In the poem "To his Coy Mistress" Andrew Marvell tells a subtle and valid argument as to why women should fall in love with him. He attempts this through form and imagery and through manipulatative reasoning. Marvell, a well-known politician, held office in Cromwell's government and represented Hull to Paraliament during the Restoration. Sharon Olds' poem "Sex without Love," uses imagery to question how sex is fullfilling without love. Sharon was born in San Francisco on Novemeber 19, 1942. She earned a Bachelor's Degree at Stanford University and a PhD at Columbia University. The first section lines 1-20 the speaker explains that time is running out and that is why he is rushing to find love and respect. The man tries to sweet talk and win The speaker uses all these harsh lines and puns to scare her into thinking that if she does not yield to his wishes that she will become nothing but dust and be decomposed by worms. Marvell's speaker was selfish and did not care what the woman wanted. He only wanted his own pleaseure. Marvell keeps the same tone throughout. The speaker says together they can conquer the way of life and live happy, but these are all of his thoughts and none of what the mistress thinks. She is silent and her thoughts are not heard. All the speaker wants is sexual gratification and he sees nothing but that. In the poem, "Sex without Love" Olds' immediately grabs the reader's attention with a question. After that first line, Olds' uses ironic phrases which shows a disapproving tone, because she does not believe in sex without love. She writes "Beautiful as dancers, gliding over each other like ice-skaters over the ice" which signifies that sex without love is cold. (Lines 1-3). She also talks about undesired childbirth in her poem. By having sex without the person you love can cause troubles by having an undesired child and then the child will also suffer throughout his/her's
In the first few lines of the poem she talks about going to different dances and how the frequently switched partners, until one day she met Davis. They were soon married and stayed together for seventy years. She and Davis had twelve children, but eight of them died. How the eight children died was never explained in the poem, but it could relate to the time period in which the poem was placed. In the early 1900?s it was normal to have many children, but unless a family had the resources needed, some of the children may die.
"Sex without Love" is a poem by Sharon Old, who states in the opening line "How do they do it, the ones who make love without love?" It starts out with judging those, who have sex outside of having feeling for one another. It describes the sex in the third line as without feeling more as a techniques, which is describe "beautiful as dancers.. over each other like ice skaters." Sex without love to the author is described more as an act, which is performed instead of two people in love, who sex is in love not because of the act but instead of the love of the person. The author seems to climax in the literal sense at line nine : come to the Come to the … then God comes in picture after the act is done. Judgment and sin is the mood of this poem of how two people can commit an act of a heart and soul without disappointed God.
Like a slave, she is bought and sold as human property. In fact, Mary’s last words in the novel show that her suicidal thoughts are her wish to escape the slavery she suffers as a wife, “in moments of solitary sadness, a gleam of joy would dart across her mind – She thought she was hastening to that world where there is neither marrying, nor giving in marriage” (Wollstonecraft, 1788: 53). Wollstonecraft’s concluding words let it become clear that Mary, A Fiction, revolves around the challenges women must face by social expectations and the enslavement forced upon them by the men that surround them, especially focusing on their father and husband. Many prefer death to being submissive to their tyrannical husband. Throughout the narrative, the reader may notice that it is not mandatory for the husband to be with his spouse physically for her to be repressed and forced to act differently from how she wishes to. However, men are not the only ones to blame, but women as well. Mothers educate their daughters to behave a certain way and to be submissive. Following the novels storyline, the story is the representation of a personal persuit for freedom for Mary. However, the plot not only discusses female emancipation, but also personal and sexual freedom. Subsequently, Maria; or the Wrongs of Woman will show a
The juxtaposition of language when describing males and females compares the females’ resentment to the males’ privilege. In both poems, the men are unapologetically self-confident; Adam has “turned himself into God”, his actions and decisions are faultless and are often described as justified by strong and un-ambiguous phrases such as “he had to”, “he must” and “he refuses to.” This language harshly contrasts Eve’s uncertain phrases such as “I would suggest,” “I observed” and “Perhaps”. Similar is the contrast between language used by the female persona and her husband in ‘BS’. The speaker’s rampant and vivid fantasies are hidden “inside her smile”, “invisible inside their placid hostess” and “in her warm thighs”. Her thoughts and desires are hidden from society, behind facades and niceties. Juxtaposing this repression and silence is her husband who ‘calls [her]’ to satisfy his sexual desires without any qualms as to what she may want, and who is described as ‘rich in peace’. The two poets’ utilization of submissive language in describing the female gender mirrors the powerful, assertive words in describing their male counterparts. By placing the male gender on a higher grounding, this represents the way in which the patriarchal society has favoured this gender over the disempowered female,
Women in classical Egyptian, Indian, and Persian literature are depicted as being more than just one dimensional figures. They are displayed as living beings, capable of emotion and exercising power amongst men. Ancient history has shown that in places such as Egypt, woman had equal rights alongside men, in regards to legal and economic rights. At the time, rights were based on economic class and not gender. By having a rights system that mimicked that of men’s rights, Egyptian women were able to show their multi-dimensionality. This multi-dimensionality was best portrayed in love poems such as “The Beginning of the Song that Diverts the Heart,” “I passed close by his house,” and ancient Egyptian literary artifacts, involving stele’s of Ahhotep
Love and Lust in Play-By-Play, Sex without Love, and Junior Year Abroad. Lust is an incredibly strong feeling that can prove to be almost uncontrollable, leading it to commonly be mistaken for love. Due to the relative closeness of these emotions, both are often confused, and even when one is in love he or she does not recognize it. Many think that love just comes knocking on one's door and one will know when it does, but they don't realize that for love to occur, a relationship has to be worked out.
