Annalee Schurbert’s Scottish Harbor, at the Buddy Holly Center in Lubbock, is a watercolor painting of a body of water with a small boat hooked to a dock. In the painting, you see the small boat with a red circle buoy and its distorted image reflected in the water. Through the use of different artistic elements and principle, the painting portrayed a message of having a unique quality.
Schurbert’s Scottish Harbor was painted using watercolors on a piece of material that is approximately two feet tall by two feet wide. In this painting, the red circle buoy on the white and blue boat are the most dominate subjects of the picture. The overall color tone of the picture is made up of cool colors except for the contrasting red circle buoy. In the
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That message was that you can be a small part of something big and still have a unique quality. Since the ocean covers up over 70 percent of the Earth’s surface, the boat seems insignificant compared to the amount of water. However, the red circle buoy sticks out of painting making the boat have a unique quality and is the focal point of the painting. A focal point is a principle of art that draws its viewer attention to it. Through the use of this focal point, the viewer’s attention is drawn away from the large amount of water and towards the little boat. As the viewers’ looks at the red buoy, they are shown small but very important item used by boaters in real life. The red circle buoy also provides a big contrast in color which warms up the picture. This element in art helps make the work more appealing and interesting to the eyes. Since most of the painting is done in a shade of blue, the red pops out in a good way. If the painting did not have this contrast, it would make the art work seem boring and not very appealing. In real life, the red buoy is not only used as a decoration but can be used to save people who have accidentally fallen into the water. I think that this red buoy helps the viewers to think about how this one little thing can have a big impact on someone’s
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Frederick Varley and all the other members of the Group of Seven were working towards creating a new Canadian Style of painting in a time where Canada was desperate to show how independent and different from Britain they were. Varley’s Stormy Weather Georgian Bay is a perfect example of art mirroring society. With this piece we can see the use of new, vibrant colours and loose flowing brush strokes to symbolize the new role that Canada was pushing to play as an independent nation on the world
During this time he was living in Lavender bay with a clear view of the Opera House. I see it as a fun, bright picture of the Opera House on a clear evening. The Opera house was a focus of National and International pride and interest and the painting celebrated its elegance. The opera house is special to me because I remember sitting and drawing it on a trip to Sydney when I was about 6 or 7. When we go to Sydney we always visit the Opera House and I sang there in Year 5 as part of a school choir. It has fond memories for me. It appears to me as if the building is made from sails. The only menacing element in the painting for me is the black shark fin which cuts through the white waters. It was an oil painting on a canvas 203x244cm (not a small painting) which Whiteley traded it with QANTAS for a period of free
At first glance, the cheerful bright blue sky on the upper portion of the painting caught the most attention. The second dominant feature is the small sailboat with seagulls on the background where Monet illustrated in brightest white. Examining closely in that particular area, it is noticeable that the artist intended to incorporate a sheer layer of white surrounding the sailboat to create the illusion of sheen light breaking through the clouds and reflecting into the ocean. Monet used a variation of values along with the combination of heavy and light individual brushstrokes to create uneven tones to show the movement of the water caused by the weather and the sun. Several layers of underpaint can also be seen as the artist’s intention for the waves to appear fuzzier. The fuzzy wave in the foreground to the right is slightly bulged from the canvas showing the finer brushstroke slightly dabbed on the surface. Dense cracking is present all over the painting possibly due to the painting being very
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
The representation of the new age of exploration, which serves as an allusion to man’s potential, is starkly contrasted with the depiction of Icarus that serves as an allegory for man’s limits, indicating the shift from a euro-centric universe. This painting is an oil canvas landscape of the sun setting on the horizon of the ocean sea, while the ships were sailing through the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman, showing the increasing artistic methods that begin to be utilized.
A recent restoration of The Mill has exposed that the background depicted in the painting was made up of blue skies that was earlier covered by varnish that had been discolored. Such discovery has further strengthened the expression of the art piece. Rembrandt’s extends a sensati...
