Shakespeare's Dramatic Effect in Act II Scene 2 of Macbeth

1087 Words3 Pages

Shakespeare's Dramatic Effect in Act II Scene 2 of Macbeth

Shakespeare's 'Macbeth' was written some time between 1603 and 1606

and was his eighth tragedy in as many years, and has proved to be one

of his most renowned plays of all time. It is a tragic tale of

betrayal, malevolence and mystery, where a heroic soldier by the name

of Macbeth becomes enwrapped in witchcraft and begins to believe the

words of Hecate (the witches' god). He starts a spate of murders

initially with Duncan the King of Scotland and then becomes lonely and

looses everything. The scene I am going to concentrate on is Act II Sc

2; the aftermath of the murder and the climax of the play. I will look

and analyse the dramatic effect that Shakespeare aims for in this

scene, and how he achieves it.

'Macbeth' was written in the seventeenth century; just as James I

became King, after the death of Queen Elizabeth. James was very

interested in witchcraft and Scotland and hence the themes of the

play, also some of James' ancestors feature in the play, such as

Banquo.

First Witch

"When shall we three meet again?

In thunder, lightning, or in rain?"

This quote opens the play and is crucial to the setting of the play.

In Shakespeare's time people believed that Witches were servants to

the devil, destroying people's lives, causing havoc and should be

killed and sent to hell.

In Shakespeare's time there was a prominent hierarchy, the monarchy at

the top, and then generally decreasing to the peasants at the bottom;

Witches were not part of this hierarchy since they were considered

born evil and although they had female bodies they had manly

attributes su...

... middle of paper ...

...sually high-ranked on the hierarchy. For example when Macbeth speaks

to the murderers in Act III Sc 1, he does so in prose,

"Ay, in catalogue ye go for men,

As hounds, and greyhounds, mongrels, spaniels, curs,

Shoughs, water-rugs, and demi-wolves are clept

All by the name of dogs"

Also when people were nervous they would in effect 'share' their lines

- meaning that the iambic pentameter was shared between two

characters, as shown here in Act II Sc 2,

Lady Macbeth

"Did you not speak?

Macbeth

When

Lady Macbeth

Now

Macbeth

As I descended?"

Not only does this create tension, it also moves the plot along very

quickly.

Notice how descended is used and not "come down" so that it fits the

iambic rule.

I have thoroughly enjoyed studying Shakespeare's 'Macbeth'.

Open Document