Setting, a major gothic element, can play an important role in a story, including impacting a character’s behavior. For instance, the protagonist of the story, whose name is not mentioned, describes how she gets, “... a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house (3)”. The location of the house in the story implies that since it is an estate, it consists of a bigger area of land, meaning it is possibly farther away from the town. Being away from others and confined to the estate causes the narrator to the feel isolated. Additionally, the feeling of isolation intensifies when John, the protagonist’s husband, suggests that his wife resides in the nursery. …show more content…
The narrator describes the nursery as a, “...big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls (2)”. The barred windows, in addition to the location of the estate, make the story seem as if it is purposely taking place away from people who are not family members. Furthermore, morbid imagery adds to the setting. As the protagonist becomes used to living in the nursery, she begins to see images in the wallpaper. According to her, the wallpaper has, “...a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down (3)”. The narrator’s visions are a result of her being cooped up inside the house and not being able to interact with anyone besides the people living there. The setting can often result in the further healing of one’s mind, or in the progression of
Margaret Atwood is famous for many things. She is a poet, novelist, story writer, essayist, and an environmental activist. Her books are usually bestsellers and have received high praises in the United States, Europe, and her native country, Canada. She has also received many Literary awards, like the Booker Prize, the Arthur C. Clarke Award, and the two Governor General’s Awards (“Margaret Atwood” Poetry). Through her books, she has written about what she sees in society towards women. She discusses how gender equality was corrupted in the past, but still is far from being reached, and women’s roles in society (“Spotty-handed”). Atwood also takes events in her life; like the Great Depression, Communism, and World War II; and applies it to her works. Margaret Atwood's works, including her novel The Handmaid's Tale, reflects women’s fight in equality, how society determines
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
The windows are barred, symbolizing the restrictive nature of the narrator’s mental condition. She is imprisoned within her mind. Her room was once a nursery, symbolizing that she is helpless and dependent on her husband’s care, similar to how a parent is reliant on the care of it’s parents, “… for the windows are barred for little children,” (Gilman 2). The narrator is not only trapped by her own mind and mental condition, but her husband’s wishes and expectations as well. The most significant symbol within the story is the yellow wallpaper. Initially, the narrator only views the wallpaper as something unpleasant, but over time she becomes fascinated with it’s formless pattern and tries to figure out how it’s organized. She discovers a sub-pattern within in it in which she distinguishes as a barred change with the heads of women that have attempted to escape the wallpaper like the woman she has been “seeing” moving within the wallpaper, “And she is all the time trying to climb through. But nobody could climb through that pattern - it strangles so; I think that is why it has so many heads” (Gilman 8). The yellow wallpaper is symbolic of a women’s place in society within the nineteenth century. It was not commonplace, or deemed acceptable, for women to be financially independent and/or engage in intellectual activity. The wallpaper is symbolic of those economic, intellectual, and social restrictions women were held to, as well as the domestic lives they were expected to lead. The narrator is so restricted by these social norms that her proper name is never given within the story, her only identity is “John’s wife”. At the climax of the story, the narrator identifies completely with the woman in the wallpaper and believes that by tearing the wallpaper, both she and the woman would be freed of their domestic prisons, “…there are so many of those
The spacious, sunlit room has yellow wallpaper with a hideous, chaotic pattern that is stripped in multiple places. The bed is bolted to the ground and the windows are closed. Jane despises the space and its wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery. Because the two characters, Emily and Jane, are forced to become isolated, they turn for the worst. Isolation made the two become psychotic.
To start off, first, the narrator thinks that the house her and her husband John are renting for the next three months is haunted or it wouldn’t be as cheap as it is for being such a beautiful place. Another thing is that she unhappy in her marriage. Her husband doesn’t listen to her, tells her she’s wrong and laughs at her. She is feeling very unwell and all he says is she has temporary nervous depression and only tells her to stay in bed and do nothing. The way she describes things is very bleak, dark, depressing. She keeps going back to thoughts of the house being haunted and gets anxious. She becomes angry with John for no reason sometimes and thinks it’s from her ‘nervous condition’. Something the reader may not catch onto when she talks about how she doesn’t like her bedroom is how she took the nursery, so right away, we know she has a baby. She feels trapped with the barred windows and not being able to go anywhere, having to just lay down and look at the most revolting yellow wallpaper shes ever seen. Writing the story alone makes her extremely exhausted and she says that John doesn’t know the extent of her suffering. Eventually, it’s made known that she can’t even go near her own child and it makes her increasingly nervous. She has unwanted thoughts throughout the entire story of the terrifying ugly yellow
Offred is a handmaid, in the novel The Handmaid’s Tale written by Margaret Atwood, who no longer desired to rebel against the government of Gilead after they separated her from her family. When Offred was taken away from her family the Government of Gilead placed her in an institution known as the Red Center where they trained her along with other women unwillingly to be handmaids. The handmaid’s task was to repopulate the society because of the dramatic decrease in population form lack of childbirth. Handmaids are women who are put into the homes of the commanders who were unable to have kids with their own wives. The Handmaids had very little freedom and were not allowed to do simple tasks by themselves or without supervision like taking baths or going to the store. There was an uprising against the government of Gilead and many people who lived in this society including some handmaids looked for a way to escape to get their freedom back which was taken away from them and to reunited with their families which they lost contact with. Offred was one of the handmaids who was against the government of Gilead before she was put in the Red Center, but she joined the uprising after she became a
From the very beginning the room that is called a nursery brings to mind that of a prison cell or torture chamber. First we learn that outside the house there are locking gates, and the room itself contains barred windows and rings on the walls. The paper is stripped off all around the bed, as far as is reachable, almost as if someone had been tied to the bed with nothing else to do. A jail-like yellow is the color of the walls, which brings to mind a basement full of convicts rather than a vacation house. I think that this image of the nursery as a holding cell is first an analogy for the narrator's feelings of being imprisoned and hidden away by her husband. When she repeatedly asks John to take her away, he refuses with different excuses every time. Either their lease will almost be up, or the other room does not have enough space, etc. Even the simple request to have the paper changed is ignored: “He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and the...
