Shakespeare’s Language
The impeccable style and craft of Shakespeare’s writing has always been looked upon with great respect, and it continues to serve as an inspiration to writers and thinkers today even as it did when it was being first performed in London. Shakespeare’s modern audience, however, is far less diverse than the one for which he originally wrote. Due to the antiquity of his language, Shakespeare’s modern readership consists mostly of students and intellectuals, whereas in Shakespeare’s own time, his plays were performed in playhouses packed with everyone from royalty to peasants. Because of this, Shakespeare was forced to write on many different levels, the most sophisticated of which appealed to his more elite audience members, while the more straightforward and often more crude of which appealed to his less educated viewers, and the most universal of which still appeals to us.
In act 3, scene 4 of King Lear, Shakespeare demonstrates the multi-layered quality of his writing in the conversations that takes place between King Lear, The Fool, Edgar and Kent. Shakespeare uses the language of Edgar, which is witty, crude, and a little bit shocking, in order to appeal to his lower class audience. However, at the same time, Shakespeare uses the entire scene to draw an extended metaphor between the inner turmoil of King Lear’s life, and the outer turmoil of the storm, a more subtle literary element that would have appealed to a person with a better education. In line 69-74, Shakespeare seamlessly integrates the two levels of entertainment:
“Edgar: Pillicock sat on Pillicock hill. Halloo, halloo, loo, loo!
Fool: This night will turn us all to fools and madmen.
Edgar: Take heed o’ the foul fiend; obey thy p...
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...ct between Regan and Goneril on the one side and Cordelia on the other is a situation of trust and betrayal that appeals to the most basic of human feelings. These portrayals of fundamental human conflicts; trust and betrayal, good and evil, logical and insane, as they are shown in King Lear appeal as much to human minds of all levels of education today as the did in Elizabethan England.
Shakespeare’s original audiences appreciated his work on all of its different levels, something that is almost impossible today for all but the most dedicated Shakespearean scholars. However, there is something that resonates equally with today’s audiences as with the audiences of Elizabethan times, and that is the effortlessly accurate portrayal of humanity that Shakespeare achieves through some of the most beautifully crafted literature in the history of the English language.
The Language of William Shakespeare's Romeo and Juliet. Gibson says that Shakespeare "brilliantly transformed whatever he worked on", through his use of language. Shakespeare was fascinated by language. Throughout the play Romeo and Juliet uses words and tools to do his work and conjure images of every different emotion.
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
The English language has been in constant transition throughout its history, but the most significant transformation in modern English can be credited to William Shakespeare. With Shakespeare’s invention of commonly used expressions, his creation of new words, and his use of iambic pentameter, he was able to affect the language in a way that no person since has. Shakespeare’s influence on modern English is not only visible in everyday speech, but also in the fact that his work has survived over four hundred years and it continues to be performed and read worldwide.
Goneril and Regan commit many sins against their father, which in Jacobean times would have been seen as evil or against the natural order. Shakespeare portrays this theme with both outright and subtle actions throughout the play. It is only when Lear returns to himself that the audience sees how wrong his treatment was, with the return of Cordelia, who bears no grudge. Goneril and Regan, as it may be seen, were too spoilt by their father and the Fool's words to Lear summarize what has happened. "For you know, nuncle,
In Shakespeare’s 60th sonnet, he describes the wrath of time on the life of a person and how it effects someone both positively and negatively as they go through growth and decay. Shakespeare uses the personification of time and the metaphor of light and darkness to show how time can alter a person throughout their growth. Shakespeare wrote this sonnet to a dear friend, but it can be applied to all people everywhere, but he offers hope for his friend that he will be able to write him into history through his poems and beat time.
Younger sister, Regan follows suit, falsely praising and flattering her father, who cannot recognise the deceptive nature of his own daughters. Cordelia attempts, through her naivety to explain her love claiming that “My lord, you brought me up and loved me, and I’m giving back just as I should: I obey you, love you, and honor you.” The child-like response invokes sympathy throughout the audience when Lear is maddened by Cordelia and therefore banishes her. It is important to note that while King Lear is unaware, Kent agnizes Cordelia’s true love for her father. Furthermore, deception is also essential for the subplot of Edmund and Edgar.
Shakespeare’s plays are a product of the Elizabethan theatrical context in which they were first performed. A lot of pressure was put on Shakespeare as he wrote his plays because he was not allowed to upset the royal family. His style would have been different than others in those times and a lot more thought has gone into his writing than people listening would think. Usually, the audience take for granted the cleverness and thought of Shakespeare’s writing, however, now we have studied and gone into great detail about Shakespeare’s writing, we can appreciate it more than they did:
King Lear is at once the most highly praised and intensely criticized of all Shakespeare's works. Samuel Johnson said it is "deservedly celebrated among the dramas of Shakespeare" yet at the same time he supported the changes made in the text by Tate in which Cordelia is allowed to retire with victory and felicity. "Shakespeare has suffered the virtue of Cordelia to perish in a just cause, contrary to the natural ideas of justice, to the hope of the reader, and, what is yet more strange, to the faith of chronicles."1 A.C. Bradley's judgement is that King Lear is "Shakespare's greatest work, but it is not...the best of his plays."2 He would wish that "the deaths of Edmund, Goneril, Regan and Gloucester should be followed by the escape of Lear and Cordelia from death," and even goes so far as to say: "I believe Shakespeare would have ended his play thus had he taken the subject in hand a few years later...."3
This was researched and written by James Hallam as part of the course on Shakespeare by Individual Studies. Copyright is retained by James Hallam. This material may freely be used, so long as the author and source are cited.
Across the Universe of Time: Shakespeare’s influence on 21st century society. It is harder to imagine a more universal writer than William Shakespeare. Rarely, if ever, is one of his many plays not being performed anywhere in the world and similarly rare is the tertiary English student who has not examined his work at length. His plays, sonnets and poems are common fodder for high school English departments across the globe.
Goneril and Regan were only after their father’s land and power. Once Cordelia was disowned and they had an equal share of the inheritance, they desired to have it all. They wanted to share nothing with their father and watched as he slowly became “mad”. He was a tragic hero because he realized that he made a mistake in choosing his eldest two daughters over his youngest. Lear was treated atrociously by his daughters and their husbands. Lear died for his mistake, but the audience could tell that he was not evil or guilty. He was an innocent man who just made a wrong decision which resulted in a deadly
The plot of King Lear is set in motion by the conversation between Lear and his daughters. In return for their love and honour, he will give them land and power. The fact that they are daughters and not sons is significant because Lear demands their total love, trying to put them into a mother role: something he would not do if they were men. Goneril and Regan are neither noble nor truthful and they have no problem lying to their father for their own personal gain. While Regan claims "I am alone felicitate/ In your dear Highness' love." (I.i.75-76) and later treats her father in the most reprehensible manner, Cordelia denies Lear's unnatural request saying, "Sure, I shall never marry like my sisters/ To love my father all" (I.i.103-104). Her truthful refusal to proclaim total love for her father proves her to be the actual loving daughter but results in her banishment. From this first scene, the characters' alliances and allegiances are forged and all that follows is directly resultant.
Scott, Mark W. Shakespearean Criticism: Volume 8, Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations. Detroit, MI: Gale Research, 1987. Print.
William Shakespeare and the new millennium seem to be diametrically opposed, yet his works are having a renaissance of their own after 400 years in the public domain. Why have some major film producers revisited his works when their language and staging would seem to be hopelessly outdated in our society?Perhaps because unlike modern writers, who struggle with political correctness, Shakespeare speaks his mind with an uncompromising directness that has kept its relevance in this otherwise jaded world.