From the beginning, the four characters in the aftermath of a shipwreck do not know "the colour of the sky" but all of them know "the colours of the sea." This opening strongly suggests the symbolic situations in which human beings are located in the universe. The sky personifies the mysterious, inconceivable cause of reality , which humans cannot understand, and the sea symbolizes the earthy, mundane phenomenon, which humans are supposed to perceive. The symbolic picture generated by the above conflict implies the overall relationship between the individual and nature. In fact, the daily life of human beings is at the mercy of the uncontrollable waves of the sea; while, at the same time, the essential part of reality remains unknown to feeble, helpless humans.
Twain's detailed images of the "gold," (1) "tinted... opal," (1) and "silver" (1) river, paint the beauty he finds in the surroundings. The "graceful curves, reflected images, woody heights, soft distances; and... marvels of coloring" (1) depict the opinion Twain has of the river. This beauty has been learned and appreciated through the years of living along the river and is revealed through his images.
There are several elements in this painting which may be difficult to interpret but may have meaning, such as; the headdress on the ground, the horse on the flag, the two men in different style and colored clothing, the smoke that appears much darker, and the two men pointing away from the scene, the wind direction being portrayed differently.
The sea is at fault for Enda’s progression to self-discovery as she selfishly submits to her consciousness and becomes independent. Enda’s practical uses of the sea, demonstrates her nonconformity and therefore foreshadows her suicide at the end of the novel. As she swims, the water imagery associated with the sea symbolizes empowerment, allowing Enda, as she gains independence, to not only gain control of herself, but defy against society’s expectations. Chopin repeats the image of the sea in order to symbolize that the sea acts as a figurative place that allows Enda to liberate herself from society.
Chagall’s painting The Fiddler (1912) is the largest and richest work in the series of figure pictures in which Chagall was bringing to life the typical characters he remembered from his childhood. In this composition the use of arbitrary colour is clearly seen, for example the fiddler's green face, the blue roof top etc. He does not ...
The opening paragraph of the story emphasizes the limitations of the individual’s vision of nature. From the beginning, the four characters in the dingy do not know “the colors of the sky,” but all of them know “the colors of the sea.” This opening strongly suggests the symbolic situations in which average peo...
As general overview, this picture displays a rural scene on the River Stour in the English countryside. Here Constable uses dark, soft colors in order to reflect the painting’s pastoral tone. The dark green, blue and white are used to create the nature scene. He uses soft, rounded, smooth brushstrokes which help to depict the mildness of nature. The painter also utilizes broken, curves lines, and dots in the painting. The most definite lines in the painting are used to create the trunks of trees and in the houses. Constable uses very few definite shapes in this painting, though there are some circles and triangles used to makeup solid objects like the carriage and the house. The foreground of this painting shows the ground and dirt leading up to the river. On the ground next to river a dog and debris can be seen along with some patches of grass. The middle-ground of the picture shows a carriage carrying a few people in the middle of the river pointed toward the cottage on the edge of the river. Finally, the background depicts many trees by the river side leading past the back of the house on towards the left, while the right side of the painting leadoff into the rest of the countryside with more trees and clouds overhead. This arrangement clearly reflects this style of painting and the era of the
With the technique of props in this film it helped together to pulling a deeper meaning because these prop all symbolized a meaning that contributed in this film. Pascal found the balloon on the top of the light post which gave us a lead way to form a meaning. Also, mirrors had a focus point at one time in the film. Mirrors represents two world of a parallel view. Light post are known to be a power source for energy and light. As Pascal continues it seems that the balloon becomes his best friend. This causes problems at home, school, and while trying to ride public transportation but eventually overcome. The characters movement and performance plays as a key element in the short film because there is very little French dialogue in the duration of this film. Their actions are watched closer because of this missing element. Then the characters target the red balloon from the boys in his neighborhood and they eventually capture and stone it until it deflates. This is relevant to the film because it give the message of society and how they do not like that is different. They would try to destroy whatever type of creativity you have to make you like everyone else. Colors can connect and contract objects in various figures throughout the film. Some people say to generally find a red balloon in such a gray environment symbolizing many things like hope, creativity, and