Scott Pilgrim Vs. The World

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Director Edgar Wright's Scott Pilgrim vs the World (2010) was based on Bryan Lee O'Malley's comic book of the same name. The film follows the protagonist, Scott Pilgrim (Michael Cera), on his quest to defeat the seven evil ex-boyfriends of his love interest. Due to the original story being presented as a comic book, Wright and his team had the daunting task of emulating that same style. Every action-packed battle had to be timed and angled perfectly, to give the young nerds watching the sweet, nostalgic kick induced by the comic books they would read. Scott Pilgrim vs the World was a real crowd pleaser thanks to the hard work of the production team. From the 8-bit Universal Studios opening to the bitter-sweet credit roll, Wright excited young …show more content…

Again, this style choice is taken directly from the way that comic book panels would transition to another scene or point in time. Since the audience has to actively look at the screen to see the what is happening, this choice of transitioning holds the audience's attention instead of giving them a reason to look away or become distracted by something else. Another way that the film recreates similar transitions to comic books is by panning in on the onomatopoeias sprinkled throughout the film. The use of written onomatopoeias along with the sound effects in the film helps to emulate the comic book vibe that Wright was going for. The last major transition that the film utilizes is by finishing the characters spoken sentences and the narrative's written sentences to continue an action, scene, or sequence. This same strategy was used in Austin Powers twice as a joke, but in Scott Pilgrim vs the World, the usage of this transition creates a fast-paced scene that, again, demands the audience's attention. This helps to create that "page-turning" feeling many people have experienced whilst reading their favorite comic …show more content…

The movie uses the panel effect during phone conversations to make the dialogue more interesting. The panels not only focus on the characters speaking but rather it, also, brings attention to major actions performed by the people conversating, as well as, the people or events that are being talked about. Seeing the conversation in this manner is much more attractive than a wide shot of the two actors, and it provides much more information than the latter would have. Another visual effect the film utilizes for conversational scenes is action lines. By using action lines to direct the conversation from one person to another keeps the conversation fast paced. In a few scenes, this effect is, also, used to draw attention to the reactions or glances made during the conversations. These things can easily be lost in the scene, and the dialogue only helps to hide the subtle actions. By using the action lines, the audience is drawn into both the scene and the conversation itself. The panels and the action lines both do a lot to recreate the fast-paced scenes seen in comic

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