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Essays about prostitutions
Essays about prostitutions
Media influences on sexuality
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The exposure to sexual content and nature can cause an influence on young children and even adolescents. In some cases, this can also lead to a different exposure to these sexual natures, including some that are harmful to not just the ones who suffer, but the ones who see it. In tv, movies, media almost everywhere this content is normalized, but should this content be found in a book where it can lead to bad influences? These bad influences like rape, abuse, and more can be found in some books, giving impressions that these actions are normal. For example, A Streetcar Named Desire is a work that shows these acts and they are very heavily used to . Although the heavy use of impressionable sexual content is used and can be questioned, A Streetcar …show more content…
Promiscuity is a indiscrimination in the type of sexual partners one has. This not only influences the thought of sex among readers but putting the thought in their head that they can have many partners in their lifetime rather than the norm of one. Normally, this isn't bad since others are free to do as they please, but this also brings up questions of safety as well as a rise in concern of sexually transmitted diseases as well. "Not only are more teenagers deciding to abstain, but... have made abstinence a social issue" (Ingrassia). The fact that many characters or real people in media like tv and even books show these types of behaviors allow for an influence upon minds and allow this topic to become a "social issue". In this book, this content is exercised as Blanche is seen as a prostitute and follows those actions, as well as being with another man romantically. Promiscuity is seen as the rising issue in young adults life that lead to potentially harmful consequences as well as the chances of an event happening where previous mentioned behavior could …show more content…
It shows not only what happens but the effects, side effects and the ultimate ending of how these are treated and handled by the victim and even others around them. Though the content holds the inappropriate context and evidence, it allows students and young adults to realize the seriousness of content and topics shown in the book. Thus, this book should not be considered a banned book even though it portrays heavy content that can be considered not suitable for young adults. This content is not avoidable and is brought up practically everyday through life. Allowing someone to not experience and fully understand why the questionable content is bad, banning it specifically will not allow a full grasp of
After finishing the book, this book should not be in the banned books. This book has strong language for a younger child to read. it shows what can happen to teenagers, what students will do with drugs, and it has a strong message for older teens. For younger readers, this book carries very strong language but it has a strong message. One of those is that it shows what students will do with drugs.
Identity in Contemporary American Drama – Between Reality and Illusion Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped. Firstly, we learn from an interview he gave, that the character of Blanche has been inspired from a member of his family.
The dawn of the twentieth century beheld changes in almost every aspect of the day-to-day lives of women, from the domestic domain to the public. By the midpoint of the twentieth century, women 's activities and concerns had been recognized by the society in previously male-dominating world. The end of the nineteenth century saw tremendous growth in the suffrage movement in England and the United States, with women struggling to attain political equality. However, this was not to last however, and by the fifties men had reassumed their more dominant role in society. Tennessee Williams wrote A Streetcar Named Desire around the time this reversal was occurring in American society. In this play male dominance is clear. Women are represented as
Although students should read novels that they are mature enough to understand and comprehend, Lohmiller explains that by allowing all middle school students access to read novels with profanity and Christian derogatory, it is not certain that all students are mature enough to not have their daily language influenced by it. While children should read material that they are mature enough to comprehend, censoring material in schools because of language and Christian derogatory does not take away student exposure to any of the censored issues, but instead takes away student exposure to a learning environment that would teach meaning and context. The use of "hell" and "damn" and other Christian derogatory in novels is necessary in furthering the storyline and depicting a realistic illustration of the environment. It is necessary to expose children to the evils in novels because "[a]n uneducated world is a miserable world full of fighting and conflict...A world without books is a dystopian world" (Censoring the Pages of Knowledge 1). This explains that student exposure to profanity and Christian derogatory in schools would allow the youth to be educated on the evils and be the gateway for conversations that the students would benefit from later in life. Banning controversial novels for the evils within will create ignorance in the youth of America today, as they will not be educated on the usage in novels, but of the evils through other means that are not explained and understood by youth. By teaching and allowing students to struggle with profane language and controversial topics in schools, it is ensured that students will be educated on the meaning and reasons behind usage. For example, Fahrenheit 451 is a novel that satirizes and challenges censorship in modern society by depicting the effects of that censorship on a future society where all books are burned. By the use of profanity and Christian derogatory as a means of critiquing the society,
When discussing the notion that “Love can often lead to the creation of an ‘Outsider’." there are cases in our literary examples that would agree with the statement, and some that would not. Outsiders in Much Ado About Nothing, Pride and Prejudice and A Streetcar Named Desire are created by both love and other themes, whether it be class, power, disinterest or a scandal.
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
A Streetcar Named Desire is a classic tragedy written by Tennessee Williams, which earned him the Pulitzer Prize as well as many other awards. This brilliant play explores many important themes and issues. The main recurring theme Williams explores to the readers is the conflict between fantasy and reality, honesty and lies. However, sexuality, violence, and social differences also shape the action of the plot, in which they contribute to the effect of the characters of the play. The three main characters, Blanche Dubois, Stella Kowalski, and Stanley Kowalski, have different ways of dealing with the said conflicts in their harsh surroundings in which they live in, as they all face different crisis. Blanche, who suffers from emotional and inner conflict, is caught between two worlds and tries to escape reality and the truth as much as she possibly can with her imagination. Stella on the other hand, is a naïve and sensitive character, and may be considered to be the protagonist of the play. Stella tries to ignore the truth going on around her, and as harsh as they may be, she accepts them. Stanley, who is an aggressive, dominant, and sexual character, uses violence to receive his desire, no matter the cost. Throughout this play, Blanche, Stella, and Stanley try to survive and deal with reality in different ways in order to satisfy their desire.
Scene One of A Streetcar Named Desire What is the dramatic significance of scene one of the play A Streetcar named Desire? Scene 1 of this play has great dramatic significance. In this essay, I will be looking at key points throughout the scene that reveal the key features of the plot, characters, theme and imagery plus how it is used to give the audience a taster for what is to come.
told Allan "I saw, I know, you disgust me…"( p.96). To Allan, Blanche seemed to
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
Mental instability refers to mental health conditions that affects mood, behavior, and thinking. There are many disorders that affect these parts of people, In A Streetcar Named Desire by Tennessee Williams, Blanche suffers from borderline personality disorder and obsessive compulsive disorder (OCD). This is a direct result from not being able to cope with stress and emotional pain, she would much rather cover it up than to solve the problem. She develops these disorders as a direct result of psychological trauma she experienced when she was younger. She finally cracks at the end of the play due to tension piling up on her. Throughout her life she has suffered, and has developed defense mechanisms to combat the pain resulting from all her problems.
A Streetcar Named Desire explores the way women have been treated in society. It suggests the warfare the women had to face in a situation wherein they were treated as men’s inferiors. Society, or in other words men, imposed many regulations on them, which disabled them to live their lives absolutely. They trusted guys to determine what their lives need to appear to be. Through all the ladie characters of the play, we see the jobs they were meant to just accepted without criticism.
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's world of delusion and fantastical philosophy is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. In Tennessee William’s play, A Streetcar Named Desire, through the study of character and tropology, fantasy and illusion allow one to make life appear as it should be rather than as it is.
“. . . Women internalize the feminine wound or feminine inferiority so deeply, there's little or no female authority and esteem to fall back on. So they seek it by adopting and pleasing patriarchal standards.” (Sue Monk Kidd, the Dance of the Dissident Daughter)