As You Like It - Rosalind and Celia
A search for feminist criticism on William Shakespeare's comedy, As You Like It, uncovers a range of different aspects of the play and its players, but none is as well represented as the nature and dynamics of the relationship between Rosalind and Celia. Among other topics are cross dressing or female transvestism and male self-fashioning, which extrapolates on the mode of dress being an identity. A feminist view on Shakespeare examines the poet's defense of virtue in the play. Quite a few articles focus on Rosalind alone. These varyingly discuss Rosalind in relation to gender issues, romantic power, eroticism, specific performances of actresses portraying Rosalind as well as one piece which questions Rosalind's very existence. But the most cohesive and edifying critical writings delve the depths of the relationship between Rosalind and Celia.
Most criticisms that include Celia, agree that Celia holds the power on the stage during Act I. In Clare Calvo's article she asks the question "Is it really Rosalind who moves the play" (95). She questions the long accepted opinion that Rosalind is the heroine not only in As You Like It, but is the epitome of all of Shakespeare's comic heroines (94). Calvo gives equal accolades to Celia and her important friendship with Rosalind and to Celia's initiative, decision and capacity for action"(95). She explores the diminishing of Celia in order to elevate Rosalind to mythical proportions in both feminist and non-feminist criticism (95). In Calvo's words, " the interest aroused by the figure of Rosalind has tended to eclipse the importance of other characters"(92).
Calvo concentrates on the friendship between Rosalind and Celia ...
... middle of paper ...
...hers of English Studies 56 (1991 Sept): 5 - 11.
Martin, Louis. "As She Liked It: Rosalind as Subject." Pennsylvania English 22,1 - 2 (2000 Fall-Spring):91 - 96.
Shakespeare, William. "As You Like It." The Norton Shakespeare Comedies. Ed. Stephen Greenblatt et al. New York: Norton, 1997. 594-651.
Shaw, Fiona, and Juliet Stevenson. "Celia and Rosalind in As You Like It." Jackson, Russell ed. intro., Robert Smallwood ed. Players of Shakespeare II: Further Essays in Shakespearean Performance. New York: Cambridge UP, 1988. 55 - 71.
Tvordi, Jessica. "Female Alliance and the Construction of Homoeroticism in As You Like It and Twelfth Night." Frye, Susan ed. and intro., Robertson, Karen ed. and intro., Howard, Jean E. after word; Maids and Mistresses, Cousins and Queens: Women's alliances in Early Modern England. New York: Oxford UP, 1999. 114 - 130.
Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.” Shakespeare’s Personality. Ed. Norman N. Holland, Sidney Homan, and Bernard J. Paris. Berkeley: University of California Press, 1989. 116-134.
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
Warren, Roger. Shakespeare Survey 30. N.p.: n.p., 1977. Pp. 177-78. Rpt. in Shakespeare in the Theatre: An Anthology of Criticism. Stanley Wells, ed. England: Oxford University Press, 2000.
Persuasion is a process by which the persuader, through communication, gains the approval or support for the topic (Let's Compare Motivate and Persuade, 2013). The arguments to motivate this change in thinking comes through careful use of rhetoric, but one must also be able to define the six principles of persuasion in social psychology: “Reciprocity, Scarcity, Authority, Commitment and Consistency, Consensus, and Liking” (McLean, 2010, p. 521) and be able to recognize them as they are taking place. Then, one must carefully apply these concepts in order to find the means to effectively facilitate persuasion (p. 518).
Shakespeare, William, Stephen Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare. Second ed. New York: W.W. Norton, 1997. Print.
Clark, W.G., and W. Aldis Wirhgt, eds. The Complete Works of William Shakespeare. Vol 2. USA: Nd. 2 vols.
This paper will look at the different conceptions highlighted by Bulman in his article through the use of different methods used by the actors in the play. Twelfth Night, by William Shakespeare captures the different conceptions of gender identity and different sexualities within the Elizabethan period.
At this point a brief synopsis of the movie would seem to be in order,
Firstly we will commence by discovering how women are presented in Shakespeare’s play .Through-out the play women are presented as immature , impuissant characters : Lady Capulet & Juliet ,all women are regarded as possessions of men ,for them to do as they please . They are ornaments, they cannot speak their minds nor can they make their own decisions. Women are in the men’s shadows.
William Shakespeare’s The Tempest provides dialogue that portrays the social expectations and stereotypes imposed upon women in Elizabethan times. Even though the play has only one primary female character, Miranda, the play also includes another women; Sycorax, although she does not play as large a roll. During many scenes, the play illustrates the characteristics that represent the ideal woman within Elizabethan society. These characteristics support the fact that men considered women as a mere object that they had the luxury of owning and were nowhere near equal to them. Feminists can interpret the play as a depiction of the sexist treatment of women and would disagree with many of the characteristics and expectations that make Miranda the ideal woman. From this perspective, The Tempest can be used to objectify the common expectations and treatment of women within the 16th and 17th Centuries and compare and contrast to those of today.
...portrayed in Shakespeare's As You Like It, and to examine the love relationships in it. Through a careful observation of the characters' perceptions about love, and of the way they engage in love relationships, we may conclude that the concept of love may be attributed different meanings, depending on individual and personal beliefs. Our conclusion may be derived from the various types of comic relations: familial, sexual, romantic, and friendship.
Apart from the obvious biological differences between Men and women we differ in numerous ways, some of which we aren't even conscious of. The way we look, the way behave is all a part of our DNA. We have different genes, our brains are wired differently and we have different hormones.
In William Shakespeare’s “Twelfth Night,” a unnatural love triangle unfolds as the leading heroine, Viola, disguises herself as a male to obscure her social class in society in order to find herself without being bound by her gender. While many of Shakespeare’s works elaborate on the traditional and religious understanding of marriage during the 1600s, “Twelfth Night” obscures these traditional motifs by creating a humanistic portrayal of love that blurs not only social class but gender as well. The determinism throughout the play demonstrates how nature imposes limitations on the characters through cause and affect. For the characters
In my opinion, persuasion is the process of presenting your main idea to an audience and getting that audience to accept that idea as truth. Social psychologist Robert Cialdini penned these six principles of persuasion that are tools in helping you to move your audience closer toward accepting your idea or thought; the principles are Reciprocity, Scarcity, Authority, Commitment & Consistency, Consensus, and Liking (McLean, 2010, p. 538-540). In this essay, I will provide definitions for each principle of persuasion. Also, I will provide a situation where I was tasked with persuading someone at work to do something that I needed help with. Lastly, I will evaluate my application of the six principles of persuasion.
Someone persuades you over 400 times a day, 2,800 times a week, and 145,600 times a year. You may give in to some attempts and hold back on others. There is, however, an incredible power behind the things that you do give in to. Through history and books like Shakespeare’s Macbeth and Animal Farm by George Orwell we can learn from successful endeavors of persuasion and discover the principles that define the powers that persuasion holds. First, let’s start at the very beginning.