The playfulness of rhyme makes the texts violence and disturbing metaphors about the speakers father creates an even creepier tone that matches perfectly with the themes of the piece. The abundance and repetition of Oo is almost suffocating and gives a childish tone to the piece, although the subject matter is far from it: oo makes this poem seem more disturbing than a nursery rhyme – it 's not a bedtime story, but a howl in the night. Furthermore, the poem follows a free verse rhyme scheme in which allows Plath to show that perhaps the death of her father and husband has set her free, however, there is still some iambic rhythm that is carried in some sections of the piece. Many critics have argued that the rhyme gives lyricism to the piece, often associated with happiness in terms of poetry: Despite that she uses free verse, the poem has much musicality due to rhyme. It is this nursery rhyme style that gave the idea of a more rigid structure in the undone version of Daddy. Although not as fixed as Sonnet or Haiku form, the erasure of certain words makes the poems form look almost purposeful similar and removes the haunting and disturbing rhyme of the original. Not only does this allow the reader to see that there is love for the speakers father in the undone piece but it also shows the adoration for her father to be more developed than completely removed, like in the 1962 version. The undone poem reverberates hauntingly to Plath’s original work, both having their own distinctive beauty and
The tone of “To the Virgins, to Make Much of Time” and “To His Coy Mistress” are different. In Herrick’s poem, his tone is relaxed. For instance when he writes, “Gather ye rosebuds while ye may, /Old times is still a-flying,” his word choice has a very relaxed and casual tone. His attitude reflects the relaxed tone in his poem. In Marvell’s poem, his tone is serious. Marvell’s purpose is to persuade his mistress to have sex with him. He tries to lure her in when saying, “Had we but World enough, and Time.” He starts out very seriously, in attempt to convince his mistress. The relaxed tone of “To the Virgins, to Make Much of Time” and serious tone of “To His Coy Mistress” point out the difference in the way the writers feel about their characters.
The greatness of Lady Chatterley's Lover lies in a paradox: it is simultaneously progressive and reactionary, modern and Victorian. It looks backwards towards a Victorian stylistic formality, and it seems to anticipate the social morality of the late 20th century in its frank engagement with explicit subject matter and profanity. One might say of the novel that it is formally and thematically conservative, but methodologically radical.
Throughout his life... was a man self-haunted, unable to escape from his own drama, unable to find any window that would not give him back the image of himself. Even the mistress of his most passionate love-verses, who must (one supposes) have been a real person, remains for him a mere abstraction of sex: a thing given. He does not see her --does not apparently want to see her; for it is not of her that he writes, but of his relation to her; not of love, but of himself loving.
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
Marvell's piece is structured as a poem but flows as a classical argument. He uses the three stanzas to address the issues of time, love, and sex. In doing so, he creates his own standpoint and satirizes his audience in the process. Using appeals to ethos, pathos, and logos; logical reasoning; and even a hint of the Rogerian technique - Marvell proves that acting now is essential. The logical argument for the "carpe diem" theme is built up from beginning to end.
On a literal level, this poem is bashing true love. This is made apparent throughout the poem. The speaker states things like “listen to them laughing-it’s an insult” and “it’s obviously a plot behind the human race’s back”. It is apparent that the speaker doesn’t have a positive opinion about true love. They even so far as to claim that it an outrage to justice and that it “disrupts our painstakingly erected principles”. This poem is about how true love is just illusion; especially to those people that never find it.
shows that the poet is so fixated in one woman that he is blinded by
Structure, a major tool stressed in this poem, tends to rearrange the text in a large-scale way. In "To His Coy Mistress", the reader should focus on the most significant types of structure: stanza and temporal. In other words, time and chronological order assemble the whole meaning of the text throughout the poem. Although the story contains seduction and intimacy, which is portrayed in the title alone, it is merely a cry for two lovers to be together before time runs out. Temporally, the man first explains to the woman how he would love her if he only had the time. The man's sincerity is truly expressed when Marvell writes, "Had we but world enough, and time...I would love you ten years before the flood...nor would I love at lower rate," (373: 1, 7-8, 20). It seems that the man genuinely cares for the lady, or is he secretly seducing her into bed? Taking a look at the second stanza...