as one of the main sources used to define what makes a tragedy. In each tragedy, there must be a tragic hero to carry out the plot of the story. In addition, the protagonist must conform to specific guidelines according to Aristotle to be considered a tragic hero. According to Aristotle, the hero of a tragedy must “not be shown passing from good fortune to misfortune; again, vicious people must not be shown passing from misfortune to good fortune; nor again should an utterly evil man fall from good fortune into misfortune. So we are left with the man between these extremes: that is to say, the kind of man who neither is distinguished for excellence and virtue, nor comes to grief on account of baseness and vice, but on account of some error; a man of great reputation and prosperity, like Oedipus and Thyestes and conspicuous people of such families as theirs.” (L.J. Potts 981-2) However, there are many adverse views on his definition of a tragic hero. The question is whether or not those guidelines must adhere to all tragedies to be successful. Othello, the protagonist in Othello is much like Oedipus, from Oedipus the King. Both Oedipus and Othello fulfill all of the prerequisites of a tragic hero: men between the extremes, they have a tragic flaw, t...
...ir own storyline of life, a life that already has a written ending and that is destine already to you. By the end of the play the audience is left with two facts, Oedipus fate is destine for downfall, and indeed Oedipus does fulfill his destiny. Nevertheless, the truth of the situation is that the path in which Oedipus’ ultimately takes is what leads him to fulfill the prophecy. If the audience choose to see the play from this prospective, then Oedipus’ the king will become much more significant, by doing so, giving the play a far better interpretation. Although Sophocles never clearly mentions in the play that Oedipus fate is due to his poor choices, the suggestion of the storyline is full with indication that the only person responsible for his own fate is Oedipus himself. Through his play Oedipus the King, Sophocles demonstrates to his audience the outcome of
The play "Oedipus Rex" is a very full and lively one to say the least. Everything a reader could ask for is included in this play. There is excitement, suspense, happiness, sorrow, and much more. Truth is the main theme of the play. Oedipus cannot accept the truth as it comes to him or even where it comes from. He is blinded in his own life, trying to ignore the truth of his life. Oedipus will find out that truth is rock solid. The story is mainly about a young man named Oedipus who is trying to find out more knowledge than he can handle. The story starts off by telling us that Oedipus has seen his moira, his fate, and finds out that in the future he will end up killing his father and marrying his mother. Thinking that his mother and father were Polybos and Merope, the only parents he knew, he ran away from home and went far away so he could change his fate and not end up harming his family. Oedipus will later find out that he cannot change fate because he has no control over it, only the God's can control what happens. Oedipus is a very healthy person with a strong willed mind who will never give up until he gets what he wants. Unfortunately, in this story these will not be good trait to have.
The play, “Oedipus the King” by Sophocles will show the tragic destiny of Oedipus; the King of Thebes. In the beginning, the play slowly starts to unfold until Oedipus realizes a mistake, and downwards spiral begins. The play will convey how “tragic power resides in human failing” (Walton). Although Oedipus did not intentional kill, his father and marry his mother. The author’s view of a tragic hero as seen in the play, “Oedipus the King” will exemplify Aristotle’s definition of a tragic hero. Because Oedipus is of elevated estate the King of Thebes, with a fallible flaw resulting in a high to low fall.
...are evoked but against the divinely spun destiny and pity is felt for Oedipus, their play-thing, with no more power to change his life than to change his past.
Oedipus the King, a tragedy which was written by the ancient greek dramatist Sophocles, is often referred to as the perfect tragedy (McManus, 1999). According to Aristotle in his Poetics, in order for a story to be considered a tragedy, it must be realistic, evoke a series of emotions leading to catharsis, which is defined by the Oxford English Dictionary as “the process of releasing, and thereby providing relief from, strong or repressed emotions”. A tragedy should also contain six key elements: Plot, Character, Thought, Diction, Melody, and Spectacle (McManus, 1999). A tragic hero, which is defined by Aristotle as a protagonist who is doomed not because they are evil but by some error in judgement on their part, is also necessary for a tragedy (Aristotle, n.d.). In the case of Sophocles’ Oedipus the King, that tragic hero is Oedipus. This essay will begin by summarising the play and then go on to expand on the literary elements of the play which have earned it worthy recognition as one of the greatest tragedies ever written.
Sophocles’ Oedipus is the tragedy of tragedies. An honorable king is deceived and manipulated by the gods to the point of his ruination. In the face of ugly consequences Oedipus pursues the truth for the good of his city, finally exiling himself to restore order. Sophocles establishes emotional attachment between the king and the audience, holding them in captivated sympathy as Oedipus draws near his catastrophic discovery. Oedipus draws the audience into a world between a rock and a hard place, where sacrifice must be made for the greater good.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.
Aristotle mentions Oedipus Rex in his Poetics to demonstrate how recognition of a character is best with a reversal of a situation. The main character, Oedipus, learns that he has done the unthinkable by killing his father and marrying his mother. This reversal of a situation adds to an effect central to a tragedy, where one who was once superior is brought down to an inferior leve...
In ancient Greece citizens hoped to go unnoticed by the Gods. The Gods played a huge role on what occurred in a citizen’s life. If a prophecy was decided by a God, then there was no altering it. Aristotle believes that this is what makes up a true tragedy. He suggests that tragedy is plot driven, and if the plot is set then there is no way around it. In Oedipus Rex by Sophocles, Oedipus is paying for the sins of his father King Laios. Laios was given horrible future by the Gods for angering them when he rapes another man. He was given a prediction that his son would murder him, and would marry his mother, Queen Jocaste. To prevent the prediction from happening Laios sent his shepherd to kill Oedipus, but gave him to a messenger from a different kingdom for another royal family to call their own. After many years the prophecy came true with Oedipus killing Laios and marrying Jocaste, without anyone knowing who Oedipus really was. Aristotle states, “Thus the structure of events, the plot, is the goal of tragedy, and the goal is the greatest thing of all” (2196). He puts tragedy into two categories: simple and complex.
Oedipus the King by Sophocles has the ingredients necessary for a good Aristotelian tragedy. The play has the essential parts that form the plot, consisting of the peripeteia, anagnorisis and a catastrophe; which are all necessary for a good tragedy according to the Aristotelian notion. Oedipus is the perfect tragic protagonist, for his happiness changes to misery due to hamartia (an error). Oedipus also evokes both pity and fear in its audience, causing the audience to experience catharsis or a purging of emotion, which is the true test for any tragedy according to Aristotle.