The story starts out with a hysterical.woman who is overprotected by her loving husband, John. She is taken to a summer home to recover from a nervous condition. However, in this story, the house is not her own and she does not want to be in it. She declares it is “haunted” and “that there is something queer about it” (The Yellow Wall-Paper. 160). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that there is something strange about the house. It is not a symbol of security for the domestic activities, it seems like the facilitates her release, accommodating her, her writing and her thoughts, she is told to rest and sleep, she is not even allow to write. “ I must put this away, he hates to have me write a word”(162). This shows how controlling John is over her as a husband and doctor. She is absolutely forbidden to work until she is well again. Here John seems to be more of a father than a husband, a man of the house. John acts as the dominant person in the marriage; a sign of typical middle class, family arrangement.
The house and property are seen as positive only when the narrator first describes them. Gilman uses the imagery to create an air of suspense and insinuates the narrator’s coming fall into insanity. The setting of “The Yellow Wallpaper,” in large part, leads to the narrator’s collapse. Almost instantly, the narrator’s already unstable mind perceives a ghostliness that begins to set her even more on edge.
Offred is a Handmaid in what used to be the United States, now the theocratic Republic of Gilead. In order to create Gilead's idea of a more perfect society, they have reverted to taking the Book of Genesis at its word. Women no longer have any privileges; they cannot work, have their own bank accounts, or own anything. The also are not allowed to read or even chose who they want to marry. Women are taught that they should be subservient to men and should only be concerned with bearing children. Margaret Atwood writes The Handmaid's Tale (1986) as to create a dystopia. A dystopia is an imaginary place where the condition of life is extremely bad, from deprivation, oppression, or terror. Three ways she displays the dystopia are through the characters, the language and the symbolism.
In "The Yellow Wallpaper" the setting helps define the action as well as to explain characters behaviors. The setting is which the story takes place is in the narrators room, where she is severally ill, and she is "locked up" in the room which served as her cage. The room in which the narrator is caged in is a nursery, "it is a big, airy room, the whole floor nearly, with windows that look all ways. The paint and paper look as if a boys' school had used it." The narrator describes the color of the walls as repellent, almost revolting, it is an unclear yellow with a dull orange. The condition that the narrator is in, the repulsiveness of the room, and the room haunting her, drives her into insanity.
The story of Margaret Atwood’s The Handmaid’s Tale is set in what used to be Cambridge, Massachusetts the home of the prestigious Harvard University. In my opinion this location was chosen by Atwood in order to set a tone of structure and show the superiority of the elite class in the novel. This structure and elite superiority is what allows the Republic of Gilead to have a strict hold on the women. Using Harvard as the background for the story provides geographical limits that were in place before the university closed. These limits are a constant reminder to the women of the control that the Republic of Gilead exudes over them. One particular example of this control is described by Offred while she is walking down the street to perform
The room describes the narrator. The room was once a nursery so it reminds her that she has a baby which she is not able to see or hold. The room was also a playroom so it reminds her once again that she cannot play with or watch her baby play. The room has two windows which she looks out of and sees all the beautiful places she cannot go because of her husband. The bars on the windows represent a prison which her husband has put her in to heal from her illness.
Margaret Atwood's novel The Handmaids Tale belongs to the genre of anti-utopian (dystopian) science fiction where we read about a woman's fictive autobiography of a nightmarish United States at the end of the twentieth century when democratic institutions have been violently overthrown and replaced by the new fundamentalist republic of Gilead. In the novel the majority of the population are suppressed by using a "Bible-based" religion as an excuse for the suppression. How does this work and why can the girls, the so called Handmaids, be considered the victims of society? Also, in what way does Gilead use biblical allusions? That is some of the questions this essay will give answers for